Suit Amorth alors qu'il enquête sur la possession terrifiante d'un jeune garçon et finit par découvrir une conspiration vieille de plusieurs siècles que le Vatican a désespérément essayé de ... Tout lireSuit Amorth alors qu'il enquête sur la possession terrifiante d'un jeune garçon et finit par découvrir une conspiration vieille de plusieurs siècles que le Vatican a désespérément essayé de garder cachée.Suit Amorth alors qu'il enquête sur la possession terrifiante d'un jeune garçon et finit par découvrir une conspiration vieille de plusieurs siècles que le Vatican a désespérément essayé de garder cachée.
- Prix
- 1 victoire et 3 nominations au total
Alexandra Essoe
- Julia
- (as Alex Essoe)
Edward Harper-Jones
- Young Amorth
- (as Edward Harper Jones)
Histoire
Le saviez-vous
- AnecdotesRussell Crowe met with personal friends of Fr. Amorth including one who had accompanied Amorth on over 150 exorcisms, in order to better know the character he was playing.
- GaffesThere is no mention of the Iron Maiden device prior to the 19th century. Additionally, there is no evidence that it was ever used by the Inquisition and may, in all probability, have been a myth fabricated to sell tickets at a tourist attraction.
- Citations
Father Gabriel Amorth: A mother's love is the closest thing we know to God's love.
- ConnexionsFeatured in Projector: The Pope's Exorcist (Russell Crowe) (2023)
- Bandes originalesShe Sells Sanctuary
Written by Ian Astbury (as Ian Robert Astbury) and Billy Duffy (as William Henry Duffy)
Performed by The Cult
Courtesy of Beggars Banquet Records Ltd.
By arrangement with Beggars Group Media Limited
Commentaire en vedette
Russell Crowe plays the real life Pope's exorcist, Gabriele Amorth. Father Amorth passed away in 2006 and its probably a good thing. While this movie is spooky and entertaining, its a big, exaggerated, and I assume highly fictionalized, version of a time in Father Amorth's life.
The Pope (Franco Nero) assigns Father Amorth to look into a potential demonic possession of a young boy in Spain. The boy, Henry (Peter DeSouza-Feighoney), his mother Julia (Alex Essoe) and his sister Amy (Laurel Marsden) are Americans who move to Spain after the death of Henry's father in a car accident. They are living in an old Spanish abbey that is the only think Julia's husband left them when he died in a car accident the year before. A local priest, Father Esquible (Daniel Zovatto) is out of his element, but is enlisted by Amorth to assist in the exorcism.
The possession tropes are all here. Contortions, scary voices, lights going on and off, crosses turning upside down, people getting thrown around, possessed people spewing fluids and cursing, climbing walls and crawling around like spiders. There is a mystery about the origin of the abbey dealing with the church's role in the Inquisition.
There is some gratuitous nudity that just felt out of place in this movie. I mean, I like naked breasts as much as the next guy, but it just felt a bit uneccessary.
Crowe does a really good job as Father Amorth. He has the right balance of faith, weariness and conviction for someone who faces evil of all kinds. Zovatto's performance as Father Esquibel, to me, was the highlight of the film. He keeps everything grounded, despite the bizarre happenings. All three of the actors playing the family members are cookie-cutter performances and don't really add or subtract from the proceedings. There are some genuine chills in this move and a few scary moments. I enjoyed it and its crisp runtime kept it from getting boring. Still, I was hoping for a bit more story and less stunt work. I mean how many times do we need to see someone get thrown across a room into a mirrored wall and get right back up? One character, while wrestling with a possessed child, gets their head smashed through a ceramic sink with no effect. I might have tapped out and sought some aspirin.
Enjoy it for what it is. Then go watch the Exorcist again.
The Pope (Franco Nero) assigns Father Amorth to look into a potential demonic possession of a young boy in Spain. The boy, Henry (Peter DeSouza-Feighoney), his mother Julia (Alex Essoe) and his sister Amy (Laurel Marsden) are Americans who move to Spain after the death of Henry's father in a car accident. They are living in an old Spanish abbey that is the only think Julia's husband left them when he died in a car accident the year before. A local priest, Father Esquible (Daniel Zovatto) is out of his element, but is enlisted by Amorth to assist in the exorcism.
The possession tropes are all here. Contortions, scary voices, lights going on and off, crosses turning upside down, people getting thrown around, possessed people spewing fluids and cursing, climbing walls and crawling around like spiders. There is a mystery about the origin of the abbey dealing with the church's role in the Inquisition.
There is some gratuitous nudity that just felt out of place in this movie. I mean, I like naked breasts as much as the next guy, but it just felt a bit uneccessary.
Crowe does a really good job as Father Amorth. He has the right balance of faith, weariness and conviction for someone who faces evil of all kinds. Zovatto's performance as Father Esquibel, to me, was the highlight of the film. He keeps everything grounded, despite the bizarre happenings. All three of the actors playing the family members are cookie-cutter performances and don't really add or subtract from the proceedings. There are some genuine chills in this move and a few scary moments. I enjoyed it and its crisp runtime kept it from getting boring. Still, I was hoping for a bit more story and less stunt work. I mean how many times do we need to see someone get thrown across a room into a mirrored wall and get right back up? One character, while wrestling with a possessed child, gets their head smashed through a ceramic sink with no effect. I might have tapped out and sought some aspirin.
Enjoy it for what it is. Then go watch the Exorcist again.
- Eric266
- 20 août 2023
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Pope's Exorcist
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 18 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 20 009 380 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 9 006 368 $ US
- 16 avr. 2023
- Brut – à l'échelle mondiale
- 76 987 621 $ US
- Durée1 heure 43 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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