Faux documentaire sur la reconversion de l'acteur Joaquin Phoenix en rappeur.Faux documentaire sur la reconversion de l'acteur Joaquin Phoenix en rappeur.Faux documentaire sur la reconversion de l'acteur Joaquin Phoenix en rappeur.
- Prix
- 1 victoire et 4 nominations au total
- Victor - Danny DeVito's Stand-In
- (as Johnny Marino)
- Amanda Demme
- (as Amanda Demme)
Histoire
Le saviez-vous
- AnecdotesThe idea for the film came from Joaquin Phoenix's amazement at the way people believed that reality television shows were unscripted. By claiming to retire from acting, he and his brother-in-law Casey Affleck planned to make a film that "explored celebrity, and explored the relationship between the media and the consumers, and the celebrities themselves".
- GaffesWhen Phoenix first meets Diddy in the hotel, he knocks on the door on the right side of the hall, then the camera switches and Diddy is opening the door on the left side of the hall. It can't just be a change in camera angle since the door is the last one on the hall.
- Citations
Edward James Olmos: That's you, drops of water and you're on top of the mountain of success. But one day you start sliding down the mountain and you think wait a minute; I'm a mountain top water drop. I don't belong in this valley, this river, this low dark ocean with all these drops of water. Then one day it gets hot and you slowly evaporate into air, way up, higher than any mountain top, all the way to the heavens. Then you understand that it was at your lowest that you were closest to God. Life's a journey that goes round and round and the end is closest to the beginning. So if it's change you need, relish the journey.
- ConnexionsFeatured in The Rotten Tomatoes Show: The Town/I'm Still Here/Easy A (2010)
Well does it matter? Really? The answer is no. A better question to ask is "Is it a good film" the answer to that is... well... yes it is.
In a culture obsessed with celebrity and popular success the documentary or 'mockumentary' is totally riveting and will have you glued to your seat ('If', and its a big 'if', you are the type of person even moderately interested in celebrity!)
Much of it can be likened in the same way to personally watching a disaster about to happen. Picture seeing a train about to crash and having absolutely no power to to do anything about it. You know the outcome, but you can't take your eyes off the immanent movement of the train and the inevitable outcome of the collision.
That is this film.. and it's constructed very well.. despite what people may tell you... there is no 'based on a true story' there is no 'this is fictional' subtitles before or after. It lets you draw your own conclusions whatever they may be.
I won't comment myself on whether its real or not but suffice to say if you research it enough I'm sure you will draw your own conclusions. (You probably will if you are the type of person that cares a jot about celebrity and whether you care about "J.P's" future career - which is pretty clever when you think about it... And I'll tell you why in the next paragraph).
Because Joaquin Phoenix is not likable in the film at all. He really isn't. But you want to like him. But he is an a55. Which is quite brilliant...
In conclusion... I don't think 'everyone' is going to get it... but I take my hat off to Casey Affleck because he directed it very, very well. Perhaps not in a classical style, like say, Clint Eastwood... but in a 'gonzo' film style that people, in my humble opinion, who are savvy and thoughtful, will understand in this modern age of CCTV, internet, Utube etc.
Lastly, if you 'are' one one those people then vote it an 8 because it certainly does not deserve a 6. That is simple unjust, and no I don't work for anyone associated with the film.
Thanks for reading. My advise is give it a go...
S.
- conthesleepy1
- 25 nov. 2010
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- I'm Still Here: The Lost Years of Joaquin Phoenix
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 408 983 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 96 658 $ US
- 12 sept. 2010
- Brut – à l'échelle mondiale
- 626 396 $ US
- Durée1 heure 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1