Suspectant son mari d'infidélité, la gynécologue Catherine Stewart engage une escorte appelée Chloé afin de vérifier sa fidélité. Bientôt, les relations entre les trois s'intensifient.Suspectant son mari d'infidélité, la gynécologue Catherine Stewart engage une escorte appelée Chloé afin de vérifier sa fidélité. Bientôt, les relations entre les trois s'intensifient.Suspectant son mari d'infidélité, la gynécologue Catherine Stewart engage une escorte appelée Chloé afin de vérifier sa fidélité. Bientôt, les relations entre les trois s'intensifient.
- Prix
- 3 victoires et 5 nominations au total
- Alicia
- (as Laura De Carteret)
- Trina
- (as Tiffany Knight)
Histoire
Le saviez-vous
- AnecdotesIn the middle of March 2009, Liam Neeson interrupted filming his scenes in order to visit his wife Natasha Richardson in the hospital after she had a skiing accident. The brain injury she received from this accident led to her death a few days later. Just a few days after her death, Neeson voluntarily returned to the set and completed his performance. The filmmakers changed the script accordingly, and Neeson completed his performance in two days.
- GaffesThroughout the film, Catherine receives text messages from Chloe. The dates that appear on her cell phone do not progress. One date towards the start of the film reads "March 27th," and another towards the end of the film reads "March 25th," despite that meaning time is moving backwards.
- Citations
Catherine Stewart: How do you do this?
Chloe: I try to find something to love in everybody. Even if it's a small thing. Something about the way someone smiles. There's always something, there has to be. I try to make myself generous. I do things I don't want to do. I... I think about what not to criticize. And the strangest things come back to me.
Catherine Stewart: Like?
Chloe: You.
Catherine Stewart: Me?
Chloe: Yeah. Yeah people like you walk into my life.
- Générique farfeluDaniel Pellerin (with thanks for 25 years of great work, from Atom)
- ConnexionsFeatured in The Rotten Tomatoes Show: From Paris with Love/Dear John/Frozen (2010)
- Bandes originalesExcerpt from 'Don Giovani' - Aria No. 4 'Madamina, il catalogo è questo'
Written by Wolfgang Amadeus Mozart (uncredited)
Performed by Ildebrando D'Arcangelo, Wiener Philharmoniker, Daniel Harding
A production of UNITEL in co-production with ORF and Classica in co-operation with the SALZBURG FESTIVAL
Catherine (Moore) hires Chloe (Seyfried), an escort, to test her husband's (Neeson) loyalty towards her. However, Chloe falls in love with Catherine and the two women get intimate, which complicates their lives.
Chloe starts off as an intriguing psychological drama - and then begins to veer off into B-movie territory, although Egoyan packs in enough wisdom about the slow erosion of relationships, about aging, about female desire, to make the film utterly worthwhile. Moore and Seyfried provide the film with an intense breath of authenticity guaranteeing you feel the pain inflicted upon their characters by the plot's extreme circumstances.
The script's feminine perspective helps elevate the film from Egoyan's usual sexy (but satisfying) thriller into something a tad more insightful. The films seductive aesthetic is both distancing and, largely on the strength of Moore's translucent performance and Seyfried's boldness, forcibly intimate.
The film may be predictable and a little messy when it comes to the story-telling but Moore and Seyfried deliver enough hot chemistry to keep an audience's interest until the final moments. Between the strong acting, camera work, the subtle yet powerful score and a compelling story that lures us immediately, Chloe is ultimately a recommended watch.
- SamJamie
- 25 juin 2020
- Lien permanent
Meilleurs choix
- How long is Chloe?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Chloe
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 14 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 3 075 255 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 900 688 $ US
- 28 mars 2010
- Brut – à l'échelle mondiale
- 13 657 649 $ US
- Durée1 heure 36 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1