Deux détectives décalés de New York saisissent l'occasion de se présenter comme les plus grands policiers de la ville, mais les choses ne se passent pas comme prévu.Deux détectives décalés de New York saisissent l'occasion de se présenter comme les plus grands policiers de la ville, mais les choses ne se passent pas comme prévu.Deux détectives décalés de New York saisissent l'occasion de se présenter comme les plus grands policiers de la ville, mais les choses ne se passent pas comme prévu.
- Prix
- 3 victoires et 15 nominations au total
Histoire
Le saviez-vous
- AnecdotesThe idea of teaming up of Will Ferrell and Mark Wahlberg had been gestating since The 79th Annual Academy Awards (2007), where Will had been viciously insulting other actors as part of a bit, but became extremely polite to Mark.
- GaffesGamble owns a red Prius. At one point, the right rear door is replaced by a gray door (due to events happening in the movie). Later, when the car is on a train, the door reverts to red. However, two scenes later, the car door is gray again.
- Citations
Terry Hoitz: I am a peacock, you gotta let me fly!
- Générique farfeluAn outtake between Will Ferrell and Mark Wahlberg at the restaurant plays after the end credits.
- Autres versionsThere are two versions available., the PG-13 theatrical release, running 1h 47m (107 min) and an unrated home video cut of 1h 56m (116 min).
- ConnexionsFeatured in The Nostalgia Critic: Top 11 Coolest Cliches (2010)
- Bandes originalesWe Trying to Stay Alive
Written by Barry Gibb, Maurice Gibb, Robin Gibb, John Forte, Wyclef Jean and Pras Michel (as Samuel Michel)
Performed by Wyclef Jean featuring John Forte and Pras Michel (as Pras)
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
Contains a sample of "Stayin' Alive"
Performed by The Bee Gees
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
Commentaire en vedette
I tend to have mixed feelings about Will Ferrell films. Ferrell is a likable guy and plays likable characters, but often his films feel a little too much like extended Saturday Night Live sketches; even if they're funny, they just don't have that much to them.
But I love The Other Guys. The premise is unexceptional, a mismatched buddy movie about two undistinguished cops who stumble into a big case, but the movie is wildly funny.
One of the things I love about this movie is how everyone plays it straight. Ferrell is almost as low key here as a cop-accountant as he was in Stranger Than Fiction, and while the movie is often extremely silly, no one in it ever gives a hint that they know it (although Ferrell has a few over-the-top moments that have that SNL cartoonish feel to them that I could have done without). Wahlberg doesn't act like he's making a cop movie parody, he acts like he's making a cop movie. There is a certain odd realism in moments where the heroes pull off something clever or dazzling and take a moment to be impressed with themselves.
Mainly though, this movie is just really, really funny. I could not stop laughing.
But I love The Other Guys. The premise is unexceptional, a mismatched buddy movie about two undistinguished cops who stumble into a big case, but the movie is wildly funny.
One of the things I love about this movie is how everyone plays it straight. Ferrell is almost as low key here as a cop-accountant as he was in Stranger Than Fiction, and while the movie is often extremely silly, no one in it ever gives a hint that they know it (although Ferrell has a few over-the-top moments that have that SNL cartoonish feel to them that I could have done without). Wahlberg doesn't act like he's making a cop movie parody, he acts like he's making a cop movie. There is a certain odd realism in moments where the heroes pull off something clever or dazzling and take a moment to be impressed with themselves.
Mainly though, this movie is just really, really funny. I could not stop laughing.
- cherold
- 15 mai 2011
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- How long is The Other Guys?Propulsé par Alexa
Détails
Box-office
- Budget
- 100 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 119 219 978 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 35 543 162 $ US
- 8 août 2010
- Brut – à l'échelle mondiale
- 170 458 922 $ US
- Durée1 heure 47 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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