Ayant grandi dans l'Arizona après la Seconde Guerre mondiale, un jeune homme du nom de Sammy Fabelman découvre un secret de famille bouleversant et explore comment le pouvoir des films peut ... Tout lireAyant grandi dans l'Arizona après la Seconde Guerre mondiale, un jeune homme du nom de Sammy Fabelman découvre un secret de famille bouleversant et explore comment le pouvoir des films peut l'aider à voir la vérité.Ayant grandi dans l'Arizona après la Seconde Guerre mondiale, un jeune homme du nom de Sammy Fabelman découvre un secret de famille bouleversant et explore comment le pouvoir des films peut l'aider à voir la vérité.
- Nommé pour 7 oscars
- 31 victoires et 299 nominations au total
Mateo Zoryan
- Younger Sammy Fabelman
- (as Mateo Zoryon Francis-DeFord)
Histoire
Le saviez-vous
- AnecdotesSteven Spielberg said his parents had been "nagging" him to put them on the big screen prior to their deaths. "They were actually nagging me, 'When are you going to tell that story about our family, Steve?' And so this was something they were very enthusiastic about," he said. He also shared what finally prompted him to make The Fabelmans: "I started seriously thinking, if I had to make one movie I haven't made yet, something that I really want to do on a very personally atomic level, what would that be? And there was only one story I really wanted to tell." He also said The Fabelmans is "the first coming-of-age story I've ever told." "My life with my mom and dad taught me a lesson, which I hope this film in a small way imparts," he told The Hollywood Reporter. "Which is, when does a young person in a family start to see his parents as human beings? In my case, because of what happened between the ages of 7 and 18, I started to appreciate my mom and dad not as parents but as real people."
- GaffesYounger Sammy Fabelman's eyes are blue, while the older Sammy Fablelman's eyes are brown.
- Générique farfeluTwo dedications to Spielberg's real life parents Leah Adler and Arnold Spielberg appear after the closing credits.
- Bandes originalesThe Greatest Show on Earth
from Sous le plus grand chapiteau du monde (1952)
Written by Victor Young, Ned Washington
Performed by the Paramount Studios Band
Courtesy of Paramount Pictures
Commentaire en vedette
There is a tendency these last years for directors to create movies about their love of movies. This movie is Spielberg's attempt, and I can confirm that it's pretty well achieved. You can feel the "true story" in the ways in which this coming-of-age story avoids melodramatic teenage cliches and tropes. The protagonist is simply a good guy. There are no real antagonists except... I guess a couple of bullies...? It's a story that simply proves Spielberg's unmatched proficiency in the language of cinema: the pacing, the directing, is very refined and well-crafted, there's a lot of sentimentality that is efficiently conveyed and the visuals are always engaging in one way or another.
Spielberg is a weird director, one that basically is simply very good at doing what he does, he talks the language of movies, Hollywood movies. He's one of those producers that turns every pop song into a hit. He doesn't have a strong sense of story, he lives and breaths in the Hollywood mainstream, and the movie portrays this very well, it shows how he is inspired by action movies, or epic movies, any entertaining story. His alter ego in the film is a very normal lead character, a very Hollywood-type of character. The best moments in the story are the interaction with his family, his complex relationship with his mother (really beautifully performed). I don't find a lot else to say, really. The only nitpick I have to offer is that the main character wears these extremely distracting brown contact lenses (I suppose to make his eyes look "genetically accurate) and I don't understand how necessary that was. The movie is simply a very conventionally well told story. Also the Lynch cameo is admittedly a moving tribute both to him and to his character of John Ford. It's slow in parts but not grating, some moments are chuckle-worthy, some are moving. It's a testament to Spielberg's insane versatility and his ability to just serve the medium of Hollywood films. I'm probably going to forget this movie in a while, but I will gladly revisit it. It's a cute movie, very cozy and feel-good, a nice Christmas family watch.
Spielberg is a weird director, one that basically is simply very good at doing what he does, he talks the language of movies, Hollywood movies. He's one of those producers that turns every pop song into a hit. He doesn't have a strong sense of story, he lives and breaths in the Hollywood mainstream, and the movie portrays this very well, it shows how he is inspired by action movies, or epic movies, any entertaining story. His alter ego in the film is a very normal lead character, a very Hollywood-type of character. The best moments in the story are the interaction with his family, his complex relationship with his mother (really beautifully performed). I don't find a lot else to say, really. The only nitpick I have to offer is that the main character wears these extremely distracting brown contact lenses (I suppose to make his eyes look "genetically accurate) and I don't understand how necessary that was. The movie is simply a very conventionally well told story. Also the Lynch cameo is admittedly a moving tribute both to him and to his character of John Ford. It's slow in parts but not grating, some moments are chuckle-worthy, some are moving. It's a testament to Spielberg's insane versatility and his ability to just serve the medium of Hollywood films. I'm probably going to forget this movie in a while, but I will gladly revisit it. It's a cute movie, very cozy and feel-good, a nice Christmas family watch.
- slzoras
- 18 déc. 2022
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- The Fabelmans
- Lieux de tournage
- 12908 Bailey Street, Whittier, Californie, États-Unis(Monte's camera shop: Bennie tries to offer Sammy a film camera)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 40 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 17 348 945 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 161 579 $ US
- 13 nov. 2022
- Brut – à l'échelle mondiale
- 45 614 213 $ US
- Durée2 heures 31 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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