Oliver Tate, 15 ans, a deux objectifs: Perdre sa virginité avant son prochain anniversaire et mettre fin à la relation entre sa mère et un ancien amant qui ressurgit dans sa vie.Oliver Tate, 15 ans, a deux objectifs: Perdre sa virginité avant son prochain anniversaire et mettre fin à la relation entre sa mère et un ancien amant qui ressurgit dans sa vie.Oliver Tate, 15 ans, a deux objectifs: Perdre sa virginité avant son prochain anniversaire et mettre fin à la relation entre sa mère et un ancien amant qui ressurgit dans sa vie.
- Nominé pour le prix 1 BAFTA Award
- 6 victoires et 17 nominations au total
- Gene
- (as Lynne Hunter)
Histoire
Le saviez-vous
- AnecdotesAlex Turner, lead singer of the British band "Arctic Monkeys", provided original songs for the film, one of which, "Piledriver Waltz", ended up on their 2011 album "Suck It And See".
- GaffesWhen Oliver leaves Jordana's house after Christmas dinner, the car parked in the driveway is a 1997 Vauxhall Astra. The film is set eleven years previously in 1986.
- Citations
Oliver Tate: Ask me how deep the ocean is.
Jordana Bevan: Shut up.
Oliver Tate: Come on, just ask me.
Jordana Bevan: Why?
Oliver Tate: 'Cause I know the answer.
Jordana Bevan: Oh! Do you?
Oliver Tate: Yes, I do.
Jordana Bevan: How deep is the ocean?
Oliver Tate: I'm not gonna say.
Jordana Bevan: I'm brokenhearted.
Oliver Tate: The ocean is six miles deep.
Jordana Bevan: Good.
- Générique farfeluThe Art Director Sarah Pasquali is credited also as "woman who looks nothing like Jordana".
- ConnexionsFeatured in Breakfast: Episode dated 18 March 2011 (2011)
- Bandes originalesStuck On The Puzzle (Intro)
Performed by Alex Turner
It's set in the eighties (some may call this a 'period piece' but it basically sums up the world my childhood was set in) where a teenage boy struggles with growing up. Or rather he struggles with his own inner demons surrounding what plagues many boys of that age... girls. He's fallen in love with a girl in his school and he basically has to come to a way of winning her over, while dealing with his parents possibly having marital difficulties.
So the plot is hardly original and, don't get me wrong... it's not bad. The direction is very good - I believe the term is 'meta' where the characters sometimes talk directly to the camera in scenes where the protagonist theorises on what may or may not be happening. And, although there are plenty of good lines here and there which will make you smile. Plus, if you're like me (i.e. of a certain age) you will enjoy seeing the world before smartphones. However, what didn't seem to gel with me this time was the two leads.
I found them both a bit unlikeable. They seemed so wrapped up in themselves that I found I didn't really care whether they got together and lived happily ever after or not. Maybe I've just got even older and I'm finding even less in common with the younger generation (even if the younger generation in question are the ones I grew up with!). Overall, I - sort of - enjoyed it the second time around. Like I say, it's very well directed and Richard Ayoade definitely has a future ahead of him if he ever tired of fixing computers, plus I did laugh here and there, but I probably won't watch it a third time.
- bowmanblue
- 21 juin 2018
- Lien permanent
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Détails
Box-office
- Brut – États-Unis et Canada
- 467 602 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 41 832 $ US
- 5 juin 2011
- Brut – à l'échelle mondiale
- 3 875 173 $ US
- Durée1 heure 37 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1