ÉVALUATION IMDb
6,7/10
7,3 k
MA NOTE
Après qu'une série d'attentats à Paris ont laissé le monde en suspens, les forces antiterroristes se démènent pour retrouver les auteurs avant qu'il ne soit trop tard.Après qu'une série d'attentats à Paris ont laissé le monde en suspens, les forces antiterroristes se démènent pour retrouver les auteurs avant qu'il ne soit trop tard.Après qu'une série d'attentats à Paris ont laissé le monde en suspens, les forces antiterroristes se démènent pour retrouver les auteurs avant qu'il ne soit trop tard.
- Prix
- 8 nominations au total
Jérémy Lopez
- Vincent
- (as Jérémy Lopez de la Comédie Française)
Avis en vedette
As Kathryn Bigelow did with ZERO DARK THIRTY, in 2013, about Ossama Ben Laden trackdown and execution after 9/11 events, French movie industry now does the same about 11/13 mass killings in Paris. The same but not entirely though, only the few days following Friday the 13th, "BLACK FRIDAY", whilst the US movie showed the entire Ben Laden affair. It is taut, tense, gripping, shocking during some scenes, and accurate at the most possible. But unlike the American movie, the characters are not depicted more than necessary. We know nothing about them, except maybe the Anaïs Demoustiers one, this young female cop facing pure horror. But for the rest, including Jean Dujardin, we know nothing. It's not important to appreciate this awesome film, but it is good to tell it. The particularity of this feature is also to remain factual, always factual. Neutral. At no moment, the film maker Cedric Jimenez takes part. It is also very important to warn the audiences. Very unusual and maybe many people won't understand this. It is also question to show some of the terrorists but not enough the victims. Is it a good point? I honestly don't know, each of us will appreciate or not.... A damn good film, however. You can not miss it. We can now consider Cedric Gimenez as the French Paul Greengrass.
Gripping documentary/thriller of the investigation following the attacks. Fast paced, relentless and brutally realistic! It keeps the spectator holding his breath and sitting on the edge of his seat all along,.at the end you come out of it feeling a mixture of relief after the police intervention, but also anger at the lack of consideration for the casualties that are left behind once the whole counter terrorist intervention is over. Well worth a watch as the acting is particularly convincing snd deserves the numerous nominations at the Cesar ceremony. Definitely dark and depressing but so we're the dreadful events the film is steeped in.
November is a gripping thriller that provides a poignant look into how French law enforcement responded to the unprecedented 2015 Paris terrorist attacks. The depiction is candid, showing both the brutality and horror resulting from these events and instances of bravery displayed by those involved in responding to them. The movie's foundation consisting of real facts and testimonies results in actors delivering powerful performances throughout its runtime.
Director Cedric Jimenez maintains an engaging atmosphere throughout his work. He kept me invested until the credits rolled while raising important issues surrounding terrorism, security measures, and civil liberties with conviction and balance - an approach we need given the complex world we live in today - without oversimplifying them for audiences seeking concrete answers/solutions during these difficult times.
Be warned: graphic scenes may upset some people; therefore, viewer discretion is advised. One also needs to pay attention due to its fast-paced intricate plot, which demands focus throughout. November isn't exactly what one might call a 'light' film. Clocking in at two hours, November is an intense and often dense experience that may prove too much for some viewers.
November is not a film that caters to those seeking quick fixes or easy answers. Little context or backstory is given, which may leave some confused or unsatisfied. All that said, though, November is a powerful and compelling work that honours both the victims AND heroes of the Paris attacks in 2015 while reflecting on the wider societal implications of such atrocities. The movie offers a realistic portrayal of events without unnecessary dramatisation, making it all the more vibrant. Although some parts may be difficult to watch (i.e., graphic scenes), I recommend checking out November if you're interested in this subject matter.
Director Cedric Jimenez maintains an engaging atmosphere throughout his work. He kept me invested until the credits rolled while raising important issues surrounding terrorism, security measures, and civil liberties with conviction and balance - an approach we need given the complex world we live in today - without oversimplifying them for audiences seeking concrete answers/solutions during these difficult times.
Be warned: graphic scenes may upset some people; therefore, viewer discretion is advised. One also needs to pay attention due to its fast-paced intricate plot, which demands focus throughout. November isn't exactly what one might call a 'light' film. Clocking in at two hours, November is an intense and often dense experience that may prove too much for some viewers.
November is not a film that caters to those seeking quick fixes or easy answers. Little context or backstory is given, which may leave some confused or unsatisfied. All that said, though, November is a powerful and compelling work that honours both the victims AND heroes of the Paris attacks in 2015 while reflecting on the wider societal implications of such atrocities. The movie offers a realistic portrayal of events without unnecessary dramatisation, making it all the more vibrant. Although some parts may be difficult to watch (i.e., graphic scenes), I recommend checking out November if you're interested in this subject matter.
Greetings from Lithuania.
"Novembre" (2022) is a solid movie that depicts a work that was done in first days in capturing terrorist and preventing more deaths after horrible acts of terrorism committed in Paris in 2015. We do not get to see the horrible killings because in this movie they are not the point, the goal here is to show what happened after. It's a solid film in tradition of "Zero Dark Thirty". It does not reach the high bar of "Zero", but I was involved into it's running time. At 1 h 40 min this film does not dragg.
Overall, "Novembre" isn't particularly great, but it's solid enough to recommend it.
"Novembre" (2022) is a solid movie that depicts a work that was done in first days in capturing terrorist and preventing more deaths after horrible acts of terrorism committed in Paris in 2015. We do not get to see the horrible killings because in this movie they are not the point, the goal here is to show what happened after. It's a solid film in tradition of "Zero Dark Thirty". It does not reach the high bar of "Zero", but I was involved into it's running time. At 1 h 40 min this film does not dragg.
Overall, "Novembre" isn't particularly great, but it's solid enough to recommend it.
Excellent action movie, very good distribution. Very sustained rhythm, worthy of the best thrillers. But this is real life because this film is very faithful to historical reality. It therefore has a pedagogical virtue and deserves a very wide dissemination.
No voyeurism, very modest camera even when the scenes are shot in the hospital. And yet it would have been easy to sensationalize.
I would add that this true story which is told to us shows us all these men and all these women who protect us and who generally work in the shadows. This film has the great merit of putting them in the light for once, and of showing us how grateful we should be to them.
No voyeurism, very modest camera even when the scenes are shot in the hospital. And yet it would have been easy to sensationalize.
I would add that this true story which is told to us shows us all these men and all these women who protect us and who generally work in the shadows. This film has the great merit of putting them in the light for once, and of showing us how grateful we should be to them.
Le saviez-vous
- AnecdotesBefore the release, there was a controversy because the character of the witness wears a hijab in the movie, which is not the case of the actual witness. So she sued the production and won, which is why the movie states at the end "Having the character of Samia wear a hijab is a stylistic choice that does not reflect the personal convictions of the person concerned".
- GaffesCCTV footage of the boulevard Voltaire in Paris on the night of November 13th 2015 shows a bike lane. That bike lane was built years later.
- ConnexionsReferences 3 hommes à abattre (1980)
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Détails
Box-office
- Budget
- 12 000 000 € (estimation)
- Brut – à l'échelle mondiale
- 18 554 715 $ US
- Durée
- 1h 46m(106 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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