Coup de Chance

Fanny (Lou de Laâge) and Jean (Melvil Poupaud) have everything of the ideal couple: fulfilled in their professional life, they live in a magnificent apartment in the beautiful districts of Paris and seem to be in love as on the first day. But when Fanny crosses, by chance, Alain (Niels Schneider) , a former high school friend, she is immediately capsized. Fanny falls for her charms and soon her encounters stop being so casual. They see each other again very quickly and get closer and closer. As two young people's bond leads to marital infidelity and ultimately crime. Meanwhile, Fanny's mother Camille (Valérie Lemercier) discovers some clues and surprising events that show that things are not as they seem to be.

¨Exciting, dramatic, and also sinister", is how the great New York director Woody Allen defines his 50th film. He directs this ironic black comedy full of criminal intrigue and numerous plot twists , which he himself compared to his successful film "Match Point". The film is shot entirely in French, here Allen recovers common themes from his writing such as infidelity, death, romantic intrigue, murder or luck, as well as his usual characters full of contradictions, which he frames within the carefree and idle Parisian upper class.

Lou de Laage (¨Les innocentes¨¨Mad Women's Ball) plays competently Fanny, a rich, happily married Parisian, whose life takes a turn when she accidentally crosses paths with Alain, an old high school classmate well played by Niels Schneider, while the third in contention is Melvil Poupaud. Lou de Laage stars in an acceptable but somewhat unknown cast, compared to other Allen films in which big stars, either American or from other countries, usually appear, however they all give decent performances. This is one of his last films in which Allen usually shoots abroad such as France or Spain and which are usually financed by companies from the countries where it is shot in order to internationally promote the cities in which it takes place.

In ¨Coup de chance¨(2023) excels the colorful and luminous cinematography by the great Vittorio Storaro, the prestigious cameraman working from the 60s and providing luxurious color to all the films he has made. This comedy-thriller is full of attractive and pleasant and also somewhat ridiculous situations, being adequately written and directed by Woody Allen. Hauled by some as Allen's triumphant return to his old stylings .In his beginnings Woody made generally hilarious films in which he often acted, such as: "What's Up, Tiger Lily?", "Take the money and run", "Pussycat, Pussycat I Love You", "Sleeper", "Everything You always wanted to know about sex but were afraid to ask¨, among others. Later he created several masterpieces. Including a series of films in which he provided good direction, putting enough care, wit and warmth, such as : ¨Crimes and misdemeanors¨, ¨New York stories¨, ¨September¨, ¨Radio Days¨, ¨Hanna and her sisters¨, ¨Broadway Danny Rose¨, ¨Zelig¨, ¨Stardust memories¨, ¨A midsummer Night's Sex Comedy¨, ¨Interiors¨, ¨Purple rose of Cairo¨, ¨Manhattan¨, ¨Annie Hall¨, ¨Melinda Melinda¨ and many others . Rating: 6.5/10. Better than average. The film will appeal to fans of Woody Allen's films. Well worth seeing.

I've been waiting for quite a long while for Woody to say something new. To be completely honest, it's not all that new, Woody himself had said more than once in his writing. But he never made a movie saying it so bluntly. And after a decade of repeating movies he did before, it's a breath of fresh air.

The acting is spot on, even if it does feel like his French people are in fact New Yorkers speaking with a weird accent. All the technical aspects were never an issue in Woody's movies. I'm not saying it's perfect, but it's a fun movie, and a good pastime. And I do like seeing Luo De Laage, ever since I saw her in Les Innocentes.

Bored young trophy wife Fanny is happily married (so she thinks) to the soporific, possessive, but wealthy businessman Jean, her second husband who spoils her like a princess as they live the high life in uptown Paris. By chance she runs into old school friend Alain, a divorced writer who, by his own admission, has always carried a torch for her. Things begin innocently enough, but her eventual infidelity calls into question her fulfillment with Jean. The fiftieth yet first official foreign language film from Woody Allen has a storyline that's pretty basic, but slightly elevated by some interesting characters, a fresh-faced cast of French actors, and of course some wonderful scenery, but even with the shock value the finale still isn't very satisfying. **½

I was waiting for the opportunity to see Woody Allen again. I am happy I did. «Coup de chance» is very much in line with what we are used to have from W. Allen, and yet there is something new, namely, the way the film underlines the conflict between self-control and the power of chance, between honesty and the drive for control, between intelligence and the demands of the heart.

Woody Allen is a very skilled filmmaker, and yet you can see signs of repetitiveness. TO me, this was not a disturbance, but rather a confirmation of the Allen cinematographic stile. «Coup de chance» is very well constructed and the end is amazingly surprising. The way the movie ends is a lesson in itself. I enjoyed the movie and highly recommend it to others. I am more interested in the substance of the work than in its entertainment value. Either way, the viewer will not be deluded. Yet, the viewer is requested to further think once the movie is over. Like this, I would like to see more from Woody Allen. I hope I will!

Coup de chance is another masterpiece by Woody, the master of cinema. The cast (Lou de Laâge, Melvin Poupaud, Niels Schneider, and Valérie Lemercier) is absolutely great, the script (Woody) is brilliant, the cinematography (Vittorio Storaro) is gorgeous, and the direction (Woody) is, as always, impecable. This is a movie about love, betrayal, control, and luck. Amazingly written and beautifully shot. A masterpiece (in French) with a flavour of the great French cinema from last century (Truffaut, Lelouch, Godard), with a bit of Hitchcock (you can actually spot a Hitchcock book lying on a shelf in one scene), and with a wonderful soundtrack (jazz from the 60s: Herbie Hancock's "Cantaloupe Island" and Nat Adderley). No explosions, plastic people or a 200MM budget; just absolutely pure excellent cinema. Bravo, Woody. You are the best! 10/10.