La théorie selon laquelle c'est en fait Edward De Vere, comte d'Oxford, qui aurait écrit les pièces de Shakespeare. Avec, en toile de fond, la succession de la reine Elizabeth I et la rébell... Tout lireLa théorie selon laquelle c'est en fait Edward De Vere, comte d'Oxford, qui aurait écrit les pièces de Shakespeare. Avec, en toile de fond, la succession de la reine Elizabeth I et la rébellion du comté d'Essex contre elle.La théorie selon laquelle c'est en fait Edward De Vere, comte d'Oxford, qui aurait écrit les pièces de Shakespeare. Avec, en toile de fond, la succession de la reine Elizabeth I et la rébellion du comté d'Essex contre elle.
- Nommé pour 1 oscar
- 7 victoires et 12 nominations au total
- Earl of Essex
- (as Sebastian Reid)
Histoire
Le saviez-vous
- AnecdotesVanessa Redgrave and Joely Richardson play the older and younger versions of Queen Elizabeth respectively. In real life, they are mother and daughter.
- GaffesThe playwrights in the movie are all astonished that Romeo and Juliet is written in verse, specifically iambic pentameter. In fact, English drama had been written in verse for hundreds of years, and mostly in iambic pentameter for about the previous 25 years. Prose drama, not poetry, was the innovation.
- Citations
Anne De Vere: You, your friends, your blasphemous theater have brought nothing but ruin and dishonor to this family.
Ben Jonson: Ruin? Dishonor? My lady, you, your family, even I, even Queen Elizabeth herself will be remembered solely because we had the honor to live whilst your husband put ink to paper.
- Générique farfeluApart from the production companies, the only opening credit is the movie's title, displayed on the marquee of the prologue's theater.
- ConnexionsFeatured in Maltin on Movies: The Rum Diary (2011)
- Bandes originalesNight of the Long Knives
Written by Byrd & David Hirschfelder (as Hirschfelder)
Performed by David Hirschfelder
Courtesy of The Decca Music Group
Under licence from Universal Music Operations Ltd.
With apologies to Shakespeare, the true talent, thus, my feeble attempt at (mostly) iambic pentameter:
Anonymous, a film of cheese and ham, Questions the legend of Shakespeare, William, Whose work it claims the sole property of, Edward DeVere's, Earl, and a class above, Theory and conjecture, Will's name to malign, A film not noble, literate, or refined, Its tale quite shallow, protesting too much, Spouting nonsense, drivel, dreck, and such.
A production with much to admire, Before all logic begins to expire, Sensationally, a work of fiction, Unconvincing in its own conviction, Visual spectacle, or farce, perhaps, Intelligence and wit well nigh elapse, Although I may seem to kvetch and complain, This film ultimately doth entertain.
The thespians display their skills and crafts, While unintentionally providing laughs, Over-emoting as they misbehave, The likes of Jacobi and Ladies Redgrave, Rhys Ifans well plays lover and writer, Were only Orloff's script a bit tighter, Rafe Spall's the bard as wretched sot, an eyeful, Poor Will should sue for slander and libel.
Disaster, thine mainstay of Emmerich, Part director, part showman, his prime niche, For depth and clarity, he will not delve, Note: Independence Day and 2012, Whilst not the disaster we've come to expect, The film has little to awe or respect, It plays fast with the facts, and offers nil, Except sets, that in some measure, fulfill.
With all its pomp and expensive wrappings, Lavish costumes doth not disguise its trappings, But thy foul temper and malaise spills forth, Yielding a vile film of lesser worth, A ill-conceived venture, shrill, and unkind, Outlandishly ornate and out of its mind, A stylish film, yet so misbegotten, One hopes Anonymous is soon well forgotten.
GRADE: C
NOTE: Visit my movie blog for more reviews: www.dearmoviegoer.com
- jadepietro
- 31 oct. 2011
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Anonymous
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 4 463 292 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 021 768 $ US
- 30 oct. 2011
- Brut – à l'échelle mondiale
- 15 395 087 $ US
- Durée2 heures 10 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1