Un cascadeur hollywoodien travaille au clair de lune en tant que chasseur de primes pour joindre les deux bouts.Un cascadeur hollywoodien travaille au clair de lune en tant que chasseur de primes pour joindre les deux bouts.Un cascadeur hollywoodien travaille au clair de lune en tant que chasseur de primes pour joindre les deux bouts.
- Prix
- 6 victoires et 26 nominations au total
Ioane Saula
- Birdie the PA
- (as "Ioane Sa'ula")
Histoire
Le saviez-vous
- AnecdotesRyan Gosling has a fear of heights, but still did the 150-foot fall at the beginning of the movie.
- GaffesThe final stunt shows the main character falling out of a helicopter holding a ruggedized digital storage device used in digital movie production. While he is falling through the air, he is not holding anything. When he lands on the air cushion, he is holding the storage device again.
- Citations
[from trailer]
Jody Moreno: You are literally the last person on Earth I wanna see. I'd slap the shit outta you. I really could.
Colt Seavers: And I'm open to that in a safer environment.
- Générique farfeluDuring the closing credits the left side of the screen is dedicated to stunts done for the movie. And then an additional scene, that includes cameos.
- Bandes originalesI Was Made for Lovin' You
Written by Desmond Child, Vini Poncia (as Vincent Poncia), Paul Stanley
Performed by KISS
Courtesy of Island Records
Under license from Universal Music Enterprises
Commentaire en vedette
Whatever problems The Fall Guy has really aren't an issue when the final product is this much fun. It's a loving tribute to the never ending selflessness of stunt people wrapped inside of an endearing romantic comedy and meta action film. If David Leitch and 87 North did all the action in cinema the world would be a better place.
Ryan Gosling achieves new levels of perfection by merging the reserved stunt man character of Drive with his natural Kenergy. His version of Colt is just so lovable, especially because he's completely unafraid to be open in his vulnerability which makes him more relatable whilst being really funny. His comedic timing continues to be faultless, proving he can make any joke land.
Emily Blunt thankfully also gets a lot to do. Any scene she shares with Gosling is effortlessly charming and she has her own brand of bona-fide movie star charisma. Winston Duke is a great movie referencing support to Gosling, Aaron Taylor-Johnson does a hilarious McConaughey impression and Hannah Waddingham's cartoonishly over the top producer really works.
David Leitch's direction plays squarely to his strengths and after the disappointment of The Gray Man, it's extra satisfying to see Gosling be given some actually good fight scenes. Stunt designer Chris O'Hara and the whole stunt team really accomplished some breathtaking feats that are only made more impressive by seeing how they shot them during the credits.
Ryan Gosling achieves new levels of perfection by merging the reserved stunt man character of Drive with his natural Kenergy. His version of Colt is just so lovable, especially because he's completely unafraid to be open in his vulnerability which makes him more relatable whilst being really funny. His comedic timing continues to be faultless, proving he can make any joke land.
Emily Blunt thankfully also gets a lot to do. Any scene she shares with Gosling is effortlessly charming and she has her own brand of bona-fide movie star charisma. Winston Duke is a great movie referencing support to Gosling, Aaron Taylor-Johnson does a hilarious McConaughey impression and Hannah Waddingham's cartoonishly over the top producer really works.
David Leitch's direction plays squarely to his strengths and after the disappointment of The Gray Man, it's extra satisfying to see Gosling be given some actually good fight scenes. Stunt designer Chris O'Hara and the whole stunt team really accomplished some breathtaking feats that are only made more impressive by seeing how they shot them during the credits.
- masonsaul
- 2 mai 2024
- Lien permanent
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
Box-office
- Budget
- 125 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 92 900 355 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 27 747 035 $ US
- 5 mai 2024
- Brut – à l'échelle mondiale
- 181 073 291 $ US
- Durée2 heures 6 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant