Dans la France du XIXᵉ siècle, Jean Valjean, poursuivi depuis un méchant temps par l'impitoyable policier Javert, doit s'occuper de la fille d'une ouvrière après avoir violé les conditions d... Tout lireDans la France du XIXᵉ siècle, Jean Valjean, poursuivi depuis un méchant temps par l'impitoyable policier Javert, doit s'occuper de la fille d'une ouvrière après avoir violé les conditions de sa libération, ce qui change leurs vies.Dans la France du XIXᵉ siècle, Jean Valjean, poursuivi depuis un méchant temps par l'impitoyable policier Javert, doit s'occuper de la fille d'une ouvrière après avoir violé les conditions de sa libération, ce qui change leurs vies.
- A remporté 3 oscars
- 85 victoires et 177 nominations au total
Dave Hawley
- Convict 3
- (as David Hawley)
Histoire
Le saviez-vous
- AnecdotesFantine's assault by a rejected customer is based on an actual incident from Victor Hugo's life that resulted in Fantine's creation: he was on his way to his editor's office when he encountered a young man harassing a prostitute. When she rejected his advances, he shoved a handful of snow down her dress and shoved her to the ground. When she defended herself with her fists, he immediately called the police to arrest his "assailant". Hugo was a minor celebrity at the time, and spoke up on the woman's behalf when the police arrived, and was able to have her set free. Hugo said he was horrified by the unfairness of the woman's situation, and began to imagine that she might have children depending on her, and thus Fantine appeared in his mind.
- GaffesWhen Javert gets the letter from Paris informing him that "Valjean" has been caught, the tricolor French republican flag is seen hanging in the street. But this scene takes place in 1823, during the Bourbon restoration. During this time (1815-30) the tricolor was not in use.
- Citations
Jean Valjean: To love another person is to see the face of God.
- Générique farfeluThe film opens without any opening credits. The title of the film is stated just before the closing credits.
- Autres versionsOn the 2023 4K Blu-ray release of the film, the centennial version of the 2012 Universal Pictures logo is replaced with the regular 2013 version of it without the "100th anniversary" tagline.
- ConnexionsFeatured in Chelsea Lately: Episode #6.189 (2012)
- Bandes originalesLook Down
Written by Herbert Kretzmer, Claude-Michel Schönberg, and Alain Boublil
Performed by Daniel Huttlestone, Eddie Redmayne, Killian Donnelly, Fra Fee, Aaron Tveit & Chorus
Commentaire en vedette
I could listen to the sound track all day, everyday. And this is my favorite cinematic production.
Tom Hooper did a great job as director of a powerful star studded cast and Danny Cohen as cinematographer.
This production carry's me to Victor Hugo's epic imagination based on the reality of life during his lifetime, imprinted on our extraordinary literary accomplishment-a timeless classic surviving over 150 years... as well all the previous theatrical and cinematic productions since 1984.
The optics are an enthralling cinematic accomplishment capturing the sung live scenes... and the actors all out effort to make this as true to the emotional turmoil of a horrendous life in early 18th century Paris; all the begotten injustices on the very fabric of humanity's birth right for freedom- known later as The Birth of Enlightenment.
Anne Hathaway sings "I DREAMED A DREAM" with a definitive voice of a dying woman elevated to divine presence. Kudos!!!
Jackman and Crowe compliment each other's roles to perfection. Spellbinding.
Eddie Reymane and Amanda Seyfried as well make it all the more real. They brought me to tears.
I could go on, but in light of the negative, rather jaded reviews of this production, it goes without my saying that some people just have to be negative about anything that's actually well performed.
Sad because Hugo's timeless message is lost to them who focus on the actors themselves instead of seeing the Fourth Wall in front them.
As a theatrical producer, playwright, musical performer and director, the efficacy it takes to bring a production of this genre is in and of itself in a category of an epic artistic ideal to be met.
I've seen the theatrical production as well. Both revenues are complimentary at best. Neither can be compared as one being better than the other. That's a mistake to be made when reviewing Hugo's legacy. Here we have poetry, drama and prose that rise to the heavenly heights of cinematic theater.
Tom Hooper did a great job as director of a powerful star studded cast and Danny Cohen as cinematographer.
This production carry's me to Victor Hugo's epic imagination based on the reality of life during his lifetime, imprinted on our extraordinary literary accomplishment-a timeless classic surviving over 150 years... as well all the previous theatrical and cinematic productions since 1984.
The optics are an enthralling cinematic accomplishment capturing the sung live scenes... and the actors all out effort to make this as true to the emotional turmoil of a horrendous life in early 18th century Paris; all the begotten injustices on the very fabric of humanity's birth right for freedom- known later as The Birth of Enlightenment.
Anne Hathaway sings "I DREAMED A DREAM" with a definitive voice of a dying woman elevated to divine presence. Kudos!!!
Jackman and Crowe compliment each other's roles to perfection. Spellbinding.
Eddie Reymane and Amanda Seyfried as well make it all the more real. They brought me to tears.
I could go on, but in light of the negative, rather jaded reviews of this production, it goes without my saying that some people just have to be negative about anything that's actually well performed.
Sad because Hugo's timeless message is lost to them who focus on the actors themselves instead of seeing the Fourth Wall in front them.
As a theatrical producer, playwright, musical performer and director, the efficacy it takes to bring a production of this genre is in and of itself in a category of an epic artistic ideal to be met.
I've seen the theatrical production as well. Both revenues are complimentary at best. Neither can be compared as one being better than the other. That's a mistake to be made when reviewing Hugo's legacy. Here we have poetry, drama and prose that rise to the heavenly heights of cinematic theater.
- grtsmarket
- 12 mars 2022
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Los miserables
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 61 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 149 260 140 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 27 281 735 $ US
- 30 déc. 2012
- Brut – à l'échelle mondiale
- 442 757 529 $ US
- Durée2 heures 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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