Elliot, un ancien écrivain à succès en difficulté, décide d'écrire sur une femme disparue et sur le procès pour meurtre de son mari.Elliot, un ancien écrivain à succès en difficulté, décide d'écrire sur une femme disparue et sur le procès pour meurtre de son mari.Elliot, un ancien écrivain à succès en difficulté, décide d'écrire sur une femme disparue et sur le procès pour meurtre de son mari.
- Prix
- 3 nominations au total
- Juror #1
- (as Julienne Kim)
Histoire
Le saviez-vous
- AnecdotesThe movie is based on Hans Reiser (true story) and Hans is an American computer programmer, entrepreneur, and convicted murderer. In April 2008, Hans Reiser was convicted of the first-degree murder of his wife, Nina Reiser, who disappeared in September 2006. He subsequently pleaded guilty to a reduced charge of second-degree murder, as part of a settlement agreement that included disclosing the location of his wife's body, which he revealed to be in a shallow grave near the couple's home.
- Citations
[last lines]
Stephen Elliott: You remember when you taught me to drive? I was 14. You let me drive out to Warren park in a '69 mustang. I loved that car. You used to take me out, let me drive. I remember feelin' so happy and free, full of hope and potential.
Neil Elliott: I don't know why you always told people I taught you to drive in the mustang. It was a red 1968 Oldsmobile Delmont convertible, in Warren park in the parkin' lot. You were belligerent, and you were a terrible driver. So we only did it once.
Stephen Elliott: Wanna go for a drive? I don't wanna see you for an hour.
Neil Elliott: Nah, we'd just argue.
Stephen Elliott: Fine. Then we'll just go. We'll agree not to talk. It doesn't matter. None of it matters.
Neil Elliott: All right. You gotta help me up here. Help your old dad get up...
- ConnexionsFeatured in Half in the Bag: 2016 Movie Catch-up (2016)
James Franco is getting to the Point where No One can take Him Seriously anymore. So Overexposed and with Limited Ability to Transcend His Own Personality, He gives Performance after Performance Playing Himself.
A Best Selling Memoir from Author Stephen Elliott is the Source Material. The Plot of the Movie Explores Memory Confabulation. It's a Heady Affair that Lacks Focus. It Rambles with Borderline Incoherence Dealing with so many Profound Subjects that most of it is Lost in the Translation of Clichéd Sex and Drug Behavior Attempting to be "Indie-Edgy" with Sadomasochism.
Nothing is Drawn from the Personality Disorders or Family Dysfunction beyond "True Crime" Motivations and to be frank, not much is Realized even there.
A Mess of a Movie with Ed Harris Overacting to Burn Up the Screen with Hidden Clues about what Really Happened. In the End it is Doubtful You will Care. The Main Problem in the Movie is its Ambition to Group Dysfunction, Addiction, and Mental Illness into a Pot and Stir. The Cinematic Stew, Unfortunately is Tasteless and no where Near Fulfilling or Satisfying.
- LeonLouisRicci
- 14 juill. 2016
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- True Deception
- Lieux de tournage
- Ville de New York, New York, États-Unis(location)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 13 191 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 5 517 $ US
- 17 avr. 2016
- Brut – à l'échelle mondiale
- 15 364 $ US
- Durée1 heure 27 minutes
- Couleur
- Rapport de forme
- 2.35 : 1