Ajouter une intrigue dans votre langueFeatures rare archival material from the personal collections of Powell, Pressburger and Scorsese.Features rare archival material from the personal collections of Powell, Pressburger and Scorsese.Features rare archival material from the personal collections of Powell, Pressburger and Scorsese.
- Prix
- 6 nominations au total
Michael Powell
- Self
- (archive footage)
Emeric Pressburger
- Self
- (archive footage)
Brigitte Bardot
- Self - Actress
- (archive footage)
- (uncredited)
Neva Carr-Glynn
- Self
- (archive footage)
- (uncredited)
David Frost
- Self
- (archive footage)
- (uncredited)
Deborah Kerr
- Self
- (archive footage)
- (uncredited)
Jerry Lewis
- Self
- (archive footage)
- (uncredited)
James Mason
- Self
- (archive footage)
- (uncredited)
Arthur Miller
- Self
- (archive footage)
- (uncredited)
Helen Mirren
- Self
- (archive footage)
- (uncredited)
Marilyn Monroe
- Self
- (archive footage)
- (uncredited)
Queen Elizabeth II
- Self - Her Royal Highness
- (archive footage)
- (uncredited)
Histoire
Le saviez-vous
- ConnexionsFeatures The Four Horsemen of the Apocalypse (1921)
Commentaire en vedette
Okay, so I wasn't born in the 40s. I'm an 80s kid, and color TV and cinema were already the norm in my childhood. But even then, especially when watching TV (private channels only emerged in Turkey during my adolescence, so I grew up with state-run channels), most of the films were in black and white. Turns out, those were cheaper for TV stations to acquire.
It's wild to think that Martin Scorsese and I probably watched the same films on TV and fell in love with the same directors. This documentary answered a lot of questions I had, particularly about the influence of British filmmakers and crew on modern American cinema. It seems even Italian-American directors of that era developed their passion for film by watching British movies on TV as kids.
I'm not usually a big documentary person; I rarely watch them. But this one, which I caught on Mubi, really struck a chord with me. It's a poignant reminder of how fickle the film industry can be and how quickly people are forgotten.
Made in England: The Films of Powell and Pressburger (2024) is a love letter to the iconic British filmmaking duo, Michael Powell and Emeric Pressburger. It's a treasure trove of archival footage, interviews, and insights into their creative process. The documentary delves into their groundbreaking techniques, their unique visual style, and their lasting impact on cinema.
Scorsese's narration is both informative and passionate, revealing his deep admiration for Powell and Pressburger's work. He guides us through their filmography, highlighting their most iconic films like The Red Shoes, Black Narcissus, and A Matter of Life and Death. We get a glimpse into their collaborative genius, their ability to seamlessly blend fantasy and reality, and their unwavering commitment to artistic integrity.
The documentary also sheds light on the challenges they faced in a rapidly changing industry, their eventual falling out, and their subsequent rediscovery and reappraisal by later generations of filmmakers. It's a cautionary tale about the fleeting nature of fame and the importance of preserving cinematic heritage.
Made in England is not just a documentary for film buffs; it's a celebration of creativity, passion, and the enduring power of cinema. It's a reminder that even in an industry driven by commercial interests, true artistry can still shine through. And most importantly, it's a tribute to two visionary filmmakers who dared to dream big and left an indelible mark on the world of cinema.
It's wild to think that Martin Scorsese and I probably watched the same films on TV and fell in love with the same directors. This documentary answered a lot of questions I had, particularly about the influence of British filmmakers and crew on modern American cinema. It seems even Italian-American directors of that era developed their passion for film by watching British movies on TV as kids.
I'm not usually a big documentary person; I rarely watch them. But this one, which I caught on Mubi, really struck a chord with me. It's a poignant reminder of how fickle the film industry can be and how quickly people are forgotten.
Made in England: The Films of Powell and Pressburger (2024) is a love letter to the iconic British filmmaking duo, Michael Powell and Emeric Pressburger. It's a treasure trove of archival footage, interviews, and insights into their creative process. The documentary delves into their groundbreaking techniques, their unique visual style, and their lasting impact on cinema.
Scorsese's narration is both informative and passionate, revealing his deep admiration for Powell and Pressburger's work. He guides us through their filmography, highlighting their most iconic films like The Red Shoes, Black Narcissus, and A Matter of Life and Death. We get a glimpse into their collaborative genius, their ability to seamlessly blend fantasy and reality, and their unwavering commitment to artistic integrity.
The documentary also sheds light on the challenges they faced in a rapidly changing industry, their eventual falling out, and their subsequent rediscovery and reappraisal by later generations of filmmakers. It's a cautionary tale about the fleeting nature of fame and the importance of preserving cinematic heritage.
Made in England is not just a documentary for film buffs; it's a celebration of creativity, passion, and the enduring power of cinema. It's a reminder that even in an industry driven by commercial interests, true artistry can still shine through. And most importantly, it's a tribute to two visionary filmmakers who dared to dream big and left an indelible mark on the world of cinema.
- yusufpiskin
- 19 juill. 2024
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Meydin İngiltere: Powell ve Pressburger Filmleri
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 7 083 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 7 083 $ US
- 14 juill. 2024
- Brut – à l'échelle mondiale
- 71 043 $ US
- Durée2 heures 11 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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What is the Brazilian Portuguese language plot outline for Made in England: The Films of Powell and Pressburger (2024)?
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