ÉVALUATION IMDb
6,5/10
6,1 k
MA NOTE
Installé sur la Côte d'Azur durant l'été 1915, Jean Renoir, fils du peintre impressionniste, rentre chez lui en convalescence auprès d'Andrée après avoir été blessé lors de la Première Guerr... Tout lireInstallé sur la Côte d'Azur durant l'été 1915, Jean Renoir, fils du peintre impressionniste, rentre chez lui en convalescence auprès d'Andrée après avoir été blessé lors de la Première Guerre mondiale.Installé sur la Côte d'Azur durant l'été 1915, Jean Renoir, fils du peintre impressionniste, rentre chez lui en convalescence auprès d'Andrée après avoir été blessé lors de la Première Guerre mondiale.
- Prix
- 3 victoires et 11 nominations au total
Anne-Lise Heimburger
- La boulangère
- (as Annelise Heimburger)
Thierry Hancisse
- Le brocanteur
- (as Thierry Hancisse de la Comédie Française)
Cécile de Moor
- Servante Collettes
- (as Cecile Rittweger)
Histoire
Le saviez-vous
- AnecdotesOfficial submission of France to the Oscars 2014 best foreign language film category.
- GaffesWhen Pierre-Auguste walks in on Jean Renoir being bathed, a modern toggle-style light switch is visible on the wall. The toggle switch wasn't invented until 1917, which is a few years after that part of the film. Earlier light switches were push-button style, and the switch on the wall is also of a modern plastic style that is very much later.
- Citations
Pierre-Auguste Renoir: You're rather modest for an actress.
Andrée Heuschling: Actress doesn't mean whore.
- ConnexionsFeatured in Fandor: Cannes You Dig It? | Fandor Spotlight (2022)
- Bandes originalesShimmy Dédée
By Patrick Artero
Performed by Patrick Artero, Philippe Baudouin, Francis Guero, André Neufert and Michel Queraud
Commentaire en vedette
Appropriately enough, about the world's most famous Impressionist painter.
While it's definitely not for those who strongly favor conventionally plotted drama or fast action, RENOIR consists of immediate realism and puts you right with the Renoir clan on the French Riviera. It's the sort of film that could easily have been made overly artsy and dull, but it's neither.
The entire story takes place in 1915, toward the end of Renoir's life. The relationship between model Andrée Heuschling and son Jean Renoir is, in many ways, more the subject of the story than the painter himself, yet Renoir himself is indispensable as "the boss," a sort of god-like backdrop to the entire cast and story. Having said that, I must add that there is a fair amount on Renoir's artistic processes, and his philosophizing can be applied to all sorts of art-forms as well as painting. One of RENOIR's strongest aspects is its portrayal of a man who is obsessed with his work and has one thing which utterly engulfs and consumes him.
Like many French films, RENOIR succeeds in breaking all sorts of rules. Among them:
--The plot is meandering and somewhat slice-of-life but still gripping;
--Andrée, the "girl from nowhere," and free but neglected youngest son Coco are characters that beg to be developed further, but at the same time, perhaps it's better that they remain mysterious;
--Lots of female nudity without it seeming the least bit gratuitous: After all, the subject is an artist who often painted naked girls;
--The mood is a successful mesh of somberness, poignancy, and (often laugh-out-loud) humor.
Just about every artsy cliché could be applied to this film, but suffice it to say that it is a beautiful experience. Even simple colors come alive here for the audience as they did for Renoir himself. I'm a word person who's never been a big painting aficionado, but this film made me see the visual arts in a whole new light and may even have converted me to some extent. The soundtrack--quiet, unobtrusive piano scores in the background--also does a great deal to carry this film.
While it's definitely not for those who strongly favor conventionally plotted drama or fast action, RENOIR consists of immediate realism and puts you right with the Renoir clan on the French Riviera. It's the sort of film that could easily have been made overly artsy and dull, but it's neither.
The entire story takes place in 1915, toward the end of Renoir's life. The relationship between model Andrée Heuschling and son Jean Renoir is, in many ways, more the subject of the story than the painter himself, yet Renoir himself is indispensable as "the boss," a sort of god-like backdrop to the entire cast and story. Having said that, I must add that there is a fair amount on Renoir's artistic processes, and his philosophizing can be applied to all sorts of art-forms as well as painting. One of RENOIR's strongest aspects is its portrayal of a man who is obsessed with his work and has one thing which utterly engulfs and consumes him.
Like many French films, RENOIR succeeds in breaking all sorts of rules. Among them:
--The plot is meandering and somewhat slice-of-life but still gripping;
--Andrée, the "girl from nowhere," and free but neglected youngest son Coco are characters that beg to be developed further, but at the same time, perhaps it's better that they remain mysterious;
--Lots of female nudity without it seeming the least bit gratuitous: After all, the subject is an artist who often painted naked girls;
--The mood is a successful mesh of somberness, poignancy, and (often laugh-out-loud) humor.
Just about every artsy cliché could be applied to this film, but suffice it to say that it is a beautiful experience. Even simple colors come alive here for the audience as they did for Renoir himself. I'm a word person who's never been a big painting aficionado, but this film made me see the visual arts in a whole new light and may even have converted me to some extent. The soundtrack--quiet, unobtrusive piano scores in the background--also does a great deal to carry this film.
- doug_park2001
- 9 juin 2013
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- 印象雷諾瓦
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 2 293 798 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 65 194 $ US
- 31 mars 2013
- Brut – à l'échelle mondiale
- 7 816 573 $ US
- Durée1 heure 51 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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