Une galeriste risque sa famille et sa carrière lorsqu'elle entre dans une liaison avec un peintre talentueux et perd lentement le contrôle de sa vie.Une galeriste risque sa famille et sa carrière lorsqu'elle entre dans une liaison avec un peintre talentueux et perd lentement le contrôle de sa vie.Une galeriste risque sa famille et sa carrière lorsqu'elle entre dans une liaison avec un peintre talentueux et perd lentement le contrôle de sa vie.
Kat Graham
- Diamond
- (as Katerina Graham)
Histoire
Le saviez-vous
- AnecdotesIn the book Quinton is black.
- GaffesWhen the Brina places the artist's material on Zoe's desk; the History Brochure is on top and the book of references is next from the top. However in the next cut after Zoe puts down the brochure the orientation of the material has changed and now the Catalog of Art is next from the top.
- Citations
[last lines]
Jason Reynard: Our love is forever.
Zoe Reynard: Always has been.
Jason Reynard: Always will be.
- Bandes originalesWrong or Right
Written by Kwabena Adjepong and Christopher Taylor
Performed by Kwabs
Courtesy of Warner Music U.K. Ltd.
By arrangement with Warner Music Group Film & TV Licensing
Commentaire en vedette
Wow where to begin..everything about this movie is horrible, I suffered for 40 minutes through this drivel in the hopes the lead actress (Sharon Leal) would do some of her old 'Boston Public' magic and make the film worth watching, however all she did was drag an already drowning film under.
From the outset the film looks feels and sounds like a daytime soap opera, the acting is so bad I felt embarrassed for the actors. I Don't know if the producers of this crap live in the real world, but in my version psychologists do not have sessions that run all day and into the wee hours of the night....what the hell?, and since when do supposed 'successful artists' drive beat up old 68 Chev's with the paint literally peeling off?....Believe me there is NOTHING in this movie worth taking seriously.
What a shame Sharon Leal couldn't find something to actually bring her back into the light, instead of having the lights turned off and the door slammed shut.
Terrible, just terrible.
From the outset the film looks feels and sounds like a daytime soap opera, the acting is so bad I felt embarrassed for the actors. I Don't know if the producers of this crap live in the real world, but in my version psychologists do not have sessions that run all day and into the wee hours of the night....what the hell?, and since when do supposed 'successful artists' drive beat up old 68 Chev's with the paint literally peeling off?....Believe me there is NOTHING in this movie worth taking seriously.
What a shame Sharon Leal couldn't find something to actually bring her back into the light, instead of having the lights turned off and the door slammed shut.
Terrible, just terrible.
- jeepmjw-955-821483
- 29 janv. 2015
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Ham Muôn Thê Xác
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 17 390 770 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 7 485 346 $ US
- 12 oct. 2014
- Brut – à l'échelle mondiale
- 17 534 314 $ US
- Durée1 heure 46 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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