ÉVALUATION IMDb
6,5/10
109 k
MA NOTE
L'animateur d'une émission financière, Lee Gates, et sa productrice Patty se retrouvent dans une situation extrême lorsqu'un investisseur furieux les prend en otage, eux et leur équipe.L'animateur d'une émission financière, Lee Gates, et sa productrice Patty se retrouvent dans une situation extrême lorsqu'un investisseur furieux les prend en otage, eux et leur équipe.L'animateur d'une émission financière, Lee Gates, et sa productrice Patty se retrouvent dans une situation extrême lorsqu'un investisseur furieux les prend en otage, eux et leur équipe.
- Prix
- 2 nominations au total
Caitríona Balfe
- Diane Lester
- (as Caitriona Balfe)
Dola Rashad
- Bree (The Assistant)
- (as Condola Rashad)
Histoire
Le saviez-vous
- AnecdotesFor scheduling reasons, Julia Roberts and George Clooney worked together very little in this film. All of the 'Money Monster' TV show, within the movie, were shot first, using both broadcast TV cameras and movie cameras. Then the entire TV show and everything that happened in the TV studio and was seen in the control room and broadcast live was edited and synchronized together. Then synchronized playback filling all 140 monitors in a working CBS control room, was played back for each scene with Julia Roberts interacting with the prerecorded George Clooney on the screens. The control room scenes were shot at the CBS Broadcast Center in an actual working control room. Pre-recorded clips of the TV studio were played back on various locations so that actors could react to the 'live' TV show. The 'Money Monster' studio set was built at Kauffman Astoria Studios and all scenes happening on that set were shot several weeks before the control room scenes were shot. George Clooney and Julia Roberts were briefly together for a scene on the TV studio floor set and for the hospital scene at the end of the film.
- GaffesWhen challenged, Walt says that he did nothing illegal and it's "just business". However, in order to run a trading company, he'd have to know that shorting his stock before switching the algorithm off is textbook insider trading, and is highly illegal. Of course he could be deliberately lying because that's what he does, but Gates should also know this. Later when his charges are being read, insider trading is not mentioned.
- Citations
Patty Fenn: [final line] So what the hell kind of show are we going to do next week?
- Bandes originalesWhat Makes The World Go Round? (MONEY!)
Written by Dan The Automator (as Daniel Nakamura) and Del the Funky Homosapien (as Teren Delvon Jones)
Produced by Dan The Automator
Performed by Dan The Automator featuring Del the Funky Homosapien
Commentaire en vedette
In Money Monster, George Clooney plays a TV presenter who is taken hostage live on camera by a desperate young man played by the brilliant Jack O'Connell. I really enjoyed this film; finding it thrilling and well paced throughout. However, it falls short of being completely satisfying.
Six months ago, The Big Short - a far superior film - attempted to tackle the full complexity of the 2008 financial crisis and its causes and did so in a way that was both enlightening and entertaining. Money Monster is more like Phone Booth. In this movie the credit crunch is merely the setting for a tense thrill ride; which is OK except it feels like it's aiming to be more substantial.
I've heard Jodie Foster, the director, say that the seventies will always be her favourite era because movies took such risks back then. Her key influences here are clearly Network and Dog Day Afternoon. Perhaps this is the problem. It feels like a 1970s style take on a 21st Century issue. Thanks in part to other recent movies we already have a more sophisticated appreciation of the reality of the financial sector.
But I still really enjoyed Money Monster. George Clooney strikes the right balance as the likable scoundrel who just needs a gun to the head in order to realise how far down the wrong path he has travelled. And Jack O'Connell is probably my favourite actor of this decade. Just as he did in Starred Up or Eden Lake, this young man threatens to break though the screen and grab hold of you. Electrifying.
In the end I see this film as a fable and a romp. It is lots of fun. The ending just seemed a bit Hollywood. If you want to see a film that explores the impact that the financial crisis had on regular people I highly recommend the underrated 99 Homes.
Six months ago, The Big Short - a far superior film - attempted to tackle the full complexity of the 2008 financial crisis and its causes and did so in a way that was both enlightening and entertaining. Money Monster is more like Phone Booth. In this movie the credit crunch is merely the setting for a tense thrill ride; which is OK except it feels like it's aiming to be more substantial.
I've heard Jodie Foster, the director, say that the seventies will always be her favourite era because movies took such risks back then. Her key influences here are clearly Network and Dog Day Afternoon. Perhaps this is the problem. It feels like a 1970s style take on a 21st Century issue. Thanks in part to other recent movies we already have a more sophisticated appreciation of the reality of the financial sector.
But I still really enjoyed Money Monster. George Clooney strikes the right balance as the likable scoundrel who just needs a gun to the head in order to realise how far down the wrong path he has travelled. And Jack O'Connell is probably my favourite actor of this decade. Just as he did in Starred Up or Eden Lake, this young man threatens to break though the screen and grab hold of you. Electrifying.
In the end I see this film as a fable and a romp. It is lots of fun. The ending just seemed a bit Hollywood. If you want to see a film that explores the impact that the financial crisis had on regular people I highly recommend the underrated 99 Homes.
- dave-mason1234
- 8 juin 2016
- Lien permanent
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- How long is Money Monster?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Mặt Trái Phố Wall
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 27 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 41 012 075 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 14 788 157 $ US
- 15 mai 2016
- Brut – à l'échelle mondiale
- 93 282 604 $ US
- Durée1 heure 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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