Un agent secret du MI6 est envoyé à Berlin pendant la guerre froide pour enquêter sur le meurtre d'un collègue et récupérer la liste disparue d'agents doubles.Un agent secret du MI6 est envoyé à Berlin pendant la guerre froide pour enquêter sur le meurtre d'un collègue et récupérer la liste disparue d'agents doubles.Un agent secret du MI6 est envoyé à Berlin pendant la guerre froide pour enquêter sur le meurtre d'un collègue et récupérer la liste disparue d'agents doubles.
- Prix
- 14 victoires et 20 nominations au total
- Aleksander Bremovych
- (as Roland Moller)
- Yuri Bakhtin
- (as Jóhannes Jóhannesson)
- East German Guard #1
- (as Attila Arpa)
- Helena
- (as Lili Gessler)
Histoire
Le saviez-vous
- AnecdotesCharlize Theron had eight personal trainers to help her master her intensely physical performance. She also trained with Keanu Reeves, who was preparing for John Wick: chapitre 2 (2017).
- GaffesWhile acting as Lorraine's tour guide, David points out Brandenburg Gate and then Checkpoint Charlie. The only way to pass the Gate first and the Checkpoint second with them to the right was to drive in East Berlin, and not West Berlin where the characters are supposedly driving.
- Citations
Lorraine Broughton: I've read your file. I've also read your dog file. So let's cut the crap, shall we? This whole hungover, show-up-late, don't-know-which-way-is-up act, I'm not buying it. I trust you about as far as I can throw you.
David Percival: "It's a double pleasure to deceive the deceiver."
Lorraine Broughton: Niccolo Machiavelli. It was on your shelf.
David Percival: Oh my God, I think I fucking love you!
Lorraine Broughton: That's too bad.
- Générique farfeluThere is a credit for "Best Camera Trainee Ever."
- Autres versionsThe lesbian scenes were cut from the Arab version release.
- ConnexionsFeatured in Atomic Blonde: Fight Like a Girl (2017)
- Bandes originalesBlue Monday '88
Written by Stephen Morris (as Stephen Paul David Morris), Bernard Sumner, Peter Hook and Gillian Gilbert (as Gillian Lesley Gilbert)
Performed by New Order
Courtesy of Warner Music U.K. Ltd.
By arrangement with Warner Music Group Film & TV Licensing
In the intro, you already get a foretaste of the direction the movie is going to take, which is then consistently followed through. The movie doesn't lose its pace over the entire runtime. There is no real hole.
The entire atmosphere feels incredibly authentic. The whole thing is underpinned by a really stylish, cool and coherent soundtrack, which strongly underpins the images shown.
The only point of criticism is the plot. It seems a bit confused and essentially serves to explain why a character gets from A to B. The story isn't really complicated, but you still think to yourself at some points, just accept it and don't question it.
But you can turn a blind eye to that, because the actual plot is in the background for me here. The overall look and feel paired with the really strong fight choreography let you quickly overlook it.
And that brings us to the crucial point. The movie has incredibly strong fight scenes. The camera is close up throughout and all the fights look handmade. That's what I want to see and not cut-up action where you can't see anything or which is just bristling with GCI. Some action movies can take a leaf out of this book. Showing and not hinting is the motto here. One of the best scenes of the whole movie is a several minutes long plan sequence in a house. I find this impressive every time. In these moments, the movie reminds me of a reduced, well dosed John Wick, only the setting and the framework story appeals more to me personally.
All in all, 'Atomic Blonde' is a solid agent thriller, which can more than convince with its atmosphere, look and fight scenes. In terms of plot, familiar structures, motifs and sequences are used. If you can overlook that, then you can really have fun with the movie.
- Toph-22
- 23 oct. 2021
- Lien permanent
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Atomic Blonde
- Lieux de tournage
- Budapest, Hongrie(as Berlin, Germany, main shooting location)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 51 687 870 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 18 286 420 $ US
- 30 juill. 2017
- Brut – à l'échelle mondiale
- 100 014 025 $ US
- Durée1 heure 55 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1