Yip Man: Jung gik yat zin

Good that National Arts Films Production beat Ip Man 3 to the punch on the final chapter of Ip Man's saga. When Donnie Yen announced that he would not do another sequel to Ip Man, I thought what a pity. But now when I see Anthony Wong playing the Ip Man's part, maybe someone like him is a better cast for telling the twilight years of Ip Man's story.

The movie isn't going to be spectacular as Ip Man or Ip Man 2. You already know it from the cast. But it was good in its own ways because Anthony Wong's portrayal of the master was kind of spot on. Life in Hong Kong wasn't so easy in the '50s or '60s, and being an old man in that environment would have been hard even for a grand master of his caliber. The story integrates both Ip Man and Hong Kong pretty well. If there's a problem with this movie, story didn't flow as smoothly as it could have been, but finding story in Ip Man's old age probably wasn't so easy.

I would accept this movie as Ip Man 3. I don't know how good the real Ip Man 3 is going to be, but without Donnie Yen in the starring role, I'm sure it wouldn't have the high tension previous two movies had. As many have commented, this rush to capitalize on the Ip Man's popularity is getting to be passé. This movie was acceptable as the swan song to the saga of Ip Man.

I am accustomed to Donnie Yen but this actor was not bad. This film shows Ip Man in his older years which was an interesting portrayal. His team of students was another highlight.

Herman Yau's films have got its bragging rights, having Ip Man's own son Ip Chun involved with the production, not only in making cameo appearances, but providing story input to paint a more dramatic picture of the subject. And it couldn't get more authentic than this, even with artistic license obviously taken at some points. And if you were to extrapolate them, then you'd see shades of the rest of the other films that seem to tangent off important plot points. Things such as underground fighting rings, corrupt cops, battling with other grandmasters, setting up shop, and tales of rash disciples all have its air time here as well, and this one offered a lot more than the others because it's now a snapshot of a time that the rest hasn't, and probably will not, cover. This is Ip Man in his later days when Bruce Lee was beginning to make a name for himself in the USA, and chronicles the life and times, filled with its fair share of ups, downs, moments of pride and that tragic sense of loss, that comes with ageing, with a lot more focus on his group of disciples as much as it is about Ip Man's personal life.

The surprise is of course Yau teaming up with his one time iconic collaborator Anthony Wong, who together have made classical Category III films in The Untold Story and Ebola Syndrome. Here, they reunite to bring a kung fu master to life, and a biographical one at that, and going by the trailers, Wong is no pushover as he executes the Wing Chun moves with grace and ferocity, with little that betrays the use of a stuntperson or wires to help make his a lot more graceful. What works here in the fight department is the awesome choreography that does justice to both the martial arts and the actor, obviously having trained for it, to execute the moves with as much authenticity as possible.

Action sequences may be limited in quantity given Herman Yau's and Erica Lee's story focused on the more dramatic moments, and relationships that Ip Man has with his wife (Anita Yuen), a songstress (Zhou Chu Chu) and his many disciples, but more than made up for it in terms of quality. Cinematography in action films are key in either wanting to play the cheat sheet with quick cuts and edits, with either faraway or tight shots to hide the stuntperson, but this one is done perfectly well to show off the cast members' moves and intensity of their blows, and does its action choreography justice, which for a martial arts film, matters most. Besides some speeding up detected, it doesn't have over the top style, but kept things as simple as Wing Chun's philosophy, and that battle between Ip Man and Master Ng (Eric Tsang) remains one of the best in this movie, and dare I mention also ranks as one of the best amongst the rest of the Ip Man films put together.

If there's a downside to this, it's the issue of having too many characters jam packed into this less than two hour story. There's a whole host of disciples that Ip Man had recruited, and while screen time is dedicated to these characters, their development was fleeting at best. Headlining the disciples were the likes of Gillian Chung chalking up her resume in her recent comeback, but her role was rote at best, with her relatively less well known stars given more screen time instead. Jordan Chan is the other famous headliner for the film, starring as Ip Man's disciple and a policeman, caught up with moral issues as his profession brings about opportunities for corruption at the time, and how he struggled with this moral dilemma. But it's not much of a struggle as it turned out, although the narrative steered clear on passing any judgement or ending on the character, except to remind that he was an important source of income to keep things going. Zhou Chu Chu as the songstress provided a promise of a romance that wasn't much, but this love story has its shades in Wong Kar-Wai's epic in being a love that could have been, told in a very different fashion here.

The opening film of this year's Hong Kong International Film Festival, with that territory comes a certain guarantee that this has to live up to its honor with high production values, which was a plus point as the 50s and 60s Hong Kong got recreated both in terms of external sets and interior art direction and production to transport the audience into an era long gone. Giving it some artistic credibility is how the narrative blended with the history of Hong Kong as a background, making it as much of a historical epic of the colony at the time as it is about the story of Ip Man's advancing years in life. Still, as part of the Ip Man movie canon, The Final Fight has its moments, and even if you're jaded from too many films about the grandmaster in such a short duration of time, this movie still has what it takes to offer audiences a different aspect yet to be seen of Ip Man, with its Wing Chun moves and fights being the icing on the cake. Recommended!

Well it can't be said for sure, if it's the last one, but it does feel like a closure to a series that has spawned for movies altogether. While the first two remain the best (with zero being the weak link in that chain, though there are always worse movies as I like to say), this is a fine addition and nice round up.

Not only do you have two fine (mature) actors opposite/side-to-side, you also have a story that is told. A story that tries to show us, that violence is not key. Don't worry though, there is plenty of great action scenes in it. It actually heightens those scenes, when you have something solid in between them, that makes you wait for them

I've spent the 1992 year in Beijing, People's Republic of China. While I was there to work as a foreign expert, I had the chance to work for China Films, where they were writing subtitles for Chinese movies which were exported to abroad customers. Most of the films were Kung Fu movies, and in all of them, the dialogues were so dumb it was laughable. it's not the case with this film. This a well-made movie, with nice battle scenes, but also with an interesting story about a real character. This Master of Wung Shin was the teacher of Bruce Lee. The story is going on from 1949 to the end of the 1960's. It's rather interesting. The version I've watched was in Cantonese, with subtitles, and I recommend it.