À la suite d'une tragédie familiale, une écrivaine est incapable de choisir entre l'amour de son ami d'enfance et la tentation représentée par un mystérieux inconnu.À la suite d'une tragédie familiale, une écrivaine est incapable de choisir entre l'amour de son ami d'enfance et la tentation représentée par un mystérieux inconnu.À la suite d'une tragédie familiale, une écrivaine est incapable de choisir entre l'amour de son ami d'enfance et la tentation représentée par un mystérieux inconnu.
- Prix
- 7 victoires et 45 nominations au total
Histoire
Le saviez-vous
- AnecdotesThough the house was built in its entirety, it had to be torn down at the end of the shoot in order to make space in the studio.
- GaffesWhen Lucille chases Edith outside near the end, the mining machine starts up instantly. Any steam-powered machine, especially one in below-freezing temperature, would need at least 2-3 hours just to get the steam pressure up, let alone operate at full efficiency.
- Citations
Lucille Sharpe: But the horror... The horror was for love. The things we do for love like this are ugly, mad, full of sweat and regret. This love burns you and maims you and twists you inside out. It is a monstrous love and it makes monsters of us all.
- Générique farfeluThe first half of the end credits reveals that Edith adapted her experience in the film into a book titled "Crimson Peak".
- Bandes originalesIn the Sails of Your Dreams
Written by Guillermo del Toro and Fernando Velázquez (as Fernando Velásquez)
Commentaire en vedette
I only saw this film because I am a del Toro fan--Pan's Labyrinth is my favorite movie. While Crimson Peak does not come anywhere near the quality of Labyrinth in terms of the script, it still showcases del Toro's unique skill for beauty and suspense.
The sets, costumes and general atmosphere are sumptuous in that signature del Toro way. The luxurious train on the heroine's robe that audibly thumps behind her as she sweeps down the staircase? Yes, please. There is a nod to all the images our minds ever conjured while reading fairy tales. The rich colors, the music, the textures all help draw us in to this world and settle us in for the story.
The film is not without its flaws. There are a few glaring plot contrivances that had me groaning. There is a superficial quality to the scenes involving Thomas Sharpe's clay mining business.
I was impressed with Jessica Chastain's talent for conveying two conflicting emotions at once, all playing out on her face, reminiscent of Gillian Anderson in Bleak House.
The sets, costumes and general atmosphere are sumptuous in that signature del Toro way. The luxurious train on the heroine's robe that audibly thumps behind her as she sweeps down the staircase? Yes, please. There is a nod to all the images our minds ever conjured while reading fairy tales. The rich colors, the music, the textures all help draw us in to this world and settle us in for the story.
The film is not without its flaws. There are a few glaring plot contrivances that had me groaning. There is a superficial quality to the scenes involving Thomas Sharpe's clay mining business.
I was impressed with Jessica Chastain's talent for conveying two conflicting emotions at once, all playing out on her face, reminiscent of Gillian Anderson in Bleak House.
- rivkasue
- 17 oct. 2015
- Lien permanent
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- How long is Crimson Peak?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- La cumbre escarlata
- Lieux de tournage
- Kingston, Ontario, Canada(Market Square Downtown outside city hall)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 55 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 31 090 320 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 13 143 310 $ US
- 18 oct. 2015
- Brut – à l'échelle mondiale
- 74 679 822 $ US
- Durée1 heure 59 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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