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Après le mariage de Ben et George, George est congédié de son poste d'enseignant, les obligeant à rester chez des amis séparément le temps de vendre leur maison - une situation qui pèse lour... Tout lireAprès le mariage de Ben et George, George est congédié de son poste d'enseignant, les obligeant à rester chez des amis séparément le temps de vendre leur maison - une situation qui pèse lourdement sur toutes les personnes impliquées.Après le mariage de Ben et George, George est congédié de son poste d'enseignant, les obligeant à rester chez des amis séparément le temps de vendre leur maison - une situation qui pèse lourdement sur toutes les personnes impliquées.
- Prix
- 2 victoires et 24 nominations au total
Darren E. Burrows
- Elliot
- (as Darren Burrows)
Harriet Sansom Harris
- Honey
- (as Harriet Harris)
Histoire
Le saviez-vous
- AnecdotesBen's paintings were done by painter Boris Torres, who is also director Ira Sachs' husband.
- GaffesWhen George advises the young girl playing a Frédéric Chopin piece on the piano (supposedly without sufficient feeling), that she should let the music take her somewhere, surprise or even overwhelm her, he says that this is as important as "knowing the difference between a half-step and a semitone". Fact is, a half-step IS a semitone; there is no difference at all.
- ConnexionsFeatured in The Nostalgia Critic: Does PG Mean Anything Anymore? (2016)
- Bandes originalesBerceuse in D-Flat Major, Op. 57
Written by Frédéric Chopin
Performed by Idil Biret
Courtesy of Naxos of America, Inc.
Commentaire en vedette
New Yorkers Ben and George have been together nearly 40 years, when they marry during a joyous gathering of friends and relatives. Unfortunately, George works for a Catholic school, and he is quickly dismissed when news of his recent nuptials reaches the Church hierarchy. The aging couple can no longer afford their condo and, forced to sell, face difficulties finding a reasonable apartment. Thus, Ben and George separate temporarily to live with relatives, and the expected problems ensue.
"Love is Strange" has many things going for it, primarily in the performances of John Lithgow as Ben, Alfred Molina as George, and Marisa Tomei as Kate, the wife of Ben's nephew. Lithgow and Molina capture the familiarity and tenderness of a long-married couple, while the always-engaging Tomei is excellent as a writer, whose work is constantly interrupted by Uncle Ben's well-meaning, but intrusive conversation. Unfortunately, the shaggy-dog script by Ira Sachs and Mauricio Zacharias does not serve the talented cast well. The screenplay shuffles some significant events off screen and leaves enough threads dangling to weave a carpet. Random coincidence resolves one plot point, while others are just left unanswered. Sachs also directs, and his long takes seem self-consciously arty. The film appears to be ending several times before it actually does.
While the credits roll, question after question will rise in viewers' minds. After nearly 40 years together, why did George and Ben have no savings? George signed an agreement when he was hired and knew the consequences, why did he not keep his marriage quiet? Why was George so clueless about the costs of selling the condo? What was the big deal about moving to Poughkeepsie temporarily? Why was the friend, Honey, dismissed from a conversation with a sharp "you're not family?" Why did the relatives discuss the couple's living situation behind their backs and not openly with them? Perhaps an intended longer version was chopped down, although, at 94 minutes, "Love is Strange" is relatively short. Whatever the reason, the film is a botched opportunity that squanders some talented performers and an intriguing premise.
"Love is Strange" has many things going for it, primarily in the performances of John Lithgow as Ben, Alfred Molina as George, and Marisa Tomei as Kate, the wife of Ben's nephew. Lithgow and Molina capture the familiarity and tenderness of a long-married couple, while the always-engaging Tomei is excellent as a writer, whose work is constantly interrupted by Uncle Ben's well-meaning, but intrusive conversation. Unfortunately, the shaggy-dog script by Ira Sachs and Mauricio Zacharias does not serve the talented cast well. The screenplay shuffles some significant events off screen and leaves enough threads dangling to weave a carpet. Random coincidence resolves one plot point, while others are just left unanswered. Sachs also directs, and his long takes seem self-consciously arty. The film appears to be ending several times before it actually does.
While the credits roll, question after question will rise in viewers' minds. After nearly 40 years together, why did George and Ben have no savings? George signed an agreement when he was hired and knew the consequences, why did he not keep his marriage quiet? Why was George so clueless about the costs of selling the condo? What was the big deal about moving to Poughkeepsie temporarily? Why was the friend, Honey, dismissed from a conversation with a sharp "you're not family?" Why did the relatives discuss the couple's living situation behind their backs and not openly with them? Perhaps an intended longer version was chopped down, although, at 94 minutes, "Love is Strange" is relatively short. Whatever the reason, the film is a botched opportunity that squanders some talented performers and an intriguing premise.
- dglink
- 16 sept. 2014
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- aşk Başkadır
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 2 262 223 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 117 276 $ US
- 24 août 2014
- Brut – à l'échelle mondiale
- 3 057 388 $ US
- Durée1 heure 34 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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By what name was Love Is Strange (2014) officially released in India in English?
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