A briefly captivating and partially thrilling story about a motley crew stalked and threatened by giant killer lions. A young couple (Ryan Philippe, Mena Suvari) have to flee from a paramilitary group in an African nation after traveling there to introduce the Christian religion. But the plane driven by Grun (Emile Hirsch) crashes and the group of travelers (Ryan Philippe, Mena Suvari, Jeremy Tardy, Dylan Flashner, Tristan Thompson) find themselves besieged by huge lions and confined almost entirely to the dangerous savannah, resulting in fateful consequences. And to make matters worse, the killer beasts continue to kill and they are attacked by soldiers while are in the wrecked plane where they have taken refuge. Fight for life!. Not an ordinary animal!. Prey to survive!. !. Sometimes the rustling in the bushes is actually a monster!. Human emotion laid bare!
This is a tragedy-adventure-drama film that took a few weeks to shoot in California, although I think it's more of a horror drama than an adventure film, as it deals with huge, hungry lions that have seemingly mythical and vengeful qualities, in order to relentlessly kill people. After their plane crashes, they must fight for their lives against beasts and bloodthirsty soldiers; the pilot is played in a mediocre way by Emile Hirsch and the young couple forced to abandon their Christian missionary station in the Kalahari Desert after being threatened with death by an extremist militant gang is played by Ryan Phillippe and Mena Suvari, although the latter has a secondary appearance.
This is an uneven survival drama with not too much appeal and minimal quality in which the actors give all the value to a heart-stopping script, concerning a group of fearful people who find themselves pursued by huge lions who try to prove that the savannah has only one apex predator, themselves. The film is average and nothing special, it overuses computerized images of lions; in fact, the animals that appear in the film are generated in 3D; finally, the director to give more authenticity to the images, decided to bring a real one to the set one day. It contains some passable scenes, brilliant cinematography by cameraman Farhad Ahmed Dehlvi, an undistinguishing soundtrack, complemented by spectacular highlights when the ferocious lions attack here and there and adding other additional attractions. The cast is acceptable but not remarkable, such as: Ryan Phillippe as the stubborn husband who will stop at nothing to protect his wife Suvari, a role that sits easily on his shoulders and Emilie Hirsch as the tough pilot. There is also a brief description of the terrorist organization Boko Haram that mercilessly hunts and kills Christians, it is an Islamist jihadist terrorist organization based in northeastern Nigeria, which is also active in Chad, Niger, northern Cameroon and Mali. In 2016, the group split, leading to the emergence of a hostile faction known as the West African Province of the Islamic State.
The film turns out to be very average, tending towards the low, there are other much better films about people besieged by the African dangers and the wildlife of the savannah, such as: ¨Sands of the Kalahari¨ (1965) by Cy Endfield with Stanley Baker, Stuart Whitman, Susannah York; ¨A Far Off Place¨ (1993) by Mikael Salomon with Reese Witherspoon, Ethan Embry, Jack Thompson; ¨Prey¨ (2007) by Darrell Root with Bridget Moynahan, Peter Weller and ¨Beast¨ (2022) by Baltasar Kormákur with Idris Elba.
The feature film was directed in an irregular manner by Mukunda Michael Dewil, being supposedly based on real events. But it was not filmed in Africa but at Vasquez Rocks Natural Area Park, Escondido Canyon Rd., Agua Dulce, California. Mukunda is a craftsman who has made a few films without much success and usually on a low budget, although on occasions he has managed to gather well-known actors: Emile Hirsch, Paul Walker, Kate Bosworth, Ashley Greene, Ryan Philippe, Mena Suvari for his cheap productions, which include the following films: Vehicle 19 (2013), Retribution (2011), Collide (2022), The Immaculate Room (2022) and Kalahari (2024). Score: 4/10. A short-budget and below-average ordinary film dealing with African survival.
