Vinegar Syndrome's maiden production, Eight Eyes, is a love letter to horror -- specifically the grindhouse and exploitation films of the 1970s. Although the film is set in modern times, the 16mm shooting gives it a grainy, retro quality which any lover of old school films will undoubtedly appreciate. The occasional glimpses of modern tech provide a jarring (though not in a bad way) reminder that the action is not actually set in the '70s. The retro vibe is not overdone, however, and the film, although paying tribute to many other films, has a voice entirely its own.
For some, the first act will be the more effective. It is relatively slow-paced, building tension with a familiar scenario: an American couple tour the Balkans (Serbia) and meet an enigmatic local. We do not know what lurks behind Saint Peter's apparent hospitality, but we know it is not anything good. Had I stopped watching at this point, I would likely have rated this film only a 6, ot 7 at most. I can appreciate an effective slow-burn, but the second act is (for me, anyway) truly where Eight Eyes' strength lies.
Without giving too much away, it pays clear homage to Texas Chainsaw Massacre, while incorporating a trace of cosmic horror. This is delivered in excellent, jittery technocolour, giving the film a twist that is not only original, but a visual treat. It also boasts some wonderful set pieces. Some things are, however, left to the viewer's imagination, so for those looking for an film that prioritises tight storytelling, this one may lean too heavily towards style over substance. However, for horror fans who want to see a new twist on what we love about the grindhouse era, Vinegar Syndrome has risen to the challenge admierably.
