Mads is, without a doubt, one of the boldest films I've seen this year, standing out for its "one shot" approach, where we follow a long sequence shot, seemingly without cuts, that keeps us immersed from start to finish. It's probably the most unconventional film of the year, and this uniqueness makes it a truly one-of-a-kind experience.
The film begins shrouded in mystery, keeping us in suspense without revealing where it intends to take us. Gradually, the plot starts to unfold, showing us its intended path. This slow and calculated build-up creates a suspenseful atmosphere that holds us to the screen. To fully appreciate this film, you need to approach it with an open mind-maybe that's why I ended up liking it so much. For those used to a more traditional narrative structure, this approach might not appeal, but if you go with the flow, you'll discover one of the year's most original films.
The story itself isn't exactly revolutionary, nor does it try to add social commentary or metaphor. Without revealing spoilers, Mads takes a common horror theme and gives it an absolutely unique twist.
From a technical perspective, it's an insane work of art. The cinematography, with its noisier, less digital texture, gives it a rawer, more artistic aesthetic, setting it apart from most modern productions. The editing left me intrigued, as there are sequences that make you wonder how they managed to film certain moments in a continuous shot.
Of course, there are a few weaker points, like some unanswered questions, but even so, those 90 minutes were intense and captivating, with my attention held from start to finish. For anyone seeking an unconventional experience, Mads is an unmissable title this year.
