Ajouter une intrigue dans votre langueA dark comedy about small-town private investigator Honey O'Donahue, who delves into a series of strange deaths tied to a mysterious church.A dark comedy about small-town private investigator Honey O'Donahue, who delves into a series of strange deaths tied to a mysterious church.A dark comedy about small-town private investigator Honey O'Donahue, who delves into a series of strange deaths tied to a mysterious church.
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Margaret Qualley, who was great in Substance, acts like a private detective from a 50's movie, which was out of place with almost everyone else.
Aubrey Plaza was great in her role, seemed very realistic amongst the other actors.
Chris Evans's character was over acted, which might have been the intent of the director, given other weird choices.
Ethan Coen, is a great director, but really couldn't pull this movie together as it seemed lost as to style or intent. I think he must have decided to throw in the several meaningless sex scenes that didn't advance the plot, to appeal to teenage boys.
All the rest of the actors were way over the top and unrealistic to the point of being a parody almost to Naked Gun level. Thus, there were a few laughs to be had.
Didn't hate it, but will never watch it again and regret paying to see it.
Aubrey Plaza was great in her role, seemed very realistic amongst the other actors.
Chris Evans's character was over acted, which might have been the intent of the director, given other weird choices.
Ethan Coen, is a great director, but really couldn't pull this movie together as it seemed lost as to style or intent. I think he must have decided to throw in the several meaningless sex scenes that didn't advance the plot, to appeal to teenage boys.
All the rest of the actors were way over the top and unrealistic to the point of being a parody almost to Naked Gun level. Thus, there were a few laughs to be had.
Didn't hate it, but will never watch it again and regret paying to see it.
Well the trailer made it look pretty intriguing, but upon watching this latest effort from half of the Coen Brothers (Ethan), I'm afraid it's another disappointing bust!
I actually found it rather apt that gorgeous rising star lead Margaret Qualley has a bemused, confused look on her face throughout the entire flick... because I felt exactly the same!
While the piece retains some well known Coen hallmarks (good cinematography, sharp editing, decent music and many typically oddball characters), it seriously lacks more important elements. The usual dark humour is sorely lacking, the dialogue isn't as sharp, the script is a mess and the final pay-off is a major letdown.
Indeed, only Qualley and Aubrey Plaza come out of the overly woke sexually charged Coen-carnage with any performance credibility, while a miscast Chris Evans and the rest of the supporting cast are as hollow and throwaway as the lacklustre screenplay.
In truth, it's been far too long since either of the brothers have hit a 'HoF' homerun (No Country for Old Men in 2007!), and this is yet another strikeout for the undenable Hollywood legends who hardly put a foot wrong between 1984-2001! We live in hope (barely) of another 'Barton Fink', 'O Brother Where Art Thou' or 'Fargo' but I think it's been way too long now, they're done... Sad times.
I actually found it rather apt that gorgeous rising star lead Margaret Qualley has a bemused, confused look on her face throughout the entire flick... because I felt exactly the same!
While the piece retains some well known Coen hallmarks (good cinematography, sharp editing, decent music and many typically oddball characters), it seriously lacks more important elements. The usual dark humour is sorely lacking, the dialogue isn't as sharp, the script is a mess and the final pay-off is a major letdown.
Indeed, only Qualley and Aubrey Plaza come out of the overly woke sexually charged Coen-carnage with any performance credibility, while a miscast Chris Evans and the rest of the supporting cast are as hollow and throwaway as the lacklustre screenplay.
In truth, it's been far too long since either of the brothers have hit a 'HoF' homerun (No Country for Old Men in 2007!), and this is yet another strikeout for the undenable Hollywood legends who hardly put a foot wrong between 1984-2001! We live in hope (barely) of another 'Barton Fink', 'O Brother Where Art Thou' or 'Fargo' but I think it's been way too long now, they're done... Sad times.
After over thirty years directing movies together, Joel and Ethan Coen started making movies separately. Ethan has now released the second entry in a lesbian trilogy (full disclosure: I haven't yet seen the first entry). "Honey Don't!" casts Margaret Qualley as a detective investigating a strange death in Bakersfield, and trying to find out who in town is involved.
As per his style, Coen creates a number of quirky characters, and people end up dead in some unusual ways. Where the movie falters is in effectively tying everything together; much of it seems as if Coen and co-writer Tricia Cooke came up with several different ideas for movies and combined them into a neo-noir with erotic transitions.
Overall, I did like it. Despite the obvious shortcomings - and there are a few - it's not the Coens' worst by any measure; that dishonor belongs to "Inside Llewyn Davis" (which lacked character development and any attempt to look at the historical context). Qualley, along with Aubrey Plaza, Charlie Day and Chris Evans give us some fine performances.
As per his style, Coen creates a number of quirky characters, and people end up dead in some unusual ways. Where the movie falters is in effectively tying everything together; much of it seems as if Coen and co-writer Tricia Cooke came up with several different ideas for movies and combined them into a neo-noir with erotic transitions.
Overall, I did like it. Despite the obvious shortcomings - and there are a few - it's not the Coens' worst by any measure; that dishonor belongs to "Inside Llewyn Davis" (which lacked character development and any attempt to look at the historical context). Qualley, along with Aubrey Plaza, Charlie Day and Chris Evans give us some fine performances.
I just finished watching Honey Don't, and honestly, I left the theater scratching my head. The whole experience was a strange mix of sad, pointless, and-if I'm being blunt-sometimes flat-out boring. It felt like the film was trying to say something profound, but the tone was so off that it missed its mark entirely.
I truly don't know what audience they were aiming for. Too heavy-handed to be light drama, too scattered to be meaningful, and too dull to be entertaining. Characters drifted through scenes without much purpose, and while the story had the bones of something emotional, it never built to anything worth caring about.
The pacing didn't help either. There were long stretches where I caught myself checking the time, waiting for something-anything-to happen. Instead, it kept circling back to the same dreary mood that never paid off.
In the end, I can see why the studio released this movie in the dead zone of late August, right before Labor Day weekend. It feels like one of those "let's just get it out there and move on" kind of releases. Honey Don't isn't the worst film I've ever seen, but it's definitely one I won't be remembering-or recommending-anytime soon.
I truly don't know what audience they were aiming for. Too heavy-handed to be light drama, too scattered to be meaningful, and too dull to be entertaining. Characters drifted through scenes without much purpose, and while the story had the bones of something emotional, it never built to anything worth caring about.
The pacing didn't help either. There were long stretches where I caught myself checking the time, waiting for something-anything-to happen. Instead, it kept circling back to the same dreary mood that never paid off.
In the end, I can see why the studio released this movie in the dead zone of late August, right before Labor Day weekend. It feels like one of those "let's just get it out there and move on" kind of releases. Honey Don't isn't the worst film I've ever seen, but it's definitely one I won't be remembering-or recommending-anytime soon.
Hate to say it but this one was a total letdown. The cast is stacked and the vibes could have been amazing, but the story just went in too many directions instead of owning one lane. Chris evans as a slimeball pastor had me cracking up, charlie day kept giving me sunny conspiracy board flashbacks (probably just me lol), and honestly both aubrey plaza and margaret qualley were made for their hot, classy, sultry detective/cop roles. They completely delivered - it was the storyline, not the characters, that didn't add up. And look, while the coen brothers' breakup has blessed us with some spectacular sapphic scenes (hi, aubrey and margaret being absurdly hot together), it's also proof that his wife's touch might bring the spice but the boys really do their best work as a band of brothers. The whole thing ended up feeling messy and dragged way too long. BUT i'd still happily pay again just to rewatch that aubrey x margaret market scene because wow... chef's kiss, dangerously hot.
Le saviez-vous
- AnecdotesEthan Coen's second solo fiction feature film, after Filles en cavale (2024). His third solo feature film as a director overall, having directed the documentary Jerry Lee Lewis: Trouble in Mind (2022).
- Citations
Marty Metakawitch: I bust into a house of god for no reason, it ain't a feather in my cap, it's my ass in a sling.
- Bandes originalesWe Gotta Get Out of this Place
written by Barry Mann and Cynthia Weil
performed by Brittany Howard
published by: Dyad Music Ltd (BMI) / Screen Gems-EMI Music Inc (BMI)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Honey Don't!
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 5 594 920 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 3 025 525 $ US
- 24 août 2025
- Brut – à l'échelle mondiale
- 5 674 705 $ US
- Durée
- 1h 29m(89 min)
- Couleur
- Rapport de forme
- 2.39 : 1
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