Les quatre cavaliers refont surface et sont recrutés de force par un génie de la technologie pour réaliser leur braquage le plus improbable.Les quatre cavaliers refont surface et sont recrutés de force par un génie de la technologie pour réaliser leur braquage le plus improbable.Les quatre cavaliers refont surface et sont recrutés de force par un génie de la technologie pour réaliser leur braquage le plus improbable.
- Prix
- 5 nominations au total
Zach Gerard
- Hannes Pike
- (as Zach Gregory)
Histoire
Le saviez-vous
- AnecdotesLizzy Caplan replaced Isla Fisher due to Fisher's pregnancy. In September 2016, Caplan was officially announced as Fisher's full-time replacement, as Fisher won't be returning for this film.
- GaffesOn the UK mainland, the FBI would - at best - only have a consultancy or advisory capacity. Any law-enforcement would be in the hands of the UK Police. In London, this would be the either the Metropolitan Police, or the City Of London Police. There would certainly NOT be a blue US-type van parked on a London street with FBI plastered all over it.
- Citations
J. Daniel Atlas: We are going out with a show people will never forget.
- Bandes originalesThis Magic Moment
Written by Mort Shuman, Doc Pomus
Performed by The Drifters
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
Commentaire en vedette
I really enjoyed the first NOW YOU SEE ME film. I thought that film's premise "magicians robbing a bank" was original and the execution of the unique script by Ed Solomon and Boaz Yakin by director Louis Leterrier was strong. Add to that the casting - Jesse Eisenberg, Woody Harrelson, Isla Fisher and Dave Franco as "The Four Horseman", Melanie Laurent, Common and (especially) Mark Ruffalo as the cops who were chasing them and sprinkle in good ol' Michael Caine and Morgan Freeman into a plot that kept you guessing to the end and you had a fun ride.
My only question was, could the sequel capture the...wait for it...MAGIC (yes I went there) of the original?
And my answer is...sort of.
Kind of like seeing a magic show for the 2nd time, the spark of originality and wonderment was mostly missing this time around, consequently NOW YOU SEE ME 2 turned into a fairly standard crime/action caper - but with magic instead of guns, cars or fights.
All that said, I was still entertained by this film, but that enjoyment was filled with an undercurrent of disappointment as I wanted to by "wowed" like I was with the first film.
The script - written by Ed Solomon, one of the writers of the original, struck me as a "job script", that is, a script written for money from the studio vs. a "passion script" where the author has an idea they are passionate about and that passion is shown on the screen. Add to that the fact that Jon M.Chu - director of GI JOE: RETALIATION (not exactly CITIZEN KANE) - helmed this film and you have a movie that feels professional, competent and workman-like.
What saves this movie is the performances. Three of the horsemen are back (Isla Fisher had to bow out due to a pregnancy) and the bi- play and the interaction between Eisenberg, Harrelson and Franco fits like an old glove. They get to interact with Ruffalo more in this film and that's a plus. Freeman and Caine return and are as dependable as ever and newcomers Daniel Radcliffe, Tsai Chin and (especially) Jay Chou were fun. Only Lizzy Caplan's Lula didn't really work for me - I thought she was trying to hard to fill in for Fisher.
Interestingly enough, I could shake the feeling, as I was watching this film, that I was watching the 2nd chapter in a trilogy, even though this one did NOT end in a cliffhanger. Sure enough, upon further review, NOW YOU SEE ME 3 is currently filming.
All in all, I enjoyed this film, I just wish I could have been surprised more, like I was in the first film.
7 (out of 10) stars and you can take that to the Bank (of Marquis)
My only question was, could the sequel capture the...wait for it...MAGIC (yes I went there) of the original?
And my answer is...sort of.
Kind of like seeing a magic show for the 2nd time, the spark of originality and wonderment was mostly missing this time around, consequently NOW YOU SEE ME 2 turned into a fairly standard crime/action caper - but with magic instead of guns, cars or fights.
All that said, I was still entertained by this film, but that enjoyment was filled with an undercurrent of disappointment as I wanted to by "wowed" like I was with the first film.
The script - written by Ed Solomon, one of the writers of the original, struck me as a "job script", that is, a script written for money from the studio vs. a "passion script" where the author has an idea they are passionate about and that passion is shown on the screen. Add to that the fact that Jon M.Chu - director of GI JOE: RETALIATION (not exactly CITIZEN KANE) - helmed this film and you have a movie that feels professional, competent and workman-like.
What saves this movie is the performances. Three of the horsemen are back (Isla Fisher had to bow out due to a pregnancy) and the bi- play and the interaction between Eisenberg, Harrelson and Franco fits like an old glove. They get to interact with Ruffalo more in this film and that's a plus. Freeman and Caine return and are as dependable as ever and newcomers Daniel Radcliffe, Tsai Chin and (especially) Jay Chou were fun. Only Lizzy Caplan's Lula didn't really work for me - I thought she was trying to hard to fill in for Fisher.
Interestingly enough, I could shake the feeling, as I was watching this film, that I was watching the 2nd chapter in a trilogy, even though this one did NOT end in a cliffhanger. Sure enough, upon further review, NOW YOU SEE ME 3 is currently filming.
All in all, I enjoyed this film, I just wish I could have been surprised more, like I was in the first film.
7 (out of 10) stars and you can take that to the Bank (of Marquis)
- bankofmarquis
- 13 juin 2016
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Now You See Me 2
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 90 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 65 075 540 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 22 383 146 $ US
- 12 juin 2016
- Brut – à l'échelle mondiale
- 334 897 606 $ US
- Durée2 heures 9 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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