La venue de l'avenir

I had an amazing time watching this movie in theatre. I left the cinema on a little cloud, wanting to take even more my time to think, to throw myself back in time, in memories, photos...

The cast is good, of course, because I am allready charmed by her, but I loved the scenes with Pomme - The scene in which she is singing on the banks of the Seine is a moment suspended in time !

I always love to see Julia Piaton also.

It is so fun to see the Paris of the end of the XIXth century with fields and farmers I'm not sure about the visual effects but you get used to it and I imagine it is normal regarding the movie's budget.

The movie has a beautiful charm. The messages it may has would be generalities allready explored in many movies. If you liked the spirit and the atmosphere of Klapisch's previous movie "Ce qui nous lie", you'll surely enjoy this one.

Colours of Time is a truly remarkable French film that blends nostalgia, artistry, and emotional warmth into a beautifully cohesive cinematic experience. From its opening scenes, the movie invites viewers into a world where the boundaries between past and present gently blur, creating a poetic exploration of memory, family, and the enduring beauty of human connection. Much like Midnight in Paris, it captures the magic of stepping into another era-yet it does so with its own unique charm and emotional sensitivity.

The film's transitions between the "beautiful past" and the contemporary world are handled with exquisite care. Each shift feels natural and dreamlike, allowing the viewer to experience the elegance, creativity, and emotional depth of earlier times while still remaining grounded in the present. Through these moments, the film celebrates treasured family bonds and the quiet beauty of relationships between close relatives-portraying them with authenticity rather than sentimentality.

One of the standout elements of Colours of Time is its visual language. The cinematography is stunning, filled with painterly frames that feel like living art pieces. Every scene is composed with a delicate attention to color, light, and texture, reinforcing the film's title and giving the audience a sensory journey that is both soothing and emotionally stirring. The visual storytelling alone is enough to make the experience unforgettable.

The music further elevates the film. Its score is graceful, harmonious, and perfectly synchronized with the emotional rhythms of the story. Whether highlighting moments of joy, reflection, or melancholy, the music adds depth and atmosphere without overshadowing the narrative.

Ultimately, Colours of Time is a deeply touching film-one that celebrates memory, creativity, and the ties that connect generations. It is visually breathtaking, emotionally rich, and filled with the kind of cinematic beauty that lingers long after the final scene. A true gem of modern French cinema.

He has done it again Monsieur Klapisch once again produces a great film about art as he did in En corps (2022)

Personally I have never liked period pieces costume dramas make me want to do what Himmler said he felt when he heard the word Kultur

But here he weaves 1895 and 2025 flawlessly like a big quilt containing Renoir Nadar Victor Hugo at some point and the shenanigans of modern day living the speed the noise the stupidity of the daily

It it a truly original effort and as in En corps (2022) a deep reflection on Art.

Admittedly, the viewer will have to persevere a bit with "The Colors of Time". As is often the case with French films, it starts off very slowly, and at times even sluggishly. You first get to know the characters and experience their everyday lives. It's a bit slow in the present, but much more exciting in the parallel narrative set in the 19th century.

You experience a lot about everyday life in that bygone era. It's beautiful in the countryside and very fascinating in Paris. Tourist attractions like the Eiffel Tower and the first electrified road are minor details, and everyday life is what's fascinating. What's it like living in this world as an ordinary person seeing their mother for the first time? Especially in an unexpected environment? What's it like to suddenly meet famous artists like Sarah Bernhardt or Claude Monet in a bar or garden?

As tangible as these personalities are in the film, so too is the Impressionism emerging in Paris at that moment. One witnesses the emergence of a significant era from everyday moments like a sunrise or a view of a garden. This is simultaneously poignant and normal. Thus, one can easily connect great art with one's own everyday life and emerge from this film inspired.

This is also ensured by a thrilling key scene that actively and directly links the present with the present. From this moment on, the art of the past is also in the present and changes the lives of the characters in our time. They are transformed and radiate like Impressionist paintings. "The Colors of Time" is a film that offers us a new and very vivid perspective on Impressionism. Highly recommended and definitely worth seeing in the original French.

La Venue de l'Avenir is a film that speaks about the future through the rediscovery of the past.

In the present day, the heirs of a woman who vanished in 1944 are summoned by a notary to decide the fate of her house, left abandoned in Normandy for more than seventy years. Many of them have never met before. And yet, once they cross the threshold of that time-suspended home, they begin to explore it together, questioning the objects left behind: a box of photographs, a dress, a painting whose meaning seems enigmatic.

These fragments become clues. They lead the group back to Paris in 1885, where the hidden story of their ancestor slowly emerges - a story made of choices, encounters, departures, and lost loves. The more they dig, the more they realize that to understand who we are today, we must listen to the voices that came before us.

In an age dominated by the virtual world, where we spend hours chasing overlapping stimuli that leave no trace, grasping their deeper meaning has become increasingly difficult. The film reminds us that sometimes one only needs to look back - even for a moment - to recover the thread of one's identity. To rediscover what truly matters: affections, bonds, and gestures that travel across generations and give shape to our lives.