From Darkness to Light

Bottom line, Jerry Lewis made a good movie. With all the doubt that the idea behind the movie that was created, none of it adds up to the fact that Jerry Lewis made a movie worth watching and worth talking about. My previous review covered why the movie was shelved and had given multiple reasons why due to endless speculations that have come from the mystery on the movie. Now, with this amazing documentary, the mystery has less speculation and more promises behind the reason why it was made. I was not expecting the amount of empathy that Jerry Lewis accepted in his struggles to make this movie. That alone showed his devotion to not only his craft as an Artist but his strong devotion to telling an important story with an equal message.

What happened to Jerry Lewis's unreleased movie THE DAY THE CLOWN CRIED? Interviews with Lewis, Martin Scorsese, Pierre Etaix and other people involved in the production are intermingled with extended clips from the film.

It's hard to think of Lewis as a serious film maker. He seems to be a maker of faces with the occasional small extended gag. Yet anyone who can actually do it will tell you that making people laugh is a difficult procedure, and directing it effectively for the screen is harder yet. Lewis did the former for twenty years, and the latter for ten until the pressure of doing both got to him and he decided he wanted to prove himself as a serious film maker and actor. Traditionally, all clown want to play Hamlet. Instead it was a movie about a broken-down clown who keeps the children happy in a concentration camp.

And between the shoddiness of his producers and his own inability to thread that needle, it broke him as a film maker. He didn't direct so much as a TV show for seven years, nor appear in a movie for nine, when he appeared in Scorsese's THE KING OF COMEDY, where his performance made the point: if you take away the things that delight us with laughter, what you are left is a serious actor. And his later interviews in which he talks about his "lost" movie -- which resides at the Library of Congress -- make me wonder what he might have done with HAMLET: not as the lead, but as the director.

I see from another review that this film was marketed to TV. And indeed it starts like a TV program, with a set of teasers to convince you to watch. And it claims to solve the last great mystery of cinematic history-- the mystery of what went wrong with Jerry Lewis's never-released film "The Day the Clown Cried." The documentary does apparently provide a definitive answer regarding the project's collapse as a business venture, and it shows us Lewis's own dissatisfaction with the footage although Lewis's own feelings and behavior are more difficult to explain and may to some extent remain a mystery forever. We do see several minutes of "The Day the Clown Cried," and it's obvious (to me at least) that one major mistake was casting Jerry Lewis himself as a German civilian in World War II when the New Jersey whine couldn't help creeping into his voice and putting him apart from the non-American actors playing the other Germans. Other criticisms are brought up, and they're all thought-provoking, even if-- unlike some of the interviewees-- you don't consider Jerry Lewis a great genius of 20th-century cinema.

An interesting and watchable documentary that I cannot help but feel is taken way too seriously by the film makers. It appears, to me at least, that they regard Lewis' not being able to finish his holocaust comedy/drama as a tragedy almost commensurate with that of Welles not having the final cut on "Magnificent Ambersons" and that the film's producer, Nat Wachsberger, to whom they assign the blame for this iniquity, is such an odious philistine that his face must be blocked from our view. I mean, talk about comedy! The fact is that, based on Lewis' own, unusually honest assessment and the out takes that are shown, Wachsberger did Lewis' reputation a favor by pulling the plug on the bathetic, pretentious embarrassment that is "The Day The Clown Cried". B minus.

This is a documentary of the legendary 'lost' Jerry Lewis 1972 film, "The Day The Clown Cried". Jerry plays political prisoner Helmet the clown in a Nazi concentration camp where he is eventually given the task of leading a group of kids to gleefully walk into the gas chamber.

The early section has a lot of present day celebrities and commentators talking about the rumors of the legend. Harry Shearer is one of the few who claims to have seen a copy. Apparently, some film cans of the working copy were secreted away from the bankrupt production house on their way to the trash. This does show some clips of the unfinished film. Some scenes are enlightening on the tone of the film, but it is tough to know if it's actually good or not. I don't think that this can be a comedy and that's the central question.

The big difficulty for the production is a lying producer who didn't get the rights to the story. In one section, Jerry confesses that the film is not good. He does pull it back by saying that it's almost wonderful which is not good enough. It's a dodge. I find myself wanting to call Jerry out on some of his comments. I'm not sure that he has a grasp on what the film needs to achieve. This is also well before Life is Beautiful and I've always felt that Life's broad comedy never worked due to the subject matter. It would have been great to have Jerry finish the movie. It would have been controversial and maybe set him on a different path.