ÉVALUATION IMDb
4,8/10
47 k
MA NOTE
Une femme se rend au Japon dans la Forêt des suicides pour trouver sa sœur jumelle et doit faire face à des phénomènes surnaturels.Une femme se rend au Japon dans la Forêt des suicides pour trouver sa sœur jumelle et doit faire face à des phénomènes surnaturels.Une femme se rend au Japon dans la Forêt des suicides pour trouver sa sœur jumelle et doit faire face à des phénomènes surnaturels.
- Prix
- 1 victoire et 1 nomination au total
Osamu Tanpopo
- Homeless Man
- (as Tanpopo Osamu)
Yûho Yamashita
- Sakura
- (as Yuho Yamashita)
Histoire
Le saviez-vous
- AnecdotesNatalie Dormer actually went to the Suicide Forest with her Japanese driver for research. She ventured five meters off the path to take photos and her Japanese driver would not step half an inch over the path.
- GaffesDuring their first excursion into the forest with Sara, Aiden & Michi remove a decaying dead body hanging from a tree. As Michi cuts the rope, Aiden takes the body in a "Fireman's Carry" across his shoulders and lowers it to the ground.
The chances of this happening in real life are extremely unlikely. Even an inexperienced person like Aiden would know better than to make close, direct physical contact with a putrefying corpse, which is undoubtedly swarming with bacteria and insects- as well as leaking any number of bacteria laden bodily fluids- creating a highly unsanitary situation.
Furthermore- immediately after having the corpse directly across his shoulders- Aiden continues his hike in close proximity to his companions. Not only does his light color T-Shirt show no sign of bodily fluids or rotting flesh, in real life the smell of the decaying body on Aiden's clothing and skin would be so overwhelming as to be unbearable, not only to him but to those around him (that's why those who work around crime scenes, dead bodies, etc., wear special disposable bio suits and sometimes must even dispose of their street clothing if it is saturated with the odor of decaying tissue- the smell is that bad).
- ConnexionsFeatured in Monster Vision: A History and Analysis of Horror Cinema (2016)
- Bandes originalesJapan
Written by Alex Banks and Hannah Thomas
Courtesy of Cavendish Music
Under license from 5 Alarm Music
Commentaire en vedette
Aokigahara, otherwise known as Suicide Forest, literally writes its own stories. It's a place where people go to end their lives, a real life horror vista which has haunted many documentaries and videos. As creepy as the setting is, The Forest is still trapped on archaic horror gimmicks. It doesn't mean it has no merit, few of its moments are quite delightful, yet it spends most of the time wandering across predictable set-ups and mundane scares.
Sara (Natalie Dormer) goes to Japan to find her missing twin sister Jess (also Natalie Dormer). The search leads her to Aokigahara, the infamous forest. Unfazed by this revelation, Sara is still determined to search for her, almost stubbornly so. Natalie Dormer of Game of Thrones' fame is definitely a draw as this is a different genre than her other works. She does put in the effort, her strong motivation persists although the character is stuck on typical scream queen stereotype.
It's insane how many times her character randomly strolls to dark corners or investigates weird occurrence alone even though ample warnings have been given. These are actions common sense would dictate as unwise, especially on a place called Suicide Forest, yet she performs them blindly anyway. It's pretty over saturated that the excuse of her being in trance because hypnotic forest made her do it is not sufficient anymore.
There are some good moments that are chilling and well presented, it even occasionally ventures to psychological perspective of the ordeal. However, the movie usually returns to average scares of oriental horror such as vague ominous warning or lost girl in peculiar outfit. It's a rigid showcase of horror, one that's been used since the days of Ju-On and arguably even before that.
While the draw of exotic location and appealing lead actress might interest visitors, they would only find basic horror in The Forest.
Sara (Natalie Dormer) goes to Japan to find her missing twin sister Jess (also Natalie Dormer). The search leads her to Aokigahara, the infamous forest. Unfazed by this revelation, Sara is still determined to search for her, almost stubbornly so. Natalie Dormer of Game of Thrones' fame is definitely a draw as this is a different genre than her other works. She does put in the effort, her strong motivation persists although the character is stuck on typical scream queen stereotype.
It's insane how many times her character randomly strolls to dark corners or investigates weird occurrence alone even though ample warnings have been given. These are actions common sense would dictate as unwise, especially on a place called Suicide Forest, yet she performs them blindly anyway. It's pretty over saturated that the excuse of her being in trance because hypnotic forest made her do it is not sufficient anymore.
There are some good moments that are chilling and well presented, it even occasionally ventures to psychological perspective of the ordeal. However, the movie usually returns to average scares of oriental horror such as vague ominous warning or lost girl in peculiar outfit. It's a rigid showcase of horror, one that's been used since the days of Ju-On and arguably even before that.
While the draw of exotic location and appealing lead actress might interest visitors, they would only find basic horror in The Forest.
- quincytheodore
- 7 janv. 2016
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Forest
- Lieux de tournage
- Tara National Forest, Serbia(the forest scenes)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 26 594 261 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 12 741 176 $ US
- 10 janv. 2016
- Brut – à l'échelle mondiale
- 39 712 000 $ US
- Durée1 heure 33 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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