En 1974, l'artiste Philippe Petit recrute une équipe pour l'aider à réaliser son rêve : parcourir sur un fil l'immense vide qui sépare les tours du World Trade Center.En 1974, l'artiste Philippe Petit recrute une équipe pour l'aider à réaliser son rêve : parcourir sur un fil l'immense vide qui sépare les tours du World Trade Center.En 1974, l'artiste Philippe Petit recrute une équipe pour l'aider à réaliser son rêve : parcourir sur un fil l'immense vide qui sépare les tours du World Trade Center.
- Prix
- 3 victoires et 17 nominations au total
- Outdoor Café Woman
- (as Emilie Leclerc)
Histoire
Le saviez-vous
- AnecdotesPhilippe Petit personally trained Joseph Gordon-Levitt how to walk on a tightrope. When the training started, Petit predicted that Gordon-Levitt would need no more than eight days of training to be able to walk on a wire alone, which came true.
- GaffesWhen practicing the line shoot via bow and arrow in France, the distance needed is clearly marked and Phillipe dances in celebration when the arrow surpasses it. Not long thereafter - with the group in New York - Phillipe has to pull a press conference ruse to get that same distance information. Furthermore, even if he hadn't already made his calculations back in France, it is as simple as measuring the distance at the base.
- Citations
[first lines]
Philippe Petit: "Why?" That is the question people ask me most. Pourquoi? Why? For what? Why do you walk on the wire? Why do you tempt fate? Why do you risk death. But, I don't think of it this way. I never even say this word, death. La mort. Yes of okay, I said it once, or maybe three times, just now... But watch, I *will* not say it again. Instead, I use the opposite word. Life. For me, to walk on the wire, this is life. C'est la vie.
Philippe Petit: [now standing in the torch of the Statue of Liberty] So, picture with me it's 1974, New York city, and I am in love with two buildings - two towers. Or as everyone in the world will calls them, the Twin Towers of the World Trade Center. They call to me. These towers, they stir something inside of me, and they inspire in me a dream. My dream is to hang a high-wire between those twin towers, and *walk* on it! Of course, uh, this is impossible, not to mention, illegal. So, why attempt the impossible? Why follow your dream? But, I cannot answer this question why, not with words. But I can show you how i happened. And so, we must go back in time, and across the ocean, because my love affair with these beautiful towers did not begin in New York. In case you couldn't tell, I'm not from here. No, my story begins in another one of the world's most beautiful cities, se Paris.
- Bandes originalesDouce Candy
Adaptation of "Sugar Sugar"
Written by Jeff Barry and Andy Kim
Adapted by Arlette Kotchounian
Performed by Claude François
Courtesy of Mercury Records France
Under license from Universal Music Enterprises
There is much romance surrounding the Empire State building. In 1957 it was the setting for the romantic film 'An Affair to Remember' starring Cary Grant and Deborah Kerr. The 1993 film 'Sleepless in Seattle' starring Tom Hanks and Meg Ryan, is in truth, really little more than a reworking of that older film. Getting to the top of the building is hard work and takes a long time, and that is with using the series of lifts to get you there. At the top you discover that even a famous horse was there too.
By contrast the Twin Towers of the World Trade Center seemed a let down. Sure, they were an iconic sight, briefly seen in many movies such as 'Working Girl' (1988), and even functioning as a prop in 'Escape from New York' (1981). But the large, fast, and functional lifts, shot you up to the top of the building in no time at all. This all changed for me on Tuesday 11th September 2001. Watching live on the TV, I found the scenes almost impossible to believe. For many months it was difficult to accept the reality of what had happened. Now I am always happy to see a shot of the towers, such as in the opening sequence of HBO's TV series 'The Sopranos' (1999-2007), and would have preferred it to have been retained.
In this new film, 'The Walk' (2015), Director Robert Zemeckis, has penned a screenplay from the book 'To Reach the Clouds', that tells a true story of the early days of the Twin Towers. The story could be considered unbelievable, but this film is in fact a true representation of this astonishing story.
The film is narrated, thus giving us the audience the needed exposition. The early part of the film is set in Paris, France, and is cleverly filmed in a distinctive French-style. Innovative use is made of black-and white photography, subtitles and French-mime to help tell the story of a young street performer working the streets of Paris who uses mime and his juggling skills. His name is Philippe Petit, and in this film he is played by Joseph Gordon-Levitt. The era is the late-sixties, and this is shown well. Philippe himself is a self-proclaimed anarchist. He also has an ambitious dream which is accurately and authentically captured in this film. In 1968, at the age of 17, he reads about the building of the Twin Towers and resolves to walk from one tower to another on a tightrope stretched across the top of the towers.
Before that though we have a nice romance between Philippe and Annie, played by Charlotte Le Bon. We have too, in this film, Ben Kingsley playing the role of an old high-wire performer, teaching his protégé the ropes. We get believable and thoughtful performances from the star and the supporting actors. Philippe, in 1971, walks between the towers of the cathedral of Notre Dame, shown in this film, and in 1973, did a walk at the Sydney Harbour Bridge in Australia, though this is not in the film.
Now Philippe resolves to carry out his ambition at the Twin Towers of the World Trade Center in New York City in the USA. This is where the rest of the film is located. Philippe recruits his supporters and they plan their coup. There is a time-element here, as the Towers are nearing completion. Detailed planning is also required and equipment is needed too. It is determined that a 450LB cable will be required as well as a specially made 55LB 26ft balancing pole. The gap between the towers was 200ft, the height above ground 1,368ft. The coup was planned for 7th of August 1974, one week before Philippe's 25th birthday.
While the acting is good, and the contrast between Paris and New York is shown authentically, and cleverly, by the different styles of filming, it is the special-effects that make this film. This reviewer saw the 3D version of this film. It was one of the main draws of the film and it must be doubted that this film could have been made as authentically before now. The camera shoots up and down the Twin Towers as well as across the wire. It looks down at the wire, and then swoops down to the ground. The effect is truly breathtaking. The tension is there throughout the latter part of the film. There too, are you, on the wire, looking up, and down.
It is clear how dangerous and foolhardy was this coup that Philippe Petit attempted. Nowadays, he would be declared an adrenalin junkie. No doubt he was that. This attempt can now never be replicated. I had thought that the WTC should not have been built on. I was wrong. It is right that something bigger and better should be built. The human spirit should always strive to go onwards and upwards.
The Twin Towers of the World Trade Center remain, always, an iconic vision of New York City, as well as the indomitable symbol of soaring ambition, vision, and the spirit of humanity throughout the world. Now Philippe Petit and Robert Zemeckis have given it it's own magic and romance too.
Breathtaking! 10/10.
- guchrisc
- 13 oct. 2015
- Lien permanent
Meilleurs choix
- How long is The Walk?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- La Marche
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 35 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 10 137 502 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 560 299 $ US
- 4 oct. 2015
- Brut – à l'échelle mondiale
- 61 181 942 $ US
- Durée2 heures 3 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1