Les nuits blanches du facteur

In "The postman's white nights" the local postman is the only connection with the outside world for the inhabitants of a very remote (only accessible by boat) rural area in the North of Russia. Because of this the postman is much more than only a postman. He delivers also other goods than mail and is closely involved in the lives of the families in his area.

Because they are both situated in Northern Russia "The postman's white nights" is often compared with "Leviathan" (2014, Andrey Zvyagintsev) from the same year. Apart from the Northern place of action another similarity is the abundant consumption of Wodka.

But there are differences too. The landscape in "Leviathan" is messy, the landscape in "The postman's white nights" is at times eye-catching situated as it is in Kenozersky National Park. The Wodka consumption in "Leviathan" is mainly due to frustration with widespread corruption, in "The postman's white night's" it is caused by boredom.

I would like to make a comparison with a film that at first sight is completely different: "One Hour Photo" (2002, Mark Romanek).

In "One Hour Photo" a photo developer gets intimately involved with a family, in "The postman's white nights" it is a postman. In both casus a rather unusual situation. In "One hour photo" the reaction is very negative, in "The postman's white nights" on the contrary it is positive.

OK, the main character in "One hour photo" is much more creepy (and tragic) than the main character in "The postman white nights", but I think there is another, less obvious, reason.

"One hour photo" plays in a Western urban environment where the nuclear family is the norm and people can meet their needs by market transactions.

"The postman's white nights" plays in an Eastern rural community where extended families are the norm and neighborly help is essential to survive.