ÉVALUATION IMDb
6,7/10
7,5 k
MA NOTE
Ajouter une intrigue dans votre langueA hit man traumatized from accidentally killing a young girl during a job is given the mission to eliminate her mother, and begins the ultimate fight to save her life.A hit man traumatized from accidentally killing a young girl during a job is given the mission to eliminate her mother, and begins the ultimate fight to save her life.A hit man traumatized from accidentally killing a young girl during a job is given the mission to eliminate her mother, and begins the ultimate fight to save her life.
Histoire
Le saviez-vous
- AnecdotesIn order to get in character, JANG Dong-gun underwent intense training physically and mentally. He trained with a U.S. special operations unit so that he could move like the killer Gon is and even read essays by real adoptees to truly understand his character's emotions and trauma.
- GaffesNo people resides in the building where the Cops are killed. There were bomb blast and Gun firing and so on but no person came out of their houses.
- Autres versionsIn the original version the title appears in Korean and there are Korean captions for the English dialogues, while in the international version the title appears in English with no captions.
- ConnexionsReferenced in Taapmaan
- Bandes originalesSmooth Operator
Written by Sade (uncredited) and Ray St. John (uncredited)
Commentaire en vedette
If you enjoyed "The Man From Nowhere", you will most likely enjoy this as well. It's not nearly as flawless as "The Man From Nowhere" which I will explain shortly.
The reason I bring up the "The Man From Nowhere" is that "No Tears For the Dead" (or "Crying Man" in Korean) is a very similar movie but shot on an entirely different canvas. What I mean is you have the typical protagonist or anti-hero with a vague background that gets slowly revealed and starts developing a conscience after botching his last assignment when he accidentally kills an innocent child. He is then hired to go after the child's mother but can't bring himself to do it after he starts developing feelings for her and races to save her from his and her employers.
"No Tears For the Dead" is in no way original and the story is almost forgettable since it's been done to death but the action sequences are what makes it stand apart. The bloody and brutal fight/shooting scenes gets your adrenaline going throughout the movie. The night shots of Los Angeles are especially gorgeous which reminded me of Michael Mann's signature visual shots of Los Angeles in his flawless crime thrillers, "Heat" and "Collateral".
The lack of character development in "No Tears For the Dead" is what makes "The Man From Nowhere" so much better. In "The Man From Nowhere", you actually cared about the characters and what the protagonist goes through to save his neighbor's child. Here, it is almost nonexistent since the action sequences leave no time for them to get acquainted. However, both use the exact same format of revealing the protagonists' past that made them become who they were and it is also effectively done in "No Tears For the Dead". I came to care about the protagonist but there should've been more between the killer and mother.
The ending was also disappointing since it wasn't clear what really happens to everyone. But the final scene was a good way to end the movie on a tragic note which pretty much explains the title of the movie.
Overall, it's not as good as "The Man From Nowhere" in terms of plot and character development, but "No Tears for the Dead" is nevertheless another enjoyable entry from its director.
The reason I bring up the "The Man From Nowhere" is that "No Tears For the Dead" (or "Crying Man" in Korean) is a very similar movie but shot on an entirely different canvas. What I mean is you have the typical protagonist or anti-hero with a vague background that gets slowly revealed and starts developing a conscience after botching his last assignment when he accidentally kills an innocent child. He is then hired to go after the child's mother but can't bring himself to do it after he starts developing feelings for her and races to save her from his and her employers.
"No Tears For the Dead" is in no way original and the story is almost forgettable since it's been done to death but the action sequences are what makes it stand apart. The bloody and brutal fight/shooting scenes gets your adrenaline going throughout the movie. The night shots of Los Angeles are especially gorgeous which reminded me of Michael Mann's signature visual shots of Los Angeles in his flawless crime thrillers, "Heat" and "Collateral".
The lack of character development in "No Tears For the Dead" is what makes "The Man From Nowhere" so much better. In "The Man From Nowhere", you actually cared about the characters and what the protagonist goes through to save his neighbor's child. Here, it is almost nonexistent since the action sequences leave no time for them to get acquainted. However, both use the exact same format of revealing the protagonists' past that made them become who they were and it is also effectively done in "No Tears For the Dead". I came to care about the protagonist but there should've been more between the killer and mother.
The ending was also disappointing since it wasn't clear what really happens to everyone. But the final scene was a good way to end the movie on a tragic note which pretty much explains the title of the movie.
Overall, it's not as good as "The Man From Nowhere" in terms of plot and character development, but "No Tears for the Dead" is nevertheless another enjoyable entry from its director.
- youngster50
- 5 juill. 2014
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- How long is No Tears for the Dead?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- U-neun Nam-ja
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 63 063 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 8 329 $ US
- 15 juin 2014
- Brut – à l'échelle mondiale
- 89 813 $ US
- Durée1 heure 56 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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