Une adolescente qui n'a plus rien à perdre se joint à une équipe de vendeurs de magazines itinérants et elle est entraînée dans un tourbillon de fête et d'amour alors qu'elle sillonne le pay... Tout lireUne adolescente qui n'a plus rien à perdre se joint à une équipe de vendeurs de magazines itinérants et elle est entraînée dans un tourbillon de fête et d'amour alors qu'elle sillonne le pays avec une bande de marginaux.Une adolescente qui n'a plus rien à perdre se joint à une équipe de vendeurs de magazines itinérants et elle est entraînée dans un tourbillon de fête et d'amour alors qu'elle sillonne le pays avec une bande de marginaux.
- Nominé pour le prix 1 BAFTA Award
- 13 victoires et 43 nominations au total
Crystal Ice
- Katness
- (as Crystal B. Ice)
Veronica Ezell
- QT
- (as Verronikah Ezell)
Histoire
Le saviez-vous
- AnecdotesDirector Andrea Arnold wanted to work with unknown actors. She would often approach teenagers on the street whom she thought would be good for the movie, and hold impromptu auditions in parking lots.
- GaffesWhen Star reacts to stepping into the pool of blood in the field next to the road, she removes her satchel. The satchel reappears in its original position towards the end of the scene.
- Générique farfeluThe closing credits, after the lead actor names, consist of a list of names, alphabetized by first name, with no indication of whether they are crew or cast -- no job titles or character names. And there are no opening credits.
- ConnexionsFeatured in Breakfast: Episode dated 16 October 2016 (2016)
- Bandes originalesBounce It
Written by Wale (as Olubowale Victor Akantimehin), Trey Songz (as Tremaine Neverson), Dr. Luke (as Lukasz Gottwald), Jacob Kasher (as Jacob Kasher Hindlin), Cirkut (as Henry Russell Walter), Ethan Lowery and Juicy J (as Jordan Houston)
Published by WB Music CORP. (ASCAP), Dead Stock Music (ASCAP), WarnerTamerlane Publishing CORP. (BMI and April's Boy Music, LLC (BMI) - All rights on behalf of itself and Dead Stock Music (Admin. by WB Music CORP)
All rights on behalf of itself and April's Boy Music, LLC (Admin. by Warner-Tamerlane Publishing CORP) / Prescription Songs LLC, Cirkut Breaker LLC, Kasz Money Publishing and Kobalt Music Publishing Ltd (Admin. by Kobalt Music Publishing Ltd) / BMG Rights Management
(c) 2013
Performed by Juicy J featuring Wale and Trey Songz
Courtesy of Sony Music Entertainment Inc.
Used with permission. All rights reserved.
Commentaire en vedette
A young girl, named Star, with no economic abilities, bears the heavy responsibility of raising her two younger siblings.
Hungry after living the life of a teenager she gets attracted to a group of young people at a supermarket with high spirit and a bad attitude. She leaves her siblings behind and joins the group who lives from day to day selling magazines to whomever they meet. The common denominator is the selling of magazines. How to do it? How to manipulate the potential buyer with different kind of stories up the sleeve that is supposed to impose sympathy? As Oliver Twist is lured into Fagins lair and is taught to pick pockets without knowing what he is doing so is Star initially. At the point where she understands the rules and laws of the group, she is involved in such a way that she accepts the game and takes some very big risks and further compromises her own moral values.
The force of the movie is the depiction of the life on the road, the interaction between our marginalized young people and slowly getting to know our protagonist, who in the beginning is the silent observer and little by little starts to unfold her personality.
I can see that the movie is being criticized for being very long and not having a story that develops from a start- to an endpoint. I agree that some of the scenes are prolonged to a point that seems unnecessary. Besides this I think that this movie is a perfect example of how the truth often lies in the detail. This means that we need to dwell in some of the scenes and that the artistic challenge is to let this happen in a way that gets the audience involved.
Again I must express my deepest respect for director Andrea Arnold who has the rare ability to show a milieu in such a convincing way that it at certain points seems as if you are not watching a movie but instead a documentary but without losing the storytelling.
Regards Simon
Ps. When you read reviews that gives max score check to see if the user has made more than one review. If not consider the possibility of a lobbyist. If you agree consider putting this post scriptum at the bottom at your own reviews.
Hungry after living the life of a teenager she gets attracted to a group of young people at a supermarket with high spirit and a bad attitude. She leaves her siblings behind and joins the group who lives from day to day selling magazines to whomever they meet. The common denominator is the selling of magazines. How to do it? How to manipulate the potential buyer with different kind of stories up the sleeve that is supposed to impose sympathy? As Oliver Twist is lured into Fagins lair and is taught to pick pockets without knowing what he is doing so is Star initially. At the point where she understands the rules and laws of the group, she is involved in such a way that she accepts the game and takes some very big risks and further compromises her own moral values.
The force of the movie is the depiction of the life on the road, the interaction between our marginalized young people and slowly getting to know our protagonist, who in the beginning is the silent observer and little by little starts to unfold her personality.
I can see that the movie is being criticized for being very long and not having a story that develops from a start- to an endpoint. I agree that some of the scenes are prolonged to a point that seems unnecessary. Besides this I think that this movie is a perfect example of how the truth often lies in the detail. This means that we need to dwell in some of the scenes and that the artistic challenge is to let this happen in a way that gets the audience involved.
Again I must express my deepest respect for director Andrea Arnold who has the rare ability to show a milieu in such a convincing way that it at certain points seems as if you are not watching a movie but instead a documentary but without losing the storytelling.
Regards Simon
Ps. When you read reviews that gives max score check to see if the user has made more than one review. If not consider the possibility of a lobbyist. If you agree consider putting this post scriptum at the bottom at your own reviews.
- SimonHeide
- 1 janv. 2017
- Lien permanent
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Dulzura americana
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 663 246 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 71 203 $ US
- 2 oct. 2016
- Brut – à l'échelle mondiale
- 2 888 927 $ US
- Durée2 heures 43 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant