Un pianiste et une actrice tombent en amour tout en essayant de concilier leurs aspirations pour l'avenir à Los Angeles.Un pianiste et une actrice tombent en amour tout en essayant de concilier leurs aspirations pour l'avenir à Los Angeles.Un pianiste et une actrice tombent en amour tout en essayant de concilier leurs aspirations pour l'avenir à Los Angeles.
- A remporté 6 oscars
- 242 victoires et 307 nominations au total
Amiee Conn
- Famous Actress
- (as Amiée Conn)
Mike Fallin
- Free way Krump Dancer 'Hat Kid'
- (credit only)
Histoire
Le saviez-vous
- AnecdotesAccording to composer Justin Hurwitz, all the piano performances featured in the film were first recorded by pianist Randy Kerber during pre-production. Ryan Gosling then spent two hours a day, six days a week in piano lessons learning the music by heart. By the time filming had begun, Gosling was able to play all the piano sequences seen in the film without the use of a hand double or CGI.
- GaffesThe day Sebastian visits Mia at her coffee shop, Mia entered work wearing black pants with a yellow bag. When Mia leaves work, she is wearing a blue skirt with a red bag. When they show a long shot of Sebastian and Mia walking on the lot, she is seen to be wearing black pants. Then in the next shot, she is wearing the skirt again.
- Générique farfeluJust before the closing credits roll, a title card comes on screen saying "The End" Made In Hollywood U.S.A, very much like the movies produced during Hollywood's Golden Age.
- ConnexionsFeatured in Roeper's Reviews: Richard Roeper's Top 16 Films for 2016 (2016)
- Bandes originales1812 Overture
Written by Pyotr Ilyich Tchaikovsky
Performed by Kálmán Berkes and Tokyo Musashino Academia Musicae Symphony Orchestra (as the Tokyo Musashino Academia Musicae Chorus and Symphony Orchestra)
Courtesy of Hungaroton Classic
By arrangement with Source/Q and Naxos
Commentaire en vedette
The main characters in this Los Angeles romantic musical are Mia (Emma Stone), a coffee-shop employee with dreams of being an actress; and Sebastian (Ryan Gosling), a jazz pianist who aspires to open his own club that plays jazz like it was played in the good old days.
At long last: a movie released during the 2016 awards season that actually lives up to the hype!
Early in the film, there are two superb group musical numbers. The numbers that follow are more low-key relating only to the main characters but they are still well performed and executed.
The stories of career struggle within the broader narrative are very believable. They include the hell of auditioning to people who are too busy plus the desire to maintain the purity of a great music genre (jazz) while too often being told it is "a dying art".
Gosling takes a while to break into the role particularly where the singing is concerned but it's not long before he fits into the part quite nicely. Stone is superb throughout the film. She is even spot-on as an actress giving mediocre auditions. She's given a full range - and not just as a triple threat - and she fully lives up to the expectations especially during the song "Audition" near the end.
There is something uniquely enjoyable about Hollywood portraying itself. The movie also gives nods to great classic musicals like "Singin' in the Rain", "Les Demoiselles de Rochefort", and "Les Parapluies de Cherbourg" all the while being unique and standing out on its own. In addition, the set designs and photography add further to the film's greatness.
The reference to "Les Parapluies de Cherbourg" comes through strongly in the movie's final number. This scene is probably the best scene of any movie in 2016. It leaves one with so many mixed emotions and extreme on either side. The production number is magnificent while its mood is melancholy.
The teaming of director/writer Damien Chazelle with musical composer Justin Hurwitz is one of the best matches since Jacques Demy and Michel Legrand in the 1960s. - dbamateurcritic
OUTSTANDING ACHIEVEMENTS:
1) Directing by Damien Chazelle
2) Acting by Emma Stone
3) Music by Justin Hurwitz
At long last: a movie released during the 2016 awards season that actually lives up to the hype!
Early in the film, there are two superb group musical numbers. The numbers that follow are more low-key relating only to the main characters but they are still well performed and executed.
The stories of career struggle within the broader narrative are very believable. They include the hell of auditioning to people who are too busy plus the desire to maintain the purity of a great music genre (jazz) while too often being told it is "a dying art".
Gosling takes a while to break into the role particularly where the singing is concerned but it's not long before he fits into the part quite nicely. Stone is superb throughout the film. She is even spot-on as an actress giving mediocre auditions. She's given a full range - and not just as a triple threat - and she fully lives up to the expectations especially during the song "Audition" near the end.
There is something uniquely enjoyable about Hollywood portraying itself. The movie also gives nods to great classic musicals like "Singin' in the Rain", "Les Demoiselles de Rochefort", and "Les Parapluies de Cherbourg" all the while being unique and standing out on its own. In addition, the set designs and photography add further to the film's greatness.
The reference to "Les Parapluies de Cherbourg" comes through strongly in the movie's final number. This scene is probably the best scene of any movie in 2016. It leaves one with so many mixed emotions and extreme on either side. The production number is magnificent while its mood is melancholy.
The teaming of director/writer Damien Chazelle with musical composer Justin Hurwitz is one of the best matches since Jacques Demy and Michel Legrand in the 1960s. - dbamateurcritic
OUTSTANDING ACHIEVEMENTS:
1) Directing by Damien Chazelle
2) Acting by Emma Stone
3) Music by Justin Hurwitz
- proud_luddite
- 19 mars 2018
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- La La Land
- Lieux de tournage
- Griffith Observatory - 2800 E. Observatory Rd, Los Angeles, Californie, États-Unis(love dance in the planetarium)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 151 101 803 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 881 104 $ US
- 11 déc. 2016
- Brut – à l'échelle mondiale
- 509 183 536 $ US
- Durée2 heures 8 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.55 : 1
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What is the streaming release date of Pour l'amour d'Hollywood (2016) in Canada?
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