Un père et sa fille de treize ans vivent une existence idéale dans un vaste parc métropolitain à Portland dans l'Oregon, quand une petite erreur fait basculer leur vie pour toujours.Un père et sa fille de treize ans vivent une existence idéale dans un vaste parc métropolitain à Portland dans l'Oregon, quand une petite erreur fait basculer leur vie pour toujours.Un père et sa fille de treize ans vivent une existence idéale dans un vaste parc métropolitain à Portland dans l'Oregon, quand une petite erreur fait basculer leur vie pour toujours.
- Prix
- 18 victoires et 92 nominations au total
Thomasin McKenzie
- Tom
- (as Thomasin Harcourt McKenzie)
Jeffery Rifflard
- Vet at VA
- (as Jeff Rifflard)
Derek John Drescher
- Larry
- (as Derek Drescher)
Alyssa McKay
- Valerie
- (as Alyssa Lynn)
Ryan Joiner
- Tiffany
- (as Ryan E. Joiner)
Michael J. Prosser
- James
- (as Mike Prosser)
Histoire
Le saviez-vous
- AnecdotesThe newspaper clipping that Tom finds in her father's "important papers" bag was not created as a prop for this movie; it was a real news article titled "A Unit Stalked by Suicide, Trying to Save Itself" by Dave Phillips, which was one of the above-the-fold front-page articles in the New York Times on Sunday, September 20, 2015. The article was about a single Marine unit (the Second Battalion, Seventh Marine Regiment, aka the 2/7) that after returning from deployment in Afghanistan experienced a very high rate of suicide among its veterans. It is never explained in the movie whether the glimpse of this article is meant to imply that Will actually was a member of the 2/7, or if he just kept the article because it related to his PTSD and related medical situation.
- GaffesIn the scene when Tom leaves the cabin to search for her father, a crew member can be seen moving behind the tree to her left just before the scene ends.
- ConnexionsFeatured in WatchMojo: Top 10 Movies You Missed This Summer (2018)
- Bandes originalesKilling Time
Written by Eric Wikman (as Eric Corser Wikman) & Joseph Michael McGregor
Courtesy of FirstCom
Commentaire en vedette
One of my all-time favorite films, but it might not be yours. This is the first film I've actually reviewed after 10+ years on IMDb. Clearly some people are unimpressed by this film and others think it's amazing; I am in the latter category.
I'm also someone who, when I was a kid, fantasized about what it would be like to live off the land and away from people. This is a truly unique film in that it does not spell it out for you; does not have a position; it does not have villains; It is willing to let you make your own conclusions. Clearly this bothers some people, as does the pace. Speaking for myself, I was never bored. I was riveted from beginning to end. I had never seen the trailer, and I would recommend not seeing the trailer.
A main complaint from those who don't like it seems to be there are enough bad people; I actually found this refreshing. I don't meet many bad, evil people in my every day life; most people are pretty cool, I find. I actually felt the fundamental premise of the movie was realistic and I appreciated that it was willing to skip ahead and not spell out every beat. Or fill in the backstory. A good film can choose the story it wants to tell and does not need to fill in every interstitial space or to mimic the way things would necessarily unfold in the real world. I suppose it could be a realistic criticism that things could never quite happen this way, but it certainly did not bother me. I thought this film portrays people - and I mean all the characters in the film, not just the primary two - that are too rarely portrayed in film, but do exist in our world.
As everyone seems to agree, the cinematography and acting are extraordinary. I also thought the story was unique and refreshing, and for me at least, the pacing was perfect. I believe I benefited from having no idea where it was going to go, so I would recommend skipping the trailer and seeing it for whatever reason compels you. Perhaps just the beautiful, green forests of the Pacific Northwest.
I'm also someone who, when I was a kid, fantasized about what it would be like to live off the land and away from people. This is a truly unique film in that it does not spell it out for you; does not have a position; it does not have villains; It is willing to let you make your own conclusions. Clearly this bothers some people, as does the pace. Speaking for myself, I was never bored. I was riveted from beginning to end. I had never seen the trailer, and I would recommend not seeing the trailer.
A main complaint from those who don't like it seems to be there are enough bad people; I actually found this refreshing. I don't meet many bad, evil people in my every day life; most people are pretty cool, I find. I actually felt the fundamental premise of the movie was realistic and I appreciated that it was willing to skip ahead and not spell out every beat. Or fill in the backstory. A good film can choose the story it wants to tell and does not need to fill in every interstitial space or to mimic the way things would necessarily unfold in the real world. I suppose it could be a realistic criticism that things could never quite happen this way, but it certainly did not bother me. I thought this film portrays people - and I mean all the characters in the film, not just the primary two - that are too rarely portrayed in film, but do exist in our world.
As everyone seems to agree, the cinematography and acting are extraordinary. I also thought the story was unique and refreshing, and for me at least, the pacing was perfect. I believe I benefited from having no idea where it was going to go, so I would recommend skipping the trailer and seeing it for whatever reason compels you. Perhaps just the beautiful, green forests of the Pacific Northwest.
- paul-591
- 21 oct. 2018
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Ẩn Thân
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 6 046 104 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 219 140 $ US
- 1 juill. 2018
- Brut – à l'échelle mondiale
- 7 682 928 $ US
- Durée1 heure 49 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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