Ajouter une intrigue dans votre langueIslamic extremists will make an alliance with a Mexican cartel to smuggle WMD and terrorists into USA. Harmon's asked to prevent this. He starts in Istanbul with his team.Islamic extremists will make an alliance with a Mexican cartel to smuggle WMD and terrorists into USA. Harmon's asked to prevent this. He starts in Istanbul with his team.Islamic extremists will make an alliance with a Mexican cartel to smuggle WMD and terrorists into USA. Harmon's asked to prevent this. He starts in Istanbul with his team.
- Waitress
- (as Ioana Mosneagu)
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- AnecdotesJemma Dallender had a body double for her love scene with Steven Seagal. This was accomplished with tricky editing, careful camera work, and having the double shown only from behind.
- GaffesAt the safe house Zara was being attacked and then drugged with John supposedly in another room and only after she had been carried out of the building did he appear with a sword to kill the guy who drugged her. If he had had made an appearance earlier she would not have been taken.
- Citations
John Harmon: We don't give a fuck about anybody's fucking religion. We don't care about what their ethnicity is. We don't care. We let everybody do whatever they want. It's like the great Genghis Kahn once said, 'Practice your own religion, but pay tax to me.' It's like a monkey trying to fuck a football now, really. This whole thing, it's just a fucking mess.
'Contract to Kill' is one of the very bad ones. Awful even, and for me if ranking Seagal's filmography from best to worst it would be towards the bottom. Did not expect much, but watched it because Seagal has shown signs that he can be halfway decent and as said not all his films are bad. Also do appreciate the action genre and there are good films out there in the genre, classics even. 'Contract to Kill' is far from that, more closer to a waste of time that shows little signs of trying.
Seagal himself gives another lazy and wooden performance that shows that he was not interested and wanted to be somewhere else. His reading-from-an-autocue-like and robotic line delivery in particular betrays that. The rest of the cast are just as poor though in all fairness have little to work with.
The characters are ones we know very little about and don't care what happens to happen, so unengaging and one-dimensional they are. The dialogue is risible, with a lot of cheesiness, awkwardness and far too much talk delivered with little emotion or momentum and bordering on the near-incomprehensible.
Its excessively talky nature affects severely the pacing, which never comes to life. There is no urgency, let alone tension, intrigue or suspense. The action doesn't feature enough in comparison and suffer from pedestrian choreography and bacon-slicer-like editing. The story is by-the-numbers, dull and not always easy to follow.
Direction is flat and ill-at ease, while the sound/soundtrack are one-note and obvious as well as poorly recorded and the whole film looks cheap. And it's not just the editing, the slapdash special effects, drab photography and laughably bad green screen (that was too obvious and jarring) are just as bad.
Hate to say it, but to me nothing works in 'Contract to Kill' and it is an awful mess in every way. 1/10 Bethany Cox
- TheLittleSongbird
- 30 avr. 2018
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Contract to Kill
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $US (estimé)
- Montant brut mondial
- 7 048 $US
- Durée1 heure 30 minutes
- Couleur