NOTE IMDb
5,6/10
23 k
MA NOTE
Les épouses de gangsters new-yorkais à Hell's Kitchen dans les années 1970 continuent les affaires de leurs maris après qu'ils aient été emprisonnés.Les épouses de gangsters new-yorkais à Hell's Kitchen dans les années 1970 continuent les affaires de leurs maris après qu'ils aient été emprisonnés.Les épouses de gangsters new-yorkais à Hell's Kitchen dans les années 1970 continuent les affaires de leurs maris après qu'ils aient été emprisonnés.
- Récompenses
- 1 nomination au total
Histoire
Le saviez-vous
- AnecdotesWhen referring to a site for a planned convention center project, Alfonso Coretti mentions "some millionaire's kid, a little s**t-for-brains." The project would become the Javitz Center, and the millionaire's kid is Donald Trump who owned the option on the rail yard site that the Center would eventually be built upon.
- GaffesAt the 12:34 mark when Elisabeth Moss' character leaves the diner, an address number next door shows 6920. That shows that the shot was nowhere near Hell's Kitchen. (Actually it's 3rd avenue in Bay Ridge, Brooklyn.)
- Citations
Kathy Brennan: Bunch of men that have forgotten what family means.
Ruby O'Carroll: So we remind them.
- Crédits fousRetro-style versions of the Warner Bros. and New Line Cinema logos are used, suiting the film's 1970s setting.
- Bandes originalesIt's a Man's Man's Man's World
Written by James Brown and Betty Newsome
Performed by Etta James
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
Commentaire à la une
Side note, I did not know that this film was based on a DC Vertigo comic book series. I wanted to see this because of the sheer star power in the film. Elisabeth Moss is steadily growing rightfully because of her recent role in A Handmaid's Tale. Tiffany Haddish has boomed in comedic roles recently. While Melissa McCarthy has been on the scene for a while and been in some really bad films, she has talent as evidenced in Can You Ever Forgive Me? Unfortunately, The Kitchen does not really live up to what it could have been.
The film is about three wives that come together when their mobster husbands are put in prison for three years. The women need to make a living so they start taking over the crime scene in NYC (particularly the Hell's Kitchen area) and start getting money from local businesses that they shake down, while butting heads with rival mobsters. They trio soon see an unprecedented rise in status, respect, and wealth but with that comes a great price as they make a lot of enemies.
Firstly, all three actresses are great in this. This is the strongest Tiffany Haddish performance to date as we've rarely seen her in a serious element. The writing in this film is messy, uneven, and somewhat bland. Its also hard to root for the characters. Sure, they have been put down in their relationships but they are full fledged criminals and murderers, are we meant to want them to succeed? After a while you just go through the motions and realize that what we see could have been a lot better and more engaging.
I feel like Widows does a similar story way better than The Kitchen ever could have. Its also too on the nose that this is about women coming out of the shadows of men and dropping ball jokes along the way. You can have strong female characters without having to make the gender statements. Overall, messy writing is the real downfall in a film that could have and should have offered a lot more for its viewers.
5/10
The film is about three wives that come together when their mobster husbands are put in prison for three years. The women need to make a living so they start taking over the crime scene in NYC (particularly the Hell's Kitchen area) and start getting money from local businesses that they shake down, while butting heads with rival mobsters. They trio soon see an unprecedented rise in status, respect, and wealth but with that comes a great price as they make a lot of enemies.
Firstly, all three actresses are great in this. This is the strongest Tiffany Haddish performance to date as we've rarely seen her in a serious element. The writing in this film is messy, uneven, and somewhat bland. Its also hard to root for the characters. Sure, they have been put down in their relationships but they are full fledged criminals and murderers, are we meant to want them to succeed? After a while you just go through the motions and realize that what we see could have been a lot better and more engaging.
I feel like Widows does a similar story way better than The Kitchen ever could have. Its also too on the nose that this is about women coming out of the shadows of men and dropping ball jokes along the way. You can have strong female characters without having to make the gender statements. Overall, messy writing is the real downfall in a film that could have and should have offered a lot more for its viewers.
5/10
- rockman182
- 9 août 2019
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Kitchen
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 38 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 12 180 032 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 527 410 $US
- 11 août 2019
- Montant brut mondial
- 15 980 032 $US
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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