NOTE IMDb
6,3/10
5,3 k
MA NOTE
Le plus ancien studio de cinéma du Japon demande à un groupe de cinéastes vénérables de faire revivre une série de pornographie romaine.Le plus ancien studio de cinéma du Japon demande à un groupe de cinéastes vénérables de faire revivre une série de pornographie romaine.Le plus ancien studio de cinéma du Japon demande à un groupe de cinéastes vénérables de faire revivre une série de pornographie romaine.
- Réalisation
- Scénario
- Casting principal
Histoire
Le saviez-vous
- Citations
Kyôko Suzuki: I'm a virgin. A virgin, but a whore.
- ConnexionsFeatured in ARfRA: Why are Japanese films so extreme? (2018)
- Bandes originalesLover Boy
(uncredited)
Toodlum Barker & Emil Lomax
Commentaire à la une
Okay it's a given that Sion Sono is an alien. He's crazy. Strange. There are no rules, boundaries, with him. That's why we love him.
This movie didn't just break the 4th wall. This movie broke my stomach linings. I want to puke, vomit, throw up. Gross. I'm not just into this stuff. I know we were about to see porn-ish here but man I'm not just into woman-to-woman action. There's just a bad taste in my mouth after watching this. So my bias here would be evident. But I'll try to be ahem, objective.
What I love about Sion Sono is he doesn't just overwhelm you, he will really outdo your expectations. Time to build a shrine for him. Women and feminists, let's hold hands. Brace yourselves before watching this because you might want to hold on to a Rosary.
Ami Tomite, the lead, as Kyoko, was well utilized here. Her insane monologue at the beginning of the film, with a classical piece as background, showcased her versatility (and her privates too). A lonely artist who ambitions to be a whore. ????. I hope IMDb doesn't censor this,the movie itself says that word. Question marks everywhere but you need to get past that. She vomits a lot here too.
She lives a light in the limelight. Her secretary, Noriko, knocks on the door, reciting her schedule for the day. Kyoko transforms into a sadist master who exploits her slave. She's about to have an interview. The crew enters the scene. Noriko goes full nude. Kyoko remains insane. I just can't at this point, I thought of bailing out.
But I'm glad I didn't. Let's get past the nudity (but I still can't with my virgin eyes!!!!!!). Kyoko is a sad young woman. Her family and past has forced her to enter this industry. There's a notable family dinner scene that will just send you laughing, facepalming, or cursing Sono for his genius.
The movie puts a lot of colors, both literal and figurative. It looks like its set on just one setting, with just walls separating the different acts but there's really a lot of questions and deep themes presented here. Exploitation can very well define this movie. Both the innate theme and on its surface, well, I would say in a way the actresses here were made to do whatever they did. I believe there are a lot of symbolism here but you can put it which way you deem fit. And I'm not the most knowledgeable person to narrate what deep themes are being symbolised here. You'll feel it when you watch this.
The movie has a short runtime but the impact it leaves will linger for long.
This movie didn't just break the 4th wall. This movie broke my stomach linings. I want to puke, vomit, throw up. Gross. I'm not just into this stuff. I know we were about to see porn-ish here but man I'm not just into woman-to-woman action. There's just a bad taste in my mouth after watching this. So my bias here would be evident. But I'll try to be ahem, objective.
What I love about Sion Sono is he doesn't just overwhelm you, he will really outdo your expectations. Time to build a shrine for him. Women and feminists, let's hold hands. Brace yourselves before watching this because you might want to hold on to a Rosary.
Ami Tomite, the lead, as Kyoko, was well utilized here. Her insane monologue at the beginning of the film, with a classical piece as background, showcased her versatility (and her privates too). A lonely artist who ambitions to be a whore. ????. I hope IMDb doesn't censor this,the movie itself says that word. Question marks everywhere but you need to get past that. She vomits a lot here too.
She lives a light in the limelight. Her secretary, Noriko, knocks on the door, reciting her schedule for the day. Kyoko transforms into a sadist master who exploits her slave. She's about to have an interview. The crew enters the scene. Noriko goes full nude. Kyoko remains insane. I just can't at this point, I thought of bailing out.
But I'm glad I didn't. Let's get past the nudity (but I still can't with my virgin eyes!!!!!!). Kyoko is a sad young woman. Her family and past has forced her to enter this industry. There's a notable family dinner scene that will just send you laughing, facepalming, or cursing Sono for his genius.
The movie puts a lot of colors, both literal and figurative. It looks like its set on just one setting, with just walls separating the different acts but there's really a lot of questions and deep themes presented here. Exploitation can very well define this movie. Both the innate theme and on its surface, well, I would say in a way the actresses here were made to do whatever they did. I believe there are a lot of symbolism here but you can put it which way you deem fit. And I'm not the most knowledgeable person to narrate what deep themes are being symbolised here. You'll feel it when you watch this.
The movie has a short runtime but the impact it leaves will linger for long.
- plsletitrain
- 3 juil. 2019
- Permalien
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Détails
Box-office
- Montant brut mondial
- 1 013 $US
- Durée1 heure 16 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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