One of Cinema's greatest virtues is working with themes that discuss morals, belief, power and human nature. This proposal is never easy to execute, nor to be fully understood in the final production result. What is seen on the screen can often result in controversy, subversion and controversies even if the narrative there brings a portrait close to our reality.
The Canadian film The King Tide (2023) by Christian Sparkes aims to work with these issues. Here, the director intends to explore the changes in a peaceful, isolated and idyllic fishing village that changes its behavior after the unexpected arrival of a girl with extraordinary powers.
Of course, Sparkes uses Fiction, as well as metaphors and symbolism, to dialogue with much of what we see in society. Once again, Cinema reflects on the impacts of a community that will now need to deal with the powers at its disposal. Far from being another typical superhero film, the gift of the girl Isla (Alix West Lefler) will serve as the trigger for a series of changes in the village.
Another important resource for creating a dark atmosphere in the film is the desolate situation of the village itself. Furthermore, residents are determined not to have contact with other places, and they don't even look for doctors and clinics outside the island. This adds a tone of conservatism that ends up weighing on the girl's situation of extreme idolatry, in addition to impacting the antagonism of ideas among some inhabitants.
The final half hour also guarantees extra tension, all leading up to an explosive ending that will leave the viewer with varied interpretations and some questions. If this is what Cinema must be like, Sparkes is on a good path.
