NOTE IMDb
6,7/10
9,5 k
MA NOTE
Ema, jeune danseuse mariée à un chorégraphe de renom, est hantée par les conséquences d'une adoption qui a mal tourné. Elle décide de transformer sa vie.Ema, jeune danseuse mariée à un chorégraphe de renom, est hantée par les conséquences d'une adoption qui a mal tourné. Elle décide de transformer sa vie.Ema, jeune danseuse mariée à un chorégraphe de renom, est hantée par les conséquences d'une adoption qui a mal tourné. Elle décide de transformer sa vie.
- Récompenses
- 6 victoires et 10 nominations au total
Mariana Di Girólamo
- Ema
- (as Mariana Di Girolamo)
Histoire
Le saviez-vous
- AnecdotesThe actors were never given the entire script during the production.
- Bandes originalesBarre con el Pelo
Written by Valeria Carla Ingrid Suárez, Vladimir Felix and Ulises Lozano (as Joaquin Ulises Lozano)
Performed by Tomasa del Real
Published by National Records
Commentaire à la une
Larrain's movie Ema is very difficult to rate. It does have the potential of being an absolute masterpiece, it has its distinct voice, but somehow it did not convince me.
Ema has a wonderful technical style, it must be said. The photography is astounding, as is the coerography and the music that is featured in the movie. Larrain's crew definitely achieved something outstanding from that point of view. The cast was also wonderful. Bothe the lead actress and the veteran actor Gael Garcia Bernal gave us wonderful performances. It was particularly refreshing for me to see Bernal as a more mature character rather than the youngster he is well known for in Cuaron and Inarritu's movies.
It is hard to describe Ema's plot without spoiling the whole movie. What I can say is that Ema is about a woman, a modern dancer with a rebellious soul, which leads her to destructive tendencies (not self-destructive, I think this must be underlined). The film is literally mostly a portrayal of an unique female character, which is something undeniably positive, but it also has a very thin plot, that at the middle of the film seems to lead nowhere (although the action does have an ending of sorts). Ema is mostly a character study, but from a distance (the stoic approach of the performances doesn't allow the viewer to enter Ema's or the other character's thoughts). There is a touch of symbolism (pointed to by the beginning and ending scenes), but it felt either too evident, simple or too enigmatic to grasp.
It wouldn't surprise me if Ema ends up receiving a nomination in the Foreign Films category in the Oscars or any other award, because it most definitely is outstanding, but somehow, for once, I have to say that it wasn't exactly my cup of tea.
Ema has a wonderful technical style, it must be said. The photography is astounding, as is the coerography and the music that is featured in the movie. Larrain's crew definitely achieved something outstanding from that point of view. The cast was also wonderful. Bothe the lead actress and the veteran actor Gael Garcia Bernal gave us wonderful performances. It was particularly refreshing for me to see Bernal as a more mature character rather than the youngster he is well known for in Cuaron and Inarritu's movies.
It is hard to describe Ema's plot without spoiling the whole movie. What I can say is that Ema is about a woman, a modern dancer with a rebellious soul, which leads her to destructive tendencies (not self-destructive, I think this must be underlined). The film is literally mostly a portrayal of an unique female character, which is something undeniably positive, but it also has a very thin plot, that at the middle of the film seems to lead nowhere (although the action does have an ending of sorts). Ema is mostly a character study, but from a distance (the stoic approach of the performances doesn't allow the viewer to enter Ema's or the other character's thoughts). There is a touch of symbolism (pointed to by the beginning and ending scenes), but it felt either too evident, simple or too enigmatic to grasp.
It wouldn't surprise me if Ema ends up receiving a nomination in the Foreign Films category in the Oscars or any other award, because it most definitely is outstanding, but somehow, for once, I have to say that it wasn't exactly my cup of tea.
- Come-and-Review
- 31 août 2019
- Permalien
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 53 437 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 422 $US
- 15 août 2021
- Montant brut mondial
- 371 005 $US
- Durée1 heure 47 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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