The most original aspect of this film is that it translates into images the delirium of a seriously ill little girl fighting for her life. The beginning of the film is quite conventional both as regards the story, a little girl is ignored by her rich parents and bullied by the servants, and the way of filming, mostly indoor long duration wide shots with fixed camera, with some medium shots and a few close-ups. There are some slapstick gags and a funny scene when the father, remembering that, as a child, he had been dressed as a girl to punish him, decides to dress Gwen as a boy. Far from considering this as a punishment, she enjoys her boy costume and has a lot of fun having a mud fight with street boys.
The film becomes more interesting in the second half when it veers towards surrealism. It shows what Gwen is imagining, taking literally expressions that she hears, e.g. her father fighting bears, and the servants looking like their nicknames, snake in grass, double-face or big ears. It also shows the father, who has big financial worries, visualising his double taking a gun to commit suicide, with Gwen overlooking the scene.
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