NOTE IMDb
7,2/10
11 k
MA NOTE
Une frêle jeune femme martyrisée par son père, un boxeur violent, se lie d'amitié avec un immigré chinois qui va tenter de l'aider.Une frêle jeune femme martyrisée par son père, un boxeur violent, se lie d'amitié avec un immigré chinois qui va tenter de l'aider.Une frêle jeune femme martyrisée par son père, un boxeur violent, se lie d'amitié avec un immigré chinois qui va tenter de l'aider.
- Récompenses
- 1 victoire au total
Lillian Gish
- Lucy - The Girl
- (as Miss Lillian Gish)
Richard Barthelmess
- Cheng Huan - The Yellow Man
- (as Mr. Richard Barthelmess)
Edward Peil Sr.
- Evil Eye
- (as Edward Peil)
Ernest Butterworth
- Secondary Role
- (non crédité)
Frederic Hamen
- Secondary Role
- (non crédité)
Wilbur Higby
- London Policeman
- (non crédité)
Man-Ching Kwan
- Buddhist Monk
- (non crédité)
Bobbie Mack
- Ringside Employee
- (non crédité)
Moy Ming
- Minor Role
- (non crédité)
Steve Murphy
- Fight Spectator
- (non crédité)
George Nichols
- Police Constable
- (non crédité)
Karla Schramm
- Burrows' Girlfriend
- (non crédité)
Bessie Wong
- Girl in China
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThe film was produced by D.W. Griffith for Adolph Zukor's Artcraft company, a subsidiary of Paramount Pictures. However, when Griffith delivered the final print of the film to Zukor, the producer was outraged. "How dare you deliver such a terrible film to me!" Zukor raged. "Everybody in the picture dies!" Infuriated, Griffith left Zukor's office and returned the next day with $250,000 in cash, which he threw on Zukor's desk. "Here," Griffith shouted, "If you don't want the picture, I'll buy it back from you." Zukor accepted the offer, thus making this the first film released by United Artists, the production company formed in 1919 by Mary Pickford, Charles Chaplin, Douglas Fairbanks, and Griffith. It was a remarkably successful film, both critically and at the box office.
- GaffesThe intertitles state, "The Buddha says, 'What thou dost not want others to do thee, do thou not to others.'" It was actually not the Buddha but Confucius' teaching.
- Citations
Lucy Burrows: Don't do it, Daddy! You'll hit me once too often - and then they'll - they'll hang yer!
- ConnexionsFeatured in The Philco Television Playhouse: The Birth of the Movies (1951)
Commentaire à la une
This has been one of my all-time favourite films since I taped it off UK Channel 4 1st October 1988 on its second showing, one to savour and revel in every few years. There really is no choice: the only version worth seeing is this one, the Brownlow & Gill UK remaster with Louis F. Gottchalk's themes lushly orchestrated by David Cullen and Carl Davis and the Thames Silents Orchestra. From a good silent film Broken Blossoms is beautifully transformed into a work of Art, the merger of the music and Billy Bitzer's visuals can be so striking. And the intelligent tinting was gorgeous too. Over the years I've even played it just for the music sometimes!
The story? Depressed Chinese ex-missionary in London falls under the spell of listless poverty-stricken beautiful white 15 yo daughter of violent boxer. The crafty and base whites think the worst, but we know that the yellow man's love remained pure - even his worst foe says this ... I know that most people today would hoot at the acting abilities displayed: Lillian Gish's pathetic submissiveness, Donald Crisp's over the top savage expressions and Richard Barthelmess's determinedly serious inscrutability, but appreciation of silent melodramas as a genre is really required rather than simply selecting just one film to watch, such as this. And then again some people have to get over a white man playing a Chinese man whilst simultaneously approving of miscegenation in these much more enlightened times! Would these same people be bothered if a Chinese played a white man? Along with Birth of a Nation and Intolerance, this was Griffiths' best work, pinnacles of the cinema.
Utterly spellbinding poetic stuff for the enlightened, dreadful if your favourites are cgi-riddled and no older than 6 months. And don't expect a remotely happy ending! The beauty that all the world missed smote him to the heart (paraphrase).
The story? Depressed Chinese ex-missionary in London falls under the spell of listless poverty-stricken beautiful white 15 yo daughter of violent boxer. The crafty and base whites think the worst, but we know that the yellow man's love remained pure - even his worst foe says this ... I know that most people today would hoot at the acting abilities displayed: Lillian Gish's pathetic submissiveness, Donald Crisp's over the top savage expressions and Richard Barthelmess's determinedly serious inscrutability, but appreciation of silent melodramas as a genre is really required rather than simply selecting just one film to watch, such as this. And then again some people have to get over a white man playing a Chinese man whilst simultaneously approving of miscegenation in these much more enlightened times! Would these same people be bothered if a Chinese played a white man? Along with Birth of a Nation and Intolerance, this was Griffiths' best work, pinnacles of the cinema.
Utterly spellbinding poetic stuff for the enlightened, dreadful if your favourites are cgi-riddled and no older than 6 months. And don't expect a remotely happy ending! The beauty that all the world missed smote him to the heart (paraphrase).
- Spondonman
- 25 mars 2006
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- How long is Broken Blossoms?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Broken Blossoms
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 88 000 $US (estimé)
- Durée1 heure 30 minutes
- Mixage
- Rapport de forme
- 1.33 : 1
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By what name was Le lys brisé (1919) officially released in Canada in English?
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