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7,0/10
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MA NOTE
Un gringalet amoureux prétend être boxeur pour gagner le respect de la famille de la fille qu'il aime.Un gringalet amoureux prétend être boxeur pour gagner le respect de la famille de la fille qu'il aime.Un gringalet amoureux prétend être boxeur pour gagner le respect de la famille de la fille qu'il aime.
- Récompenses
- 1 nomination au total
Budd Fine
- The Mountain Girl's Brother
- (as Bud Fine)
Lillian Lawrence
- Spinster Aunt at Wedding
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThe close-up of Alfred Butler's hands as he opens the box with the wedding ring inside was shot with a hand double, since Buster Keaton was missing the tip of his right index finger.
- GaffesBuster and his valet take the train into "Mountain Girl's" hometown, so that Buster can confess that he's not the new champion; yet when circumstances require that his subterfuge continue, and he leaves to go to train for the fight vs. the Alabama Murderer, they drive away to the training camp in Buster's car.
- Citations
Alfred's Valet: [to the Mountain Girl] Mr. Butler would like to marry you.
The Mountain Girl's Brother: That jellyfish couldn't take care of himself - let alone a wife.
The Moutain Girl's Father: We don't want any weaklings in our family.
- Crédits fousThe "THE END" test is shown on a boxing bell.
- ConnexionsFeatured in Sports on the Silver Screen (1997)
Commentaire à la une
While it's a cut below Keaton's best features, "Battling Butler" has some good comic material and an amusing, if lightweight, story. There are some good performances from the supporting cast, a wide enough assortment of gags, and the story-line also gives Buster a chance to demonstrate a few of his many acrobatic talents.
The first few minutes contain lots of good visual gags as we are introduced to Keaton's hapless character. Then, when his identity gets tangled up with that of a prize-fighter, "Battling Butler", from there on in Buster finds himself in some increasingly complicated and tricky situations. As his character's physical ineptness is emphasized, Keaton's own agility and versatility are displayed in various antics. (The same is true to some degree of his character in "College".) Most of the specific stunts, though, are relatively routine compared to those in his best work.
In lesser hands, the fragile premise would run out of steam quickly, but here things keep moving along steadily, and there are some very good moments. It doesn't ever really hit high gear, though, and it's missing the kind of top-notch climactic sequence that distinguishes Keaton's best films. Thus it will probably be of interest primarily to those who are already fans of Keaton, but most such fans should find it worth a look. While there's nothing spectacular, there is more than enough good material to make it worthwhile as light entertainment.
The first few minutes contain lots of good visual gags as we are introduced to Keaton's hapless character. Then, when his identity gets tangled up with that of a prize-fighter, "Battling Butler", from there on in Buster finds himself in some increasingly complicated and tricky situations. As his character's physical ineptness is emphasized, Keaton's own agility and versatility are displayed in various antics. (The same is true to some degree of his character in "College".) Most of the specific stunts, though, are relatively routine compared to those in his best work.
In lesser hands, the fragile premise would run out of steam quickly, but here things keep moving along steadily, and there are some very good moments. It doesn't ever really hit high gear, though, and it's missing the kind of top-notch climactic sequence that distinguishes Keaton's best films. Thus it will probably be of interest primarily to those who are already fans of Keaton, but most such fans should find it worth a look. While there's nothing spectacular, there is more than enough good material to make it worthwhile as light entertainment.
- Snow Leopard
- 30 sept. 2001
- Permalien
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 702 114 $US
- Durée1 heure 17 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
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By what name was Le Dernier Round (1926) officially released in Canada in English?
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