La Montagne sacrée

If you have never experienced the 1920's German genre of the mountain film, there is no better introduction than this. In fact it may be the only one you need unless you truly love the genre as most of the films are carbon copies of each other. What gives this film added interest is the debut of Leni Riefenstahl as a performer (and occasional director).

Riefenstahl began her career as a dancer in the Isadora Duncan mold until a knee injury ended her career. Nevertheless she does a fair amount of dancing in this film especially in the beginning. While it may look somewhat silly today and Riefenstahl is far from the prototype of today's dancers, it is an excellent example of what Duncan's free form dancing was like and some of it is remarkably effective. Director Arnold Fanck wrote the screenplay in three days after being given a photo of Riefenstahl by co-star Louis Trenker and so began her brilliant and highly controversial career.

The story (standard for this kind of film) is the classic love triangle with a lot of German mysticism about Man and Nature thrown in to give it "depth". The real star of the film is the stunning cinematography by Hans Schneeberger (how appropriate) and Sepp Allgeier. There are incredible shots of breathtaking beauty of mountain crags and vistas taken in what seem like impossible positions for a cameraman. The actors were really there and labored under the harsh conditions as recalled by Riefenstahl in a clip from a documentary which is also included (although professional climbers were used in the more harrowing sequences).

I found myself engrossed by the obvious sincerity of the film despite the shallowness of the storyline. The print is in fairly good shape with the proper tinting restored which enhances the mountain scenes. The new musical score by Aljoscha Zimmerman strikes just the right balance between Classical and New Age depending on what the story requires. While certainly not a film that will appeal to everyone, it is worth seeing for the astonishing photography and for the young Riefenstahl who is radiant in her film debut..For more reviews visit The Capsule Critic.