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MA NOTE
Un homme parcourt une ville avec une caméra en bandoulière, documentant la vie urbaine avec une invention éblouissante.Un homme parcourt une ville avec une caméra en bandoulière, documentant la vie urbaine avec une invention éblouissante.Un homme parcourt une ville avec une caméra en bandoulière, documentant la vie urbaine avec une invention éblouissante.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Histoire
Le saviez-vous
- AnecdotesA revelation in its day, the film was noted for introducing all sorts of camera techniques to audiences. Some of these include double exposure, fast motion, slow motion, freeze frames, jump cuts, split screens, Dutch angles, extreme close-ups, tracking shots, backward footage, and stop motion animation.
- Crédits fousAt the beginning there is a long explanation of what this film is about and that it is of experimental origin.
- Versions alternativesKino International, by arrangement with the George Eastman House International Museum of Photography, released a version in 1996 produced by David Shepard and copyrighted by Film Preservation Associates. It runs 68 minutes and has new original music composed and performed by the Alloy Orchestra following the written instructions from the director, Dziga Vertov. The music has been copyrighted by Junk Metal Music in 1996.
- ConnexionsEdited from Ciné oeil - La vie à l'improviste (1924)
Commentaire à la une
The Man With The Movie Camera shows fragments of life transformed into film. It was a film about a film and a kaleidoscope of daily life of people in Russia.
The film is constantly moving, showing snippets of people in this town and how they live. The music, which was composed by Dziga himself, is fast paced and flows perfectly with the images.
At one scene the film begins to slow down, much like a train does when it arrives at a station, the music that accompanies these images begins to slow down as well, until we come to a complete stop. The film then transforms into still images, only to start up again. Dziga even uses the train as a way to connect the pace of the film and music to the still images and back again. The train slowly arrives and departs, the music slowly stops and starts up, the images become still and then back to the quick paced editing.
It's a master of cinematic techniques; the way the film was shot was very dangerous. The camera operator stands in a moving carriage while he films, supported by nothing. It's easy to see the influences this film has on what we see today, many people use this quick editing style and we've become accustomed to it. Just look at films like Run Lola Run or your average Michael Bay blockbuster.
The film is constantly moving, showing snippets of people in this town and how they live. The music, which was composed by Dziga himself, is fast paced and flows perfectly with the images.
At one scene the film begins to slow down, much like a train does when it arrives at a station, the music that accompanies these images begins to slow down as well, until we come to a complete stop. The film then transforms into still images, only to start up again. Dziga even uses the train as a way to connect the pace of the film and music to the still images and back again. The train slowly arrives and departs, the music slowly stops and starts up, the images become still and then back to the quick paced editing.
It's a master of cinematic techniques; the way the film was shot was very dangerous. The camera operator stands in a moving carriage while he films, supported by nothing. It's easy to see the influences this film has on what we see today, many people use this quick editing style and we've become accustomed to it. Just look at films like Run Lola Run or your average Michael Bay blockbuster.
- Matt_Layden
- 19 juil. 2009
- Permalien
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- How long is Man with a Movie Camera?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Man with a Movie Camera
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 3 959 $US
- Durée1 heure 8 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
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What is the Canadian French language plot outline for L'Homme à la caméra (1929)?
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