Ajouter une intrigue dans votre langueThe rise of a showgirl, Gloria Hughes, culminating in a Ziegfeld extravaganza "Glorifying the American Girl".The rise of a showgirl, Gloria Hughes, culminating in a Ziegfeld extravaganza "Glorifying the American Girl".The rise of a showgirl, Gloria Hughes, culminating in a Ziegfeld extravaganza "Glorifying the American Girl".
Gloria Shea
- Barbara
- (as Olive Shea)
Noah Beery
- Noah Beery
- (non crédité)
Irving Berlin
- Irving Berlin
- (non crédité)
Billie Burke
- Billie Burke
- (non crédité)
Desha Delteil
- Dancer in Bubble Dance Sequence
- (non crédité)
Charles B. Dillingham
- Charles Dillingham
- (non crédité)
Texas Guinan
- Texas Guinan
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesFanny Brice, Will Rogers and Marilyn Miller were scheduled to make cameo appearances in this film. But since Brice was appearing in a play by Ziegfeld rival David Belasco, Miller was under contract to Warner Bros. and Rogers under contract to Fox, they did not appear in the film.
- Citations
Mrs. Hughes: Damn it!
[the first talking movie to use the word Damn uncensored]
- Versions alternativesA black-and-white print currently shown on television (which was cut down to 87 minutes) was made in the 1950s and has a number of sequences cut due to their Pre-Code content (nudity, etc.). The film was restored to the length of 96 minutes, with the original Technicolor sequences, by the UCLA Film and Television Archive.
- ConnexionsFeatured in Busby Berkeley: Going Through the Roof (1998)
- Bandes originalesWhat Wouldn't I Do for That Man?
(1929) (uncredited)
Music by Jay Gorney
Lyrics by E.Y. Harburg
Sung by Helen Morgan
Commentaire à la une
Just because I gave this movie seven stars doesn't mean it will be entertaining to everyone or even most people. Its main value today is to get a rare glimpse at one of the earliest talkie musicals, and also see and hear what a Ziegfeld show might have been like right before the famous showman went broke in the stock market crash of 1929. Florenz Ziegfeld himself actually produced this film, which features his Ziegfeld Follies girls. However, he was not at all happy with the final product, which flopped at the box office.
The movie actually does have a plot of sorts, although its purpose in this film, as in many of the early talkie musicals, is mainly to set up the singing and dancing numbers. This film, though, is unusual in that the plot does actually teach a little unexpected lesson on the price of fame.
The film opens with Gloria, Barbara, and Buddy selling sheet music in a New York City department store. Gloria and Buddy have been sweethearts since childhood, but Gloria wants a career before she settles down. To complicate matters, Barbara is secretly in love with Buddy. A vaudeville hoofer sees Gloria dancing at a store picnic and wants to take her on as a dance partner. They take their act on the road and are spotted by one of Ziegfeld's talent scouts. Back in New York at the audition, the Follies want Gloria but not her partner. Unfortunately for Gloria, though, she signed a five year contract splitting all her earnings with her partner. Gloria becomes the star of Ziegfeld's new show, and this sets up the lavish production numbers of the last third of the film.
Particularly entertaining in the Ziegfeld production part of the film are performances by Helen Morgan, Rudy Valee, and Eddie Cantor. You have to remember that this film was made before there was any effective production code, so you'll likely be shocked at the revealing nature of some of the costumes in the production numbers and some of the language used. Unfortunately, although the last third of the film was shot in Technicolor, the DVD version is in black and white. Also, because of the limitations of technology and the age of this film, there are many long shots of the production numbers with the Ziegfeld Follies girls that make it impossible to see the details of the lavish costumes and sets. However, in spite of its flaws, I'd recommend it to anyone interested in this period of history and these very early talkie gems of which so few are remaining in any form.
All of the versions floating around are in shaggy shape and most are incomplete. There is a fully restored version - I believe it is at UCLA - that has the Technicolor footage restored. Maybe someday we'll see the complete original version on DVD.
Mary Eaton, who played Gloria, had a hard time dealing with the loss of her fame as talking pictures left her behind. She died at the age of only 48 due to her chronic alcoholism. In contrast, her sister Doris, who never had Mary's fame, is the last surviving Ziegfeld girl at age 105 as I am writing this. As of the spring of 2009 she was still making public appearances. How odd that the star of one of the first talking pictures made on the subject of the price of fame would have a life that teaches such a sad lesson on that same subject.
The movie actually does have a plot of sorts, although its purpose in this film, as in many of the early talkie musicals, is mainly to set up the singing and dancing numbers. This film, though, is unusual in that the plot does actually teach a little unexpected lesson on the price of fame.
The film opens with Gloria, Barbara, and Buddy selling sheet music in a New York City department store. Gloria and Buddy have been sweethearts since childhood, but Gloria wants a career before she settles down. To complicate matters, Barbara is secretly in love with Buddy. A vaudeville hoofer sees Gloria dancing at a store picnic and wants to take her on as a dance partner. They take their act on the road and are spotted by one of Ziegfeld's talent scouts. Back in New York at the audition, the Follies want Gloria but not her partner. Unfortunately for Gloria, though, she signed a five year contract splitting all her earnings with her partner. Gloria becomes the star of Ziegfeld's new show, and this sets up the lavish production numbers of the last third of the film.
Particularly entertaining in the Ziegfeld production part of the film are performances by Helen Morgan, Rudy Valee, and Eddie Cantor. You have to remember that this film was made before there was any effective production code, so you'll likely be shocked at the revealing nature of some of the costumes in the production numbers and some of the language used. Unfortunately, although the last third of the film was shot in Technicolor, the DVD version is in black and white. Also, because of the limitations of technology and the age of this film, there are many long shots of the production numbers with the Ziegfeld Follies girls that make it impossible to see the details of the lavish costumes and sets. However, in spite of its flaws, I'd recommend it to anyone interested in this period of history and these very early talkie gems of which so few are remaining in any form.
All of the versions floating around are in shaggy shape and most are incomplete. There is a fully restored version - I believe it is at UCLA - that has the Technicolor footage restored. Maybe someday we'll see the complete original version on DVD.
Mary Eaton, who played Gloria, had a hard time dealing with the loss of her fame as talking pictures left her behind. She died at the age of only 48 due to her chronic alcoholism. In contrast, her sister Doris, who never had Mary's fame, is the last surviving Ziegfeld girl at age 105 as I am writing this. As of the spring of 2009 she was still making public appearances. How odd that the star of one of the first talking pictures made on the subject of the price of fame would have a life that teaches such a sad lesson on that same subject.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Glorifying the American Girl?Alimenté par Alexa
Détails
- Durée1 heure 35 minutes
- Couleur
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Glorifying the American Girl (1929) officially released in India in English?
Répondre