Après une journée de travail difficile, un maçon tente de profiter de son jour de paie à l'insu de sa femme.Après une journée de travail difficile, un maçon tente de profiter de son jour de paie à l'insu de sa femme.Après une journée de travail difficile, un maçon tente de profiter de son jour de paie à l'insu de sa femme.
- Récompenses
- 1 victoire au total
Charles Chaplin
- Laborer
- (as Charlie Chaplin)
Wyn Ritchie Evans
- Extra
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThis is Charles Chaplin's final short film.
- GaffesOne of the speech cards reads " Your're working.."
- ConnexionsFeatured in Historia del cine: Epoca muda (1983)
Commentaire à la une
Altogether amazing little short with the comic at his best as a brick layer who is late on the job and presents a flower to his monstrous boss (MACK SWAIN). Swain looks so much like Billy Gilbert that I thought that's who it was at first. Swain orders him immediately to work and the fun starts.
A particularly amusing lunch hour sequence is full of sight gags requiring perfect timing. Charlie gets paid, then has to deal with an overbearing wife who sleeps with a rolling pin in her arms, ready to pounce on him when he doesn't come home from work on time. Instead, he's at the local pub having a night out with the other workers.
The pub sequence leads to other amusing sight gags as he and a fellow worker struggle to get out of the rain and onto a streetcar.
No wonder Chaplin considers this one his favorite silent short. Again, Edna Purviance has little to do but it hardly matters. It's Chaplin's limelight and that's all audiences wanted.
All of the stunts are exhibited in perfect timing and are the mark of genius.
A particularly amusing lunch hour sequence is full of sight gags requiring perfect timing. Charlie gets paid, then has to deal with an overbearing wife who sleeps with a rolling pin in her arms, ready to pounce on him when he doesn't come home from work on time. Instead, he's at the local pub having a night out with the other workers.
The pub sequence leads to other amusing sight gags as he and a fellow worker struggle to get out of the rain and onto a streetcar.
No wonder Chaplin considers this one his favorite silent short. Again, Edna Purviance has little to do but it hardly matters. It's Chaplin's limelight and that's all audiences wanted.
All of the stunts are exhibited in perfect timing and are the mark of genius.
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 129 550 $US
- Durée21 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
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Lacune principale
By what name was Jour de paye (1922) officially released in Canada in English?
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