NOTE IMDb
6,2/10
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MA NOTE
Lorsqu'un noble est assassiné, un professeur d'occultisme accuse les vampires, mais tout n'est pas ce qu'il semble.Lorsqu'un noble est assassiné, un professeur d'occultisme accuse les vampires, mais tout n'est pas ce qu'il semble.Lorsqu'un noble est assassiné, un professeur d'occultisme accuse les vampires, mais tout n'est pas ce qu'il semble.
- Récompenses
- 1 nomination au total
Ivan F. Simpson
- Jan
- (as Ivan Simpson)
Carroll Borland
- Luna
- (as Carol Borland)
Eily Malyon
- Sick Woman
- (scènes coupées)
Guy Bellis
- Ronnie - Englishman at Inn
- (non crédité)
James Bradbury Jr.
- Fourth Vampire
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThroughout the film, Count Mora (Bela Lugosi) has an unexplained bullet wound on his temple. In the original script Mora was supposed to have had an incestuous relationship with his daughter Luna and to have committed suicide. After filming began, however, MGM deleted references to the crime (and any remaining references may have been deleted when 20 minutes of footage was removed after the film's preview). Because director Tod Browning's previous film, Freaks, la monstrueuse parade (1932), had been a box-office disaster, he was unable to object to any changes made by the studio.
- GaffesThe character of Jan (pronounced as it would be in Prague as "yan") is referred to by the English pronunciation inexplicably by one character a few times before returning to pronouncing it correctly.
- Citations
[Last Lines]
Count Mora: This vampire business, it has given me a great idea for a new act. Luna, in this new act I will be the vampire. Did you watch me? I gave all of me. I was greater than any real vampire.
Luna Mora: Sure, sure, but get off your makeup.
Fourth Vampire: Yes, and help me with some of this packing.
- Versions alternativesThere is an Italian DVD edition of this movie, distributed by DNA Srl. The movie was re-edited with the contribution of the film history scholar Riccardo Cusin. This version is also available in streaming on some platforms.
- ConnexionsEdited into Mondo Lugosi - A Vampire's Scrapbook (1987)
Commentaire à la une
The MARK OF THE VAMPIRE lies heavily upon the terrified inhabitants of a lonely European manor house.
In 1935 director Tod Browning set about the remaking of his 1927 silent Lon Chaney shocker LONDON AFTER MIDNIGHT. The final result was rather an odd film for the MGM roster, but it benefited by being given the Studio's first class production values and casting. It is a tremendously entertaining film to watch even now, full of chills & suspense.
However, at a running time of barely one hour it has been obviously heavily edited. This does not help the already ludicrous plot, many of whose elements simply do not make the slightest sense. It is perhaps just as well to enjoy what the film does have to offer and not to harp about the incongruities of the storyline. The ending will come as a surprise to many viewers - some will be delighted at the turn of events, others will feel betrayed at the final fadeout.
The cast is excellent. Lionel Barrymore is at his most eccentrically watchable as the elderly vampire stalker. And who could play the Undead better than Bela Lugosi? Although he speaks not a word until the final seconds of the film he is pure menace throughout, stalking along cobwebed corridors, associating with giant bats and radiating pure evil. Lionel Atwill as a stern police inspector and gentle Jean Hersholt as a befuddled baron complete the quartet of leading actors.
Elizabeth Allan is lovely as the menaced young lady, while Carol Borland is properly mysterious as Lugosi's vampiress. Various members of the supporting cast are allowed moments to shine - Donald Meek as the frightened local doctor; Ivan Simpson as the manor's old butler and Leila Bennett as a rather hysterical maid. Movie mavens will spot an unbilled Christian Rub as a deaf peasant at the coroner's inquest.
The film's editing sadly left several very fine character actors on the cutting room floor, including Robert Greig, Eily Maylon, Zeffie Tilbury & Jessie Ralph (whose name still appears in the credits).
James Wong Howe's excellent cinematography should be mentioned, as should also the creepy special effects which add immensely to the atmosphere.
In 1935 director Tod Browning set about the remaking of his 1927 silent Lon Chaney shocker LONDON AFTER MIDNIGHT. The final result was rather an odd film for the MGM roster, but it benefited by being given the Studio's first class production values and casting. It is a tremendously entertaining film to watch even now, full of chills & suspense.
However, at a running time of barely one hour it has been obviously heavily edited. This does not help the already ludicrous plot, many of whose elements simply do not make the slightest sense. It is perhaps just as well to enjoy what the film does have to offer and not to harp about the incongruities of the storyline. The ending will come as a surprise to many viewers - some will be delighted at the turn of events, others will feel betrayed at the final fadeout.
The cast is excellent. Lionel Barrymore is at his most eccentrically watchable as the elderly vampire stalker. And who could play the Undead better than Bela Lugosi? Although he speaks not a word until the final seconds of the film he is pure menace throughout, stalking along cobwebed corridors, associating with giant bats and radiating pure evil. Lionel Atwill as a stern police inspector and gentle Jean Hersholt as a befuddled baron complete the quartet of leading actors.
Elizabeth Allan is lovely as the menaced young lady, while Carol Borland is properly mysterious as Lugosi's vampiress. Various members of the supporting cast are allowed moments to shine - Donald Meek as the frightened local doctor; Ivan Simpson as the manor's old butler and Leila Bennett as a rather hysterical maid. Movie mavens will spot an unbilled Christian Rub as a deaf peasant at the coroner's inquest.
The film's editing sadly left several very fine character actors on the cutting room floor, including Robert Greig, Eily Maylon, Zeffie Tilbury & Jessie Ralph (whose name still appears in the credits).
James Wong Howe's excellent cinematography should be mentioned, as should also the creepy special effects which add immensely to the atmosphere.
- Ron Oliver
- 28 mai 2003
- Permalien
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Détails
Box-office
- Budget
- 305 177 $US (estimé)
- Durée1 heure
- Couleur
- Rapport de forme
- 1.37 : 1
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