The title for the film immediately makes one want to see it, and anybody that reads the plot summary are likely to find themselves intrigued. There were a couple of other reasons for wanting to see 'Confession'. One was the cast, have liked Kay Francis in a good deal of other things (though some are cases where she is better than the other) and am a fan of Basil Rathbone. Joe May was an important figure in his day but has been over-shadowed over-time by Fritz Lang by FW Murnau.
Which is a shame because May proved with the likes of 1929's 'Asphalt' that he could do great work. 'Confession' is another example of May greatness, one of his best. It has often been compared to 'Mazurka' with Pola Negri, namely because it has pretty much the same plot with similarities with that film's score, costumes and camera angles. This doesn't matter though, because 'Confession' is a great film in its own way and doesn't feel too derivative even with the similarities.
'Confession' is a little bit of a slow starter and the structure takes a little getting used to.
Once it gets going though, 'Confession' is excellent pretty much all round. It looks fantastic, not quite as visually innovative as 'Asphalt' but the visual style seen in that film is here too. The photography in particular is dazzling, with some truly inspired and atmospheric use of camera angles. The elaborate and very meticulously detailed settings and eeriness of the lighting can also be seen. The music score is haunting, the use of pre-existing music cleverly used.
May's direction is very accomplished, the best of it actually is so superb (especially on a technical level) that it really is a shame that he is not better known now. The script is intelligently written yet doesn't ramble or be too over-literate. The story is a slow starter, but from the twenty minute mark to the end it kept me on the edge of my seat. The final moments are very moving.
Francis is truly fabulous here, not just elegant but also at her most intense and the tragic aspects of her character are movingly conveyed. It is a strong contender for her best performance. Rathbone is great as usual, in a role with characteristics that he was always very good at doing to a high standard in everything he did. Jane Bryan, Laura Hope Crews and the ever reliable Donald Crisp are strong support.
Summing up, excellent. 9/10
