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7,4/10
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MA NOTE
L'amour naissant entre un maître de ballet et un danseur de claquettes est mis à mal quand leur manager, hostile à cette romance, lance des rumeurs prétendant qu'ils sont déjà mariés.L'amour naissant entre un maître de ballet et un danseur de claquettes est mis à mal quand leur manager, hostile à cette romance, lance des rumeurs prétendant qu'ils sont déjà mariés.L'amour naissant entre un maître de ballet et un danseur de claquettes est mis à mal quand leur manager, hostile à cette romance, lance des rumeurs prétendant qu'ils sont déjà mariés.
- Nommé pour 1 Oscar
- 4 nominations au total
Norman Ainsley
- Ship's Bartender
- (non crédité)
Ben Alexander
- Evans - a Bandleader
- (non crédité)
Sherwood Bailey
- Newsboy
- (non crédité)
Matthew Boulton
- Ship's Officer
- (non crédité)
Harry Bowen
- Johnson - the Locksmith
- (non crédité)
Sidney Bracey
- First Steward
- (non crédité)
William Burress
- New Jersey Justice of the Peace
- (non crédité)
Charles Coleman
- Central Park Policeman
- (non crédité)
Monte Collins
- Usher-Messenger
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThe scene where Fred Astaire and Ginger Rogers dance on roller skates took about 150 takes, according to one of the VHS versions of the film.
- GaffesAt the end, Linda Keene (Ginger Rogers) plans to crash Petrov's (Fred Astaire) big dance number, so she can personally serve him her divorce papers. Legally, a summons cannot be served by someone who is a party to the action.
- Citations
Linda Keene: What are the grounds for divorce in this state?
Clerk: Marriage.
- Crédits fousWhen George Gershwin's name appears in the credits, a bit of "Rhapsody in Blue" plays on the soundtrack.
- ConnexionsFeatured in Hollywood: The Great Stars (1963)
- Bandes originalesSlap That Bass
(1937) (uncredited)
Words by Ira Gershwin
Music by George Gershwin
Sung and danced by Fred Astaire and Ensemble in engine room
Sung also by Dudley Dickerson
Commentaire à la une
Why did I have to watch this 5 times in the last 2 weeks?
Well, I can't explain. I guess because this is one of those rare cases where a movie becomes a masterpiece in spite of a (intentionally!) loose storyline; the strength of the choreography, melodies, and the pure delight of dance sequences gives it all. There's Fred Astaire, there's Ginger Rogers, and there's the Fred-Ginger duo - 3 (sic.) distinct personalities! I have watched scores of musicals - but never have I been so bewitched by duet dance sequences unaccompanied by any of the garish excesses characteristic of the Hollywood musical.
Just think of the number " Let's call the whole Thing Off"; what grace, what poise of the couple tap-dancing on roller skates! And oh, what wondrous blend of lyrics and melody. And closely follows another number that, in all it's apparent lightness, provides a counterpoint that makes one misty eyed.
About the solo dance sequences of Fred - the one in the ship's boiler room, the brilliant choreography of his tapdancing with the "pistons" moving in phase, well - it's superhuman!
I shouldn't miss mentioning Edward Everett Horton ("Jeffrey", "Petrov"'s impresserio) - for his misadventures hold the struggling storyline of movie on, just as it was probably meant to be. Eric Blore ("Cecil", the floor manager of the hotel) does his inimitable role as in many other Fred-Ginger musicals; rarely have I seen anything more hilarious than the telephone conversation between Cecil (from jail!!) and Jeffrey.
It's unalloyed and delightful entertainment for those who love musicals. Just forget the world and enter into a dreamland for 108 minutes!
Well, I can't explain. I guess because this is one of those rare cases where a movie becomes a masterpiece in spite of a (intentionally!) loose storyline; the strength of the choreography, melodies, and the pure delight of dance sequences gives it all. There's Fred Astaire, there's Ginger Rogers, and there's the Fred-Ginger duo - 3 (sic.) distinct personalities! I have watched scores of musicals - but never have I been so bewitched by duet dance sequences unaccompanied by any of the garish excesses characteristic of the Hollywood musical.
Just think of the number " Let's call the whole Thing Off"; what grace, what poise of the couple tap-dancing on roller skates! And oh, what wondrous blend of lyrics and melody. And closely follows another number that, in all it's apparent lightness, provides a counterpoint that makes one misty eyed.
About the solo dance sequences of Fred - the one in the ship's boiler room, the brilliant choreography of his tapdancing with the "pistons" moving in phase, well - it's superhuman!
I shouldn't miss mentioning Edward Everett Horton ("Jeffrey", "Petrov"'s impresserio) - for his misadventures hold the struggling storyline of movie on, just as it was probably meant to be. Eric Blore ("Cecil", the floor manager of the hotel) does his inimitable role as in many other Fred-Ginger musicals; rarely have I seen anything more hilarious than the telephone conversation between Cecil (from jail!!) and Jeffrey.
It's unalloyed and delightful entertainment for those who love musicals. Just forget the world and enter into a dreamland for 108 minutes!
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- How long is Shall We Dance?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Shall We Dance
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 991 000 $US (estimé)
- Montant brut mondial
- 6 662 $US
- Durée1 heure 49 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was L'entreprenant Mr Petrov (1937) officially released in India in English?
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