Ajouter une intrigue dans votre langueA homeless and destitute violinist joins a combo to bring it success, but has problems with her love life.A homeless and destitute violinist joins a combo to bring it success, but has problems with her love life.A homeless and destitute violinist joins a combo to bring it success, but has problems with her love life.
Gus Arnheim and His Cocoanut Grove Ambassadors
- Musical Ensemble at Club Joyzelle
- (as Gus Arnheim and his Ambassadors)
André Cheron
- Aide to Prince Nicholaus
- (non crédité)
Cimini Male Chorus
- Off-Screen Vocal Ensemble
- (non crédité)
June Clyde
- Hot Blonde at McGregor's
- (non crédité)
Art Fleming
- Drummer in Gus Arnheim's Orchestra
- (non crédité)
Nelson Hall
- Guitarist in Gus Arnheim's Orchestra
- (non crédité)
Eddie Kane
- Mr. Gilman
- (non crédité)
Raymond Maurel
- Vocalist at Little Aregon
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesPromotional material claimed Betty Compson was an accomplished violinist and was playing live in her musical scenes, but, in actuality, her playing was mimed to previously recorded violin solos by off screen Russ Columbo who also appears on screen as an uncredited member of Gus Arnheim's Orchestra. This information was later revealed by the music's composer, Oscar Levant. Compson did learn to play the violin in her youth and played professionally in theaters and vaudeville since the age of 16. So, her bow movements and fingering appear authentic. Her character in Inside the Lines (1930) also plays the violin.
- Citations
Joe Spring: Well, seeing as you met my two boyfriends here, Summer and Winter, I'd like to introduce myself. I'm Joe Spring. The star of this band. And that slug on your left, there, being too ignorant to introduce himself, I'd just like to tell you that that's Mike Fall, the original fall guy.
Frederika Joyzelle: Oh, I know you boys. You are the Four Seasons.
- ConnexionsVersion of Adieu Paris, bonjour New-York (1936)
- Bandes originalesBroken Up Tune
(1929) (uncredited)
Music by Oscar Levant
Lyrics by Sidney Clare
Performed by Doris Eaton and the Radio Pictures Beauty Chorus
Commentaire à la une
I watched this on TCM and found it interesting, though in many ways just a showcase for the music. Very '20s, very period-piece stuff, with the usual strange choreography. I thought the title Street Girl was a bit of a tease however, as the "girl" turned out to be a homeless violinist who gets involved with a down-at-heels dance band. What stood out for me however was the noisiness of the sound track, the worst I have ever heard. I realize this is an early talkie and they were probably still struggling with ways to muffle the sound of the camera. But every shot seemed to have its own peculiar frequency, from whirring to humming to grinding to something like a garburator. I wonder now if early-talkie audiences noticed or cared about this, but it seems to me that many must have longed for the sophisticated accompaniment that had evolved by late in the silent era. What also amazes me is the leap in sophistication that took place in only a couple of years: by 1931, people had forgotten all about silent movies and screenwriters/actors had hit their stride. This is great to watch if you're a sound technician/film historian or both.
- magunning-630-962353
- 18 mars 2014
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Street Girl
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 211 000 $US (estimé)
- Durée1 heure 27 minutes
- Couleur
- Rapport de forme
- 1.20 : 1
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